Last week of February.
Winter wears on.
Trees hold up their naked, skeletal branches, exposing clumps of old birds’ nests. The world is colorless, like a vintage film, a study of grayscale contrasts. Only the pines, bent by a recent glazing of ice, remain green. My backyard is littered with their brokenness. Tufts of needles and a couple of large boughs are strewn across the dead, mud-puddled grass.
It is a time of enduring.
Little things go a long way.
I’ve written of the stab of joy on seeing a bluebird, that brilliant dash of color against this dreary backdrop, as something to treasure each day. Now, despite the cold, an unseen bird nearby sings a bright song to usher in the dawn while it is still dark: cheer cheer cheer… a cardinal. Another favorite bird. I long for its vivid red. Just this week I also heard the first metallic honk, honk of Canada geese, returning to nest.
Spring is afoot, aflight, audible, if not yet visible.
And then there is the flower.
I thought it was my eyes playing tricks.
In the old weathered pots on the back deck, amid the ruins of my geraniums, the trailing Vinca still lives. Pale, leafy strands spill across the boards like errant strands of hair. And in one pot… a spot of… what is that color? Lavender?
A closer examination: Two little periwinkle blooms. Five-petaled. Most unexpected. The vines weren’t blooming when I planted them in early summer. I honestly didn’t know they would. This necessitates research: Vinca blooms in “late spring through summer.”
Mine is blooming while it is yet winter. Surely a there’s metaphor in it. As in the cardinal’s bright song in the dark, just before light. Like the bluebird’s welcome spot of color, popping against the blah. More research, because for me symbolism has an irresistible allure: The color periwinkle represents serenity, calmness, winter, and ice. The flower itself, sentimental memories, nostalgia, new beginnings. I read that it can also represent mental acuity. That’s certainly welcome. In the Middle Ages periwinkle was associated with the Virgin Mary; look for these little blooms beside her in old stained-glass windows. The vine’s very name, Vinca, comes from the Roman word for “binding.” Garlands were made of it, for dead children as well as for criminals on their way to execution—good heavens. This pierces me; I shudder. More shades of Mary’s own story, that…we are, after, all barely a week into Lent.
I shall think of this as winter’s funerary flower, then. A little blue-violet garland on the season’s icy brow, bidding adieu.
In place of a eulogy for winter…note Wordsworth’s inclusion of the periwinkle in “Lines Written in Early Spring” (read the whole poem to see what it is really about):
Through primrose tufts, in that green bower,
The periwinkle trailed its wreaths;
And ’tis my faith that every flower
Enjoys the air it breathes.
The birds around me hopped and played,
Their thoughts I cannot measure:—
But the least motion which they made
It seemed a thrill of pleasure.
All I know with certainty is that this little bloom, accompanied by increasingly-present birds, brings a thrill of promise.
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-with gratitude to the weekly Slice of Life storytellers at Two Writing Teachers, a bright spot in every week.
Here’s to the upcoming daily writing challenge in March!
