Serpentina splendor

Chelydra serpentina, or common snapping turtle

The dogs raced along the backyard fence, barking and growling like fiends at something on the other side. My husband, upon going out to investigate, hollered with equal parts glee and shock: “Come see this! You won’t believe it!”

All I could think was It had better not be a snake.

No, but close.

Meet Serpentina.

The dinosaur turtle.

Okay, not really dinosaur, just the biggest snapping turtle I’ve ever seen. In my yard, in the clover. With algae growing on her shell.

And her head.

I am really at a loss for words to describe her. Monumental. In size, and in her likeness to stone.

And tell me this tail does not scream dinosaur to you:

My family gawked, marveled, shuddered until we could gawk, marvel, and shudder no more. We let our visitor be. I went inside the house and watched from the kitchen window. After a few short minutes, she began zipping—okay, not really zipping, but crawling a whole lot faster than I imagined a turtle could—along the outside of our backyard fence. Periodically she stopped, leaned up, put her front feet on the fence, and stretched her neck impossibly long (think brontosaurus). Down she dropped again to resume her steady clip.

She’s trying to get to the woods behind our backyard, I thought. The fence is blocking her.

Yet when I turned away from the window for a moment, she vanished without a trace.

I felt oddly bereft.

I mean, it’s not like she’s a snuggly sort of creature.

Several days later I read in a local news article that a record number of snapping turtles appeared in our area en masse, looking for places to lay their eggs.

Nesting, they were.

Old Serpentina—I don’t even know how old she is, she just looks like the ages, a fossil from the dawn of time—her sense of urgency was real.

Maybe that’s what sort of spoke to me, without words. Mother to mother. Living being to living being. In my recoiling was a stab of appreciation; my sense of wonder overruled my impression of fearsome. And somehow, in all of it, lurked a twinge of sadness for which I have no explanation whatsoever.

When Carol Varsalona extended a recent invitation and challenge to create digital inspirations for her #SpringSplendor gallery, I thought of Serpentina. She came along in spring, all right. She’s not what I had in mind at all. I had a beach sunrise in mind. A sprig of wisteria. Beautiful things.

But Serpentina has, you must admit, a splendor all her own.

So, my tribute:

Snapping turtle - Copy

Untoward grace

in algae carapace

seeking with care

a place

to lay new life.

 

—My best to you and your splendid babies, Serpentina.

I kind of hope I get to see them.

Coaching metaphor

During recent professional development sessions on “Coaching the Coach” at Ocracoke Island, the facilitator charged participants with finding a metaphor for coaching.

We were to take a photo. We would write to it.

There were no other parameters.

Ocracoke is a tiny place full of narrow, twisting roads, quaintness, legend, and mystery. It has around a thousand inhabitants. In tourist season one has to drive with extreme care as the streets become clogged with pedestrians, horses, bicyclists, golf carts, and cats (the island has a rampant feral cat population). The word island might as well be a synonym for enchantment or mystical; a sense of these hang in the air along with the salt. Sort of like expectancy.

When I first saw the grove of trees—predominantly live oaks—on the corner lot of a house converted to a bookstore, I thought: What a restful place. It has its own particular allure. While there are larger live oaks, individual, ancient giants, elsewhere on the island, these smaller trees grow together, toward one another. I read somewhere that live oaks focus their energy on growing out, not up; perhaps this is especially important in a place where ocean winds continually carve the landscape. These trees survive hurricanes. They flourish in salty places.

The early May afternoon was hot; the sun blazed overhead. I noted the profuse shade under the trees. They stand leaning inward, reaching to one another, as if intentionally collaborating to benefit all who enter their realm of existence. No one tree stands out. It’s a joint effort. I walked into their proffered coolness, this respite, this shelter, envisioning how their roots are deeply intertwined, that they draw collective strength in their mutuality. They are anchored together. That’s part of how they endure. A foundation from which to grow, branch out, and sustain their own lives and others’.

There is more, there is always more, to a metaphor, for it knows no parameters, either. It can keep on going and going, changing shape, developing new layers in new light. It’s supposed to, just like learning. Like life. I just choose to stop here.

For now.

Coaches, teachers

gathered

in rapport, mirrored

growing together

toward one another

is strength

and refuge.

For all.

A slice of long ago

My mule neighbors

All my life, I wanted to live in the country.

I was the child of streets, sidewalks, bridges, overpasses, a city that set its watch by military bases and the shipyard. 

I am now the sound of roosters crowing before daybreak, geese honking and flying in their “V” against an egg-colored sky, glassy ponds with their rising morning mist, cotton fields, tobacco barns, donkeys, goats, horses, and the occasional peacock.

To be precise: I live on a tiny neighborhood cul-de-sac, not a farm, although fields and rural life surround me.

Just beyond the woods in front of my home is a pasture, and in that pasture live two mules.

The first time I drove down that road and saw them, I nearly wept.

I halfway expected my grandfather as a young man to walk out of the weathered, tin-roofed barn and hitch them to a plow.

See, I am also the child of stories about the old days and the old ways. In the summers I left the bustling city behind for a few weeks to stay with my grandparents in their rural community, where generations of my ancestors lived and died. Every word that Granddaddy and Grandma spoke, every memory they relived in response to my thousand questions, still lives in my soul. 

Because of the stories I sometimes recognize a thing as familiar when I haven’t it seen before.

So it was that my first sight of these mules took me to a time long before my own. For just a minute, I felt like I was there. 

And, in a way, I was.

In 1937.

*******

He was up with the dawn, at the back of the field plowing with those mules. I stood on the porch and waved my apron at him, but he wasn’t looking.

I was alone in the house—a two-story house painted white, we didn’t own it, we were tenant farmers—because his mama had gotten mad with us and moved out. My sisters and my own mama thought there’d be plenty of time before the baby came. I guess I thought so, too.

I shivered in the chilly morning, the beginning of October, but the days still got pretty warm. Such a beautiful time of year, everything so crisp and bright, the sky so blue. We’d only been married for ten months. I had a lot to learn, being just twenty-one, but I was proud of what we had and I kept everything looking so nice. I didn’t think of what we didn’t have because no one had much of anything . . . .

All I could think about in that moment on that morning is that I suddenly needed help and no one knew.

“Lump!” I yelled, as hard as I could, to get his attention.

He was fighting those mules—I don’t know how he always managed to find the orneriest mules on Earth!—and he couldn’t hear me.

Right about then is when my water broke. The warm fluid ran down my legs, past the hem of my dress, into my shoes. I’ve never been so frightened; I sat down on the porch steps and started to pray:

Help me, God. I don’t know what to do! Please send help, somehow.

That’s when Belle, our little bluetick hound, came out from under the porch and sat beside me. She started licking the fluid off my legs like she knew what was happening and I am sure she did. Animals know things. I put my arms around her and cried and cried.

“Bless you, old Belle, for trying to help me,” I told her.

“Bless you.”

******

Of course my grandfather looked up from the mules to see her there. He went for the doctor, who arrived in plenty of time.

That is how my father came into the world.

Grandma said Granddaddy was so, so proud of his boy: “Never saw his face shine quite like that before, when the doctor called him in from the front room and put his son in his arms. Your newborn Daddy looked exactly like him.”

Made up for those ornery mules, I suppose. I don’t know of any other part they played in this story, but it is enough. For me, mules are forever icons of my young grandfather and his farmer-sharecropper life.

Standing like silent sentinels in the background as one generation passes to another.

Oh yes, I’ve loved the country all my life, and maybe even before. 

Living here means that long ago is never far away.

*******

Note: Everyone “down home” called my grandfather by his nickname, Lump, short for Columbus. When my father saw me for the first time, he said, with more than a little concern: “My land—she looks just like Daddy.”

The eagle

Eagle

Bald Eagle. sally9258CC-BY

After a recent outpatient procedure, as I secretly celebrated waking up from anesthesia and not dying, my  husband drove me home down the back country roads. Through the passenger window I idly watched winter-brown grass, trees, and old gray outbuildings zipping by, noted a small clearing with a tiny pond nestled in wood-strewn ground, an eagle sitting by the wayside—

wait

We said it simultaneously, my husband and I: “THAT’S AN EAGLE!”

Just a quick impression, sitting majestically, facing us, huge, white head gleaming atop the dark body, not ten feet away . . . .

We were past it as soon as the sight registered on our brains.

“Go back! Go back!” I pleaded, grabbing my phone, opening the camera.

sssskkkkrrrrttt! of a turn-around at a dirt driveway, and we were back in a flash.

It watched us, unmoving, as we neared, but when we slowed, the eagle grew suspicious. It took off. Within a millisecond, into the bare, gnarled oaks.

“No! Wait! Wait!” I cried, snapping as fast as I could.

We rolled a little farther, but the only good shot I got was of its back, soaring away.

Gone. I missed the moment. Failed to capture my encounter with the wondrous. I have never been that close to an eagle in the wild. I’ve hardly seen any free ones at all, in fact. I’ve heard them calling in their high, haunting, piercing voices, have seen one perched on top of a streetlamp, but never anything like this.

I grieved my loss: It would have made such a great blog post, too.

I got home, got into bed.

Couldn’t rest.

The image of the eagle wouldn’t leave my thoughts. It stayed, motionless, watching me. Cocked its head, affixed me with its eye, its penetrating gaze.

—Why wouldn’t you stay so still just a little while ago?

It ruffled its feathers. Kept right on staring at me.

So I looked it up.

There are few things I love better than symbolism, and few are better-known than the eagle: The national bird, on the Great Seal of the United States. Revered icon of ancient times, civilizations, people. Mascot to numerous sports teams—even that of the school where I work.

But this is what got me about the eagle:

It is a symbol of healing.

It is a symbol of transition, some element of life or creative endeavor, about to take flight.

—Dare I see it as a sign that all shall be well, that some new venture, personal or professional, lies just ahead?

It was just an eagle sitting by the wayside, as eagles surely do, somewhere, every day.

Only this time I happened to see it. In the blinking of an eye.

It blinked.

I blinked back at it.

So, I told it, you wouldn’t stay put for a real picture, but now you linger as a mental one. If you’re going to hang around portending something, then let it be my creativity and insight taking flight. Let it be about thing I love to do most—let my writing be courageous and free, with clarity of vision. Let it fly, let it fly, on and on, higher and higher.

Only then did the image fade; only then did I rest.

I fell asleep.

And woke in the morning, renewed, resolute.

No more missed moments. There aren’t moments to lose.

—I’m ready for whatever lies ahead. Lead on, eagle.  

My best shot

Happy place

Sitting in the surgical room, waiting for a minor outpatient procedure, I try to redirect my sense of dread by listening to the nurses chatting:

“The knees, they’re the most unforgiving body part.”

“How about the uterus? The uterus is a vindictive organ. You mess with it and it’s going to fight back.”

Immediately I am looking all over the room for something to write with: The uterus is a vindictive organ –! That’s got to be one of the best lines I’ve heard in my entire life. Profound and very possibly inarguable . . . .

But pens apparently aren’t needed in the surgical room, as I can’t see one anywhere, and even if I did, I can’t get to it, I’m hooked to an IV, and besides, here comes a nurse, still talking: “The liver, now, it has a great sense of humor, but the uterus has absolutely none. —How ya doin’?”

She’s addressing me. “Oh!” I say, still etching the dialogue into my brain in a desperate attempt to preserve it. “I’m, um, good.”

—What does she mean, the liver has a great sense of humor? Because it’s able to regenerate? Or is there some other reason? What can that possibly be?

“So, you know you’ll get propofol, right, and this will all be over in a jif,” she says cheerily, busying herself with the tubes and such.

—Propofol. Isn’t that what killed Michael Jackson?

I am just about to ask when the anesthesiologist comes in and says, “All right, let’s do this.”

I want to say, Hang on a second, I really need to know about the liver’s sense of humor, when the anesthesiologist says in a low, silken voice:

“Do you have a happy place?”

I so know what THIS is. Get me talking about something happy so I’ll go under peacefully. A completely obvious ploy.

I don’t want to be put under, I don’t want to talk about my happy place, I want to know about the liver’s sense of humor before I wear myself out wondering about it.

But the moment’s upon me and suddenly this question about my happy place makes me want to cry.

See, I think my happy place is a little like Heaven, and if I start talking about it—will I wake up?

No need to fight. Just embrace it, says my own voice in my own head. At least, I think it’s my own voice.

So I say, “Yes, I have one.”

“Tell me about it,” says the silken voice, as warm as a blanket.

I sigh. “My grandparents’ home.”

“Where’s that?” asks the liver-humor nurse.

“In Beaufort County, out in the country. Some people say at the end of the world.”

“Why were you happy there?” coos the anesthesiologist.

“Well, because they were there. My grandparents. I always wanted to be with them.”

And they always wanted me, I think, but I don’t say it aloud. I can see them, faintly, as I speak. Standing out in the yard, watching for my arrival. One or the other or both, every time they knew I was coming. Watching, waiting.

“What was it like there?”

I’m not sure who asked this.

I can see it as I speak, as if through a window in my mind. The blue sky, the trees. Grandma’s azaleas, the camellia bush, the orchard, Granddaddy’s garden, the old hen house. I am not sleepy, yet. Maybe I can fight this, a bit . . .

“I grew up in the city and in the summers I’d go stay with my grandparents. I loved the country. It was a little paradise . . .”

It was love personified, love-infused, love written in the veins of every leaf, in every blade of grass, in the black earth itself that gave back so abundantly of what was given,  love echoing in every birdsong, in the vibration of every cicada, love painted on the iridescent bodies of dragonflies in a place more alive than any other I have ever known.

“Time to wake up, now,” says a gentle voice in my ear.

Grandma? Is it morning, already?

I’m so sleepy, still.

“Here you go. It’s all over, and everything is fine. You did great.”

It’s the liver-humor nurse.

I’m dressed, wheeled out to the car, buckled in beside my husband who’s driving, and well on my way home before I realize:

I STILL don’t know why the liver has a great sense of humor.

Rabbit reverie

I saw the first one of the season just about a week ago, while driving along a back road on the blackest of nights. Through an infernal, eternal, cold Carolina rain, my headlight beams caught a flash of brown, a glimpse of white cottontail zigzagging like lightning off to the right.

—Rabbit.

—Spring is near.

The cheery thought sent me into a rabbit reverie.

My husband used to tell our boys when they were small that fog was really the rabbits making soup.  I immediately envisioned hundreds of tiny cast-iron pots over miniature campfires out in the woods, with rabbits meticulously stirring and stirring the steaming contents—Where’d you get this fanciful idea? I asked. My husband smiled: It’s what my father used to tell me. To this day, our sons, grown men,  look outside on a foggy day and nod sagely: “Rabbits making soup again.”

Baby rabbits hung out on our porch during the spring I was expecting the second of the two boys. The older one, seven turning eight, sat at the windows of his baby brother’s nursery-in-progress to watch them up close: Look, Mom, look! There they are! Easter bunnies!

I decorated the nursery with a Peter Rabbit theme.

The first good animal drawing that I ever did, that my first-grade classmates sincerely complimented, was of a rabbit. I didn’t tell them I’d traced it, as that seemed a totally insignificant point at the time.

I recalled my father mentioning the local radio station of his 1940s childhood, WRRF. He said it stood for We Run Rabbits Fast.

Life runs faster than rabbits, doesn’t it, Daddy. Too, too fast.

With that, all my rabbit thoughts left me as rapidly as they came.

Until I promptly stumbled upon this garden photo with two baby bunnies nestled in a head of—cabbage?

So that’s what this is about. I am clearly dealing with a motif.

Okay, Bunnies, I acknowledge you, your contribution to my life, your secret culinary arts, your near-omnipresence in children’s literature, your real and mystical connections to springtime, even your voracity.

I’m grateful for you.

I’m also thankful that I don’t have a garden for you to destroy, just saying.

And I am really, really sorry that I carried around that rabbit’s foot (dyed aqua) when I was nine. It wasn’t lucky anyway; that’s the year I broke my arm . . .

Seems I’ve long since redeemed myself, little friends.

The door

Door

 

Once upon a very long time ago, I walked with my grandmother down the dusty dirt road of her coastal North Carolina home place. The road was little more than a path lined by deep ditches and cattailed canals. Frogs plop-plopped from masses of lily pads into the murky water as we passed by. Beyond the ditch banks rose the woods, so thick and dark on both sides that crickets sang all day, thinking it was forever night. The sun beat down on everything, yet a breeze seemed always to be sighing, shhh ssshhhhh ssssssshhhhhh, in the dark, leafy depths of the forest. Early in my childhood, I understood that the forest is a living thing.

The old houses, however, spoke of dying. In various stages of falling down, the homes of Grandma’s neighbors spoke of times past, of living and loving over and done. The long-abandoned, dilapidated houses should have haunted me and perhaps they did, in a way. I wasn’t scared. I wanted to know about the people, what they were like, what their stories were.

Grandma knew them all. The people, the stories. That day we when stopped at the fork of the dirt road, I pointed to the lone sepia-toned house nestled in the crook and asked, “Who lived here?”

“The Rosses,” she said, launching into their history, which I didn’t hear because all I could think was I want to see inside.

“Grandma, can we go in?” I blurted.

To my surprise, she hesitated. I was pretty sure she’d just say no.

“They’ve all been gone for so long,” she said, almost to herself, staring ahead. I knew she wasn’t seeing the sad little frame leaning slightly to one side or the brown weatherboard siding. She was seeing it as it once was. The people that once were.

“We’ll go to the door and peep in, but that’s all,” she finally decided. “It’s not safe to go inside.”

So up the rickety steps we went, and, with the scrape of soft wood against soft wood, Grandma pushed open the door.

An overpowering musty, mildewy smell.

I coughed, blinked.

Stairs. Windows. A bit of old curtain, still hanging. Floorboards, some curving up at the ends, and . . .

“Letters! Look, Grandma!”

Before she could stop me, I was in the foyer, bending over a stack of dingy envelopes at the base of the staircase.

Someone had addressed the envelopes with elegant penmanship, in ink faded to the same sepia shade as the house itself. The envelopes looked to have been ivory or cream once. Now tinged and mottled brown, some still contained letters while other envelopes were empty, their creased handwritten contents scattered throughout the layers underneath.

I grabbed one and began to read: “My Dearest— oh, Grandma! Love letters!”

Grandma’s hand on my own stopped me.

“These aren’t meant for us to read,” she said. “These folks may be long gone, but this is their business, their story. Not ours.”

I put the letters down and followed her out of that silent, colorless setting back into the bright, hot sun.

That’s one of the hardest things I’ve ever done.

Across the years, I’ve remembered those letters, wondered who exactly wrote them to whom, and why they were left like that in the abandoned house. Why Grandma chose to let them be, when the people are dead and past caring. Stories that are now lost to living memory, that will never be known.

Oh, to go back in . . . !

But even as I wish that, a movie scene comes to mind. Another old, sepia house with another girl. If you watch The Wizard of Oz closely, you can see exactly when the Technicolor kicks in on Dorothy’s back just she goes to open the door to a world nearly too fantastic to believe.

So, for me, the image of an aged farmhouse door forever invokes story. It’s first an invitation to examine one’s own framework, the living, loving, and breathings written on one’s own heart. The going in. And then the going out to collide with vibrant colors of everything beyond oneself, to absorb, to get a sense of infinite contours so far above and beyond what we can fully see and grasp. Endless discoveries, always, whether going in or out.

I might as well say the old wooden door is why I write.

*******

Today the door opens on the Slice of Life Story Challenge with Two Writing Teachers, a post a day in the month of March. 

Sun day

Here in the heart of North Carolina, epic snow and bitter temperatures haven’t been an issue.

We’ve had a different plague.

For nine dark days in a row, it’s rained.

Rain rain rain rain rain rain rain rain rain

Small rivers flowing over roads and through parking lots. Yards turned to absolute bogs. Maybe we can raise a bumper crop of Venus flytraps.

The farmers say it’s good for the cows, that continuously pulling their feet up high from so much mud as they walk builds their muscles (is this true? The rain is beefing up the beef?).

Not so for humans. The utter gloom left us in a zombie-like stupor.

Gray day after gray day after gray day . . . .what did the sun even look like? Feel like?

Wait—I remember reading something like this. I first encountered it long, long ago. A story of bad enchantment. . .

“When you try to think out clearly what this sun must be, you cannot tell me. You can only tell me it is like the lamp. Your sun is a dream; and there is nothing in that dream that was not copied from the lamp. The lamp is the real thing; the sun is but a tale, a children’s story” . . . Slowly and gravely, the Witch repeated, “There is no sun.” And they all said nothing. She repeated in a softer, deeper voice: “There is no sun.” After a pause, and after a struggle in their minds, all four of them said together: “You are right. There is no sun.” It was such a relief to give in and say it.

—C.S. Lewis, The Silver Chair

How easy to forget there ever was a sun, succumbing to the mind-numbing sound of rain, rain rain, just as Prince Rilian, Eustace, Jill, and Puddleglum fell under the spell cast by the strum, strum, strum of the Witch on her stringed instrument.

Until yesterday, that is, when I heard a sound other than falling water.

Just outside my bedroom window, birds were singing. Merrily.

Despite the pouring rain, on a morning with no sun, they sang with pure zest.

How it lifted my spirits. Surely the sun could not be far from returning. Surely the birds knew it, were proclaiming it ahead of time: This this this too will pass pass pass. This this too will pass pass pass, wait and see, wait and see . . .

Then, today, bit by bit, the grayness lifted. Yellow shafts of light suddenly spilled through the blinds; I ran right outside to revel in the brightness. Now, as the afternoon wanes, shimmering golden fingers are playing across my keyboard, my hands, the table, the walls. I think of a happy child, dancing, full of joie de vivre, joy of living.

Today just so happens to be Sunday.

And now I have a bit of song for you, little harbinger birds:

Little darling, it feels like years since it’s been here
Here comes the sun
Here comes the sun, and I say
It’s all right.

—George Harrison

Incapacitated

The initial predictions were utter destruction by an epic monster.

Having suffered extensive damage from hurricanes in years past, central North Carolina fortified itself against Florence. I collected a small mountain of dry goods and canned vegetables—”hurricane stash”—that probably could have fed my family of four for two weeks without electricity. Since we’re on a well, we don’t have water when the power goes out; I  even purchased powdered milk to mix with bottled water, for our cereal. Bottled water . . . that took several trips across three days. By 6:30 in the mornings, restocked grocery shelves were again picked clean. I finally scored a 36-count pack of Aquafina and turned to maneuver away from the throng in that aisle when a man, loading his own cart, said, “Here, you better take another.” He hefted a pack of water off the shelf and stacked it on top of the one in my cart. This gesture by a stranger stirred my heart.

At home, the dogs had plenty of food, we had batteries, all the laundry was done, one of the bathtubs was filled with water, the cars with gas. Our porch rocking chairs and the grill were secured in the shed. The television news ran nonstop. My family watched the slow, drawn-out approach of the monster, and although the sun was still shining, school was canceled in anticipation of the onslaught. My mind continually scrolled for every possible preparation. I even boiled the remainder of our eggs so they’d be usable if the power went out for days, as happened in the past.

I planned for everything.

Except my back going out.

It started on the day before Florence was to make landfall and grew steadily worse. I attributed it, at first, to the barometric pressure; I’d heard several people mention headaches and backaches. By the time the wind and rain arrived, however, the grip of pain was too intense for me to sit or walk anymore. Dosed with ibuprofen, I spent the duration of the storm — five days, all told— lying in bed with pillows under my knees.

Unable to do anything.

Except re-read the entire Harry Potter series.

Escapism at its best.

Different things strike me on each reading. This time, as the wind raged on the other side of the walls, as sideways rain whipped in voluminous sheets, slapping the windows with fury, as the encroaching darkness forced me to switch on my phone flashlight in order to see the words on the pages—Lumos!— I lay there contemplating the nobility of the characters, the way they banded together, helped one another, in the face of their own destructive, epic monster. How they found unrealized courage despite ever-increasing darkness. As I lay reading, immersed in Harry’s world,  I caught distant snatches of the news from my own: on the TV in the living room, where my husband and sons tracked Florence’s path, meteorologists warned people that if their houses flooded to not seek refuge in their attics, because there’s no exit. Rescue personnel are not equipped to cut through houses to save people. Meaning that it’s safer to climb on the roof of one’s house than to be trapped.

For a second, everything went still: How could I do that? If it flooded here—never say never—how could I possibly climb to the roof? I can’t even move!

And then I read the words of Mad-Eye Moody to Harry as Harry was about to compete in the Tri-Wizard Tournament: Play to your strengths. 

Harry doesn’t think he has any strengths—this is Book Four, he’s just fourteen —and he has no idea that the Tournament was designed solely to destroy him. Moody growls: Think now. What are you best at?

Lying flat on my back, at the mercy of my own body, helpless against the forces of nature, imagining a flood . . . what strength would I have, just now?

I thought of elderly people in this storm. Then of my Grannie, years ago, when her house caught fire in the dead of night on New Year’s Eve; how, after just having heart bypass surgery in the days when it was a new thing, she climbed out of her upstairs bedroom window onto the porch roof and survived.

Play to your strengths.

In Grannie’s case it was pure grit. As for me . . . well, a streak of that same determination and strong will (Grannie-grit) runs in my own veins, but I think my strength is rooted in something greater. If had to choose what’s deepest within me to tap, it’s hope.

I recently heard hope defined as not wishing, but knowing, trusting. No matter how severe the pain, I know I’d be able to climb to safety. Somehow. I trust my family would help me. Even in my weakened state, I’d find and give the last of my strength to help them, too. A strength that would come exactly when it was needed, not before.

On and on I read. Of Harry’s overcoming, of his concern for others, his willingness to give his own life in order to save them, even those he didn’t know personally . . . .

The darkness, the storms bring out the best in humanity, reminding us that we are, above all, here to help each other. Not to destroy.

—I will write about Severus Snape another day.

And storms, ever how violent, do not last forever.

It didn’t flood here, although our yard remained a bog for a while.

Now we have a plague of bloodthirsty mosquitoes to battle.

And my back pain has diminished, bit by bit, day by day. It remains a twinge, still causing me to be mindful. Strange thing, that. Being rendered powerless during the storm, unable to do anything but read. And endure.

But, in the end, powerless all depends on one’s own perspective. Reading is another great strength of mine, is it not? Didn’t it get me through the storm and the pain? That’s hardly powerless. Not to mention that in my tiny neighborhood, in the heart of a rural area where we frequently lose the power for no apparent reason at all . . . the lights blinked but never went out.

Just like hope.

 

September 1st

Morning glory

Morning glory. Toshiyuki IMAICC BY-SA

 In the half-light

the barest fog

wisps about the trees

silhouetted against

a colorless sky.

The stars have gone.

Stillness but not silence

just the faintest thrum

of summer symphony

by insects of the night.

The last long encore.

Cool expectant breath

of the dawn

before day is fully awake

like the rooster nearby

with his rusty, lusty cry.

Circadian rhythm. All is well, is well.

I stand

under the haloed half-moon

drinking in the glory

of life

 even in its transitions.

Even in

farewell, farewell, farewell.