Today I dance: Spiritual Journey

with thanks to my Spiritual Journey writer-friends who gather on the first Thursday of each month, and to Chris Margocs for leading today with the theme of “Shall we dance?”

Today my heart dances. Even as I write these words, I am preparing to attend a chapel service in which my firstborn will be honored. He completed a Master of Divinity degree last December and the seminary faculty selects one graduate for the Pastoral Leadership award. My son was chosen.

Today, with the Spiritual Journey theme of Shall we dance, I recall Miriam, the sister of Moses. In Exodus 15:20-21 she led the women in a victory dance, echoing her brother’s song of praise to God for salvation from Pharaoh’s army in the miraculous parting of the Red Sea:

I will sing unto the Lord, for he has
triumphed gloriously;
the horse and his rider he has
thrown into the sea.

The Lord is my strength and my song,
and he has become my salvation;
this is my God, and I will praise him,
my father’s God, and I will exalt him.

(Exodus 15:1-2)

Today I think about the journey my husband and I have made. We’d been married less than two years when we rededicated our lives to God and my husband became a pastor. I was twenty-two; he was twenty-five. So much story to tell…all these years later, I stand in awe of the sustaining hand of God and His wondrous provision, grace, and mercy.

Our son named his firstborn daughter Micah, which means Who is like God? Answer: No one. And our little Micah, age eighteen months, loves nothing better than music and dancing. Except maybe food…

Today is a day of victory and praise for all that God has done, and continues to do, in the life of my family.

Today I dance…

I offer it in the form of a pantoum.

Dance, dance, dance!
Who is like God?
No one. No one.
He is beside you, behind you, before you.

Who is like God?
In the giving and forgiving
He is beside you, behind you, before you.
None of the sacrifices

in the giving and forgiving
of all your beloveds
—none of the sacrifices
can do for you what God has done.

Of all your beloveds
no one, no one
can do for you what God has done—
dance, dance, dance!

/

I remember these

I just so happened to see it there in the store window next to the Chinese fast-food restaurant where my colleague and I were picking up lunch:

A big, round, tan-and-brown can of Charles Chips.

“Look at that! I haven’t seen those in years!” I shouted, to my colleague’s amusement.

These tins were delivered by truck to our house when I was a kid, if I recall correctly. Like Dy-Dee Diaper service…only not taking something horrifically pungent away (I remember that, too, up until I was about four; I had a sister two years younger).

Instantly I was thrown back to the 1970s, beginning with this scene:

The sewing room that is supposed to be a dining room. Mama’s Singer sewing machine, threads, pins, patterns galore. The ironing board. Daddy’s shoeshine box and bench in the corner. The distinct scent of Kiwi shoe polish in hanging in this space…the Charles Chip can, long missing its lid, heaped to the brim with socks that had lost their mates. Mama calls it the sock box. How are there so many? The washer (that lasted over twenty-five years) ate them, maybe? Mama tries to keep socks matched by sewing a knot of thread in the toe tips, a different color for each pair… me, age seven, on the day of my baptism, walking down the baptistry steps into the surprisingly warm water, looking down at my white-socked feet, seeing the coordinating navy-blue knots…

All this, triggered by mere sight of a Charles Chip can after so many years.

I was there.

The Statler Brothers had a nostalgic song about things they remembered from their youth, entitled “Do You Remember These?”

Here’s what the Charles Chips started dredging up for me…see if any of you remember these, from the late 1960s to early ’70s:

The Archies cartoon (and the song “Sugar Sugar”)
Penelope Pitstop cartoon
Josie and the Pussycats cartoon
Rocky and Bullwinkle
The Flintstones
The Jetsons
H. R. Pufnstuf show
The Banana Splits show
The Munsters
The Addams Family (our family friends had a black lab named Thing)
The Wonderful World of Disney, Sunday nights
Wild Kingdom
Family Affair and Mrs. Beasley dolls
Easy-Bake ovens
The Wizard of Oz on TV once a year
Paper dolls, such as “Mod Maude”
Squirmles, the Magical Pet (a furry worm that “moved”)
Silly Putty for placing & peeling on the Sunday comics – so fun
The Pink Panther Show
The Partridge Family (how is it I can still sing every song?)
Donny and Marie
The Monkees
sea monkeys
bellbottoms
pet rocks
mood rings
tetherball
jacks
macrame
decoupage
Tupperware parties
Beeline parties
Avon ladies calling
Choco’Lite candy bars
Count Chocula cereal (back in stores now at Halloween!)
upper elementary girls wearing wigs to school
shag haircuts
The Brady Bunch
Gilligan’s Island
Viewmasters and reels
Spirograph art
Romper Stompers
Hippity Hop (ball with handle, for sitting on and bouncing wherever you wanted to go)
Super Elastic Bubble Plastic
rabbits’ feet (I am so, so sorry now, dear Rabbits)
Popeye
Looney Tunes
Star Trek
Lassie

and last but not least
Sonny and Cher

…these are just the first ripples in my memory. There’s a story surrounding each. There are more memories just below the surface, waiting to be stirred… so many, many more.

Funny, crazy, wondrous, strange, sweet slices of life. So long ago.

Seems fitting to end with this song (imagine me singing it with gusto around age five).

*******

with thanks to Two Writing Teachers for the monthlong Slice of Life Writing challenge

Lullaby

Once upon a time
when baby had trouble
going to sleep
we played
soothing songs
on our phones
until she drifted off

and baby grew
(that is what babies do)
so that now
when we put baby down
to sleep
she cries for a minute
and then
she sings
and sings
to her own little self
without any words
a sound purer
than songs of birds

(know that I am outside your door
beloved baby
tears in my eyes
listening
listening
to your own angelic
lullaby)

Someone’s getting sleepy…

Round yon December

a triolet for my grandmother

Come December, I’m remembering you
in the lights and silent night
—how years, like snow and feathers, flew—
Come December, I’m remembering you
at sight of ruby-red cardinals, too.
On the wings of the morning, all is bright…
come December, I’m remembering you
in the lights and silent night.

December is my grandmother’s month. She was born the day after Christmas, was married in the middle of the month at age 20, and died the day before Christmas Eve, at 90. She loved the season, children, cardinals, and the color red, symbolic of her name: Ruby. “Silent Night” was her favorite carol; whenever I hear it, she is near. Her home place and resting place are in the outskirts of a rural town named for the dawn… “on the wings of the morning” is borrowed from my favorite Psalm, 139, a hymn to the omnipotence, omniscience, and omnipresence of God.

The cardinal ornament in the photo was a gift from a friend yesterday. I hung it on the tree last night after choir practice with the kids at church. They’re singing “Silent Night” in the worship service on Sunday.

Grandma, you would love it all.

Sleep in heavenly peace.

Blithe memory

My grandmother loved music
all of her life.
She wanted me to love it, too.
And so she took me to
Murphy’s Mart
(if memory is correct)
to buy a child’s chord organ.
I looked at the pretty blue instrument
and chose a doll instead.
Grandma couldn’t understand.
But you love playing my organ…
don’t you want one of your own?
At the time I didn’t have words to say
I love music but it isn’t my destiny.

The doll, called Blythe,
had eyes that changed color
when I pulled a string:
blue
green
pink
orange.
I picked her instead
of the music.

Grandma, dismayed,
bought her anyway.
It was only the beginning
of my fascination
with seeing the world
through lenses
of many colors.

Maybe it was then
that a writer
instead of a musician
was born.

Neo Blythe ‘Bohemian Peace. MissBlythe. CC BY-NC-ND 2.0.

I have learned, in researching my Blythe doll, that Kenner only made them for a year (1972) in the U.S. A Japanese company bought them out. An original Blythe doll is now worth a couple of thousand dollars. I don’t know what became of mine, unfortunately. My grandmother’s own glossy-wood Roxy chord organ from the 60’s, however, stands in my foyer. In the end, it’s infinitely more priceless to me.

See another good example of Blythe at https://www.facebook.com/watch/?v=897056547546831.




Why I Write—2022

Every year for National Day on Writing, I reflect on why I write.

It’s like looking at a diamond ring in a semi-darkened room. Different facets catch the light, scattering sparks of brilliant color, red to orange, green to blue. Writing, for me, is an inner fire. A living fire. It is in my blood the way that farming was in my grandfather’s blood, that music is in my son’s, that crafting was in my mother’s, that a love of children was in my grandmother’s. I see different facets even in these comparisons. Farming is about sustenance. Cultivating the earth, harnessing resources to make it produce—this is what earth is designed to do. Music is expression, form, response, sounds in time, even color. It can be endlessly repeated and replicated; it is the unique and universal language of humankind. Crafting…it takes skill to make a new, useful thing from pieces placed exactly right, sewing them together so that the seams don’t detract. My mother was given a hand-me-down sectional sofa covered with pink scratchy fabric (it was 1970s horrible). She studied it, measured it, bought earth-tone floral fabric and cording and systematically created a custom slipcover that lasted for years. The love of children…does this not tie all of the above? Creating, nurturing, producing, expressing, a contribution to the future.

Writing is all of this.

One can make the argument that all these things are learned, and so they are. But that doesn’t account for the compulsion to do them even when there is no need. Granddaddy gardened into his nineties when he didn’t have to produce his own food anymore, when all he could manage was two small rows in the old dog pen after the dog was dead and gone. He carried a chair to sit on and rest between the kneeling to weed. My son hears all the instruments, all the harmonies, in a song; he spends hours recording a song over and over with different instruments, singing the different vocals, until it all comes together like he wants it…simply for the joy of accomplishing it. My mother received little income from the clothes she made for people; she crocheted countless baby blankets as gifts. She made flop-eared stuffed bunnies with changeable clothes, for the whimsical fun of it, never making a dime. Craftsmanship is beauty unto itself. Like art. Like music. My grandmother’s face shone like the sun at sight of children. I was one of her greatest beneficiaries, my life indelibly shaped, still being shaped, by her love. I might also mention it was Grandma who sparked my love of reading and writing long before I could do either.

Writing, in the end, has much to do with story. At least for me. The story of having lived and loved. The story of seeking the beautiful. The story of gratitude for finding it, in all of life’s brilliant facets and sparks, even in the shadows. There would not be shadows if there were no light. It is there, always there, for the capturing.

And so I write.

Necklace given to me by my father. Years later, it still shines.

Twenty years

September, When Grass Was Green

Try to remember the kind of September
When life was slow and oh, so mellow
Try to remember the kind of September
When grass was green and grain was yellow…

(T. Jones/H. Schmidt, 1960)

I remember
our last conversation
in September
twenty years ago

you said you’d
been cutting the grass
and that maybe
you’d overdone it
going back and forth
with your mower
making a pretty pattern
—you thought your chest muscles
were sore from the turning

it worried me

—you were worried
about other things

but happy to be retiring
in two weeks

the thing about last things
is that you don’t know
they’re the last

I remember promising
to come celebrate your retirement
and how we spoke of you
having more time to spend with
your grandchildren

I remember getting the news
a week later
as soon as I walked in from shopping
with the retirement card I just bought
still in my hand

I remember that September day:
so glorious, cloudless
sky so blue it hurt
all the trees still green, sharp-edged,
clinging hard to the light

never again will September
be as bright

or kind

I remember coming home
for the last time

to speak at your funeral

to thank you,
my duty-minded, dedicated
father

twenty years
come this twenty-fifth day
of September

don’t you know
the grass is still oh so green
and Daddy, you are still
in the scent
of its cutting

Yesterday’s sunrise

with thanks to Susan Ahlbrand for the Do You Remember prompt with musical inspiration on Ethical ELA’s Open Write earlier this week. Susan remembered her own father’s passing with Earth, Wind & Fire’s “September”. I chose “Try To Remember” as a frame instead. The song predates me; I recall hearing it on my father’s radio when I was very small.

I still have the retirement card I bought for my father on the day that he died, with three workdays left to go. The card mentions that it’s a great time to be alive.

Twenty years, and that remains the great dichotomy of late September.

Poem of perspective

On the the fourth day of Ethical ELA’s Open Write, Ann Burg invites poets to “Think of a moment in time— an historical moment or a personal one. Place yourself outside yourself — as a favorite tree, a flower, even an inanimate object who has witnessed this moment…”

The Upright Mahogany Howard
(c. 1920s)

I grow old
I sigh
I know you hear
my bones creaking
as you walk by
I have no mirror
but your eyes
and there I see
my beauty
is not faded
although
I’m scarred
and snaggle-toothed…
you may not realize
my proclivity
for touch-memory
but I tell you
that baby on your lap
presently pounding
my ivories 
has the feel of her
—one day,
she will play
and I will respond
living on and on
in the song
for the chords
never broken
vibrate once more
stirring the dust
of five generations
in my bones…
I am
your reliquary.

The piano was my grandmother’s most-prized possession. My grandfather bought it secondhand sometime during WWII. My grandmother intended to bequeath it to my aunt, who also played; my aunt contracted MS in her 50s and died before my grandmother. Grandma then offered it to me. I do not play, but my youngest son is an extraordinary pianist with a degree in worship music. His brother’s baby, my granddaughter Micah, ten months old, is already showing an affinity for music. She sat on my lap ‘playing’ Grandma’s piano last week, thoroughly enchanted.