A poem of body and song

On the last day of National Poetry Month, Sarah J. Donovan, creator of Ethical ELA, invites teacher-poets to celebrate thirty days of writing for VerseLove. In studying a collection of poems dealing with struggle and celebration about what we are told and believe about ourselves, Sarah says: “I thought a lot about how our bodies hold and shape so much of who we are.” Today we write to own that we are writers and poets, considering figurative body language, other voices that have influenced us, and our own song.

For me, writing calls from sacred places, inherently requiring, as an act of creation, sacred spaces.

As such, writing, poetry in particular, takes on a life of its own. It starts as one thing and becomes another. This may be more than one poem. I am just letting it be.

Polyhymnia at the Core

And there was I as smooth and soft as a peeled switch and smaller than I had been.
—C.S. Lewis, “How the Adventure Ended,” The Voyage of the Dawn Treader
 
The ghost
of my father
and grandfather
are here 
in the shape
of my face
something of them
about my cheekbones
my mouth
a certain turning

My grandmother
is in my bones
those are her arms
in the mirror
fixing my hair

no denying
my mother’s eyes

the Spirit sighs

I imagine Polyhymnia
nearby
(if I can choose
my Muse)
in long cloak and veil
finger to her lips
bright eyes glimmering
silken rustlings
as she leans
whispering, 
always whispering

it is with great love
that she raises
the lion’s claw
piercing every knobby layer
of my being
peeling away
until all that remains
at my tender core
is wordless song
singing there
all along

you are alive
alive alive alive
in the listening
in the remembering
in the faces
in the sacred spaces
where you have been brought
to learn
the unforced rhythms
of grace

now find your words
and be

Polyhymnia. Joseph Fagnani, 1869.

Polyhymnia’s name means “many praises.” She is the Muse of sacred poetry, hymns, and meditation.

The lion’s claw in my poem is an allusion to the referenced chapter in The Voyage of the Dawn Treader, where Aslan peels away the enchanted dragon skin from Eustace, restoring him to his true—and transformed—self.

“Learn the unforced rhythms of grace” is from the paraphrase of Matthew 11:28-30 in The Message.

For love of all creatures

Many years ago I read a series of books about a young 1940s veterinary surgeon beginning his career in Yorkshire, England. The stories are captivating, hilarious, heartwarming, and heartbreaking; the characters—some of them animals—are larger than life, unforgettable. I fell in love with these stories right away.

And so I have again, with the Masterpiece Theater version of James Herriot’s All Creatures Great and Small. When the series premiered in 2020, it was deemed “the surprise runaway hit of the year.” The second season recently ended and I do not know how I am going to endure until Season Three. I have begun watching episodes over and over…and over…

I have to ask myself why.

Maybe it’s that I loved these stories so much when I was young. I recall encountering the name “Tristan” for the first time and being so enchanted by it (and by the comical character, another young vet) that I thought about naming one of my eventual children Tristan (a thought which earned a resounding Are you serious? NO from my eventual husband). Maybe it’s that I find details of long-ago rural veterinary practice fascinating. James delivers calves and tangled-up twin lambs; in the show he must figure out how to untwist a mare’s uterus to deliver a foal, or both will die. Or maybe it’s James’s ongoing struggle for acceptance by the local farmers who are often mistrustful, preferring their familiar “old ways” (I so relate to this as an instructional coach, sometimes).

I suspect it’s all of these. And more.

Beyond James’s love for the animals and his gentle spirit is a compelling, refreshing sense of purity. Times aren’t simple, life is hard, loss is always imminent, yet there’s a richness in it all, a sacred honesty born of living close to the land, a sense of true interdependence and valuing all living things…

Not to mention the scenery. The Yorkshire Dales are breathtaking. I have to go there someday. I feel like I have seen this place before, in some of my most beautiful dreams. Place is a character in itself, alive, vibrant, calling in its own voice, and the Dales will not be outdone by human nor beast…speaking of which: the animal performances are astounding (how DO the directors manage this magic?).

As the series progresses, so do relationships. I will not say anything more than this: Conflict, humor, and great love are all bound together by cords of civility. Reputation matters. Honor matters. Honoring life matters…

And just as one is getting cozy at the end of 1938, and snow begins to fall, and farmers lead draft horses through the town streets at the close of day, and young people are gathered together, beginning new chapters of their lives…the first war plane flies overhead in the darkening sky…

And I’ve an overwhelming desire to stop time, to hit rewind, to savor peace… which we almost never realize we have, until we don’t…

Yorkshire Dalestricky (rick harrison). CC BY-NC-SA 2.0.

*******
with thanks to Two Writing Teachers for the Slice of Life Story Challenge every day in the month of March.

Snow magic

Holidays over
first day back to school
we heard it might snow
what we get
is gale force winds
diagonal rain
and utter darkness
(oh, those kids waiting at bus stops…)
which is why so many don’t come
there are just four kids in one room,
six in another,
and so on
not to mention that at home
the power went out
before I could get ready
hardly an enchanting winter morn
except for candles…

when I finally arrive at work
my family texts
it is pouring snow here,
pouring
but when I look through the windows
don’t see any of it
not any
just cold cold rain
collecting in huge puddles
on this dark dark day
until
I pass a teacher in the hallway
leaning out of the glass door,
scouring the iron-gray sky
are you looking for snow?
oh yes, if it starts,
I am bringing my class
out here in the hall
to read Snowmen at Night


just then, we see
the first flakes of white…

all over the building
children run to the windows
for every little bit of magic
they can find

or perhaps it’s more a matter
of letting the magic find you

or maybe even
a determination to
make the magic
yourself

for it is in yourself
just as it is
in every single
falling crystal

and most certainly
in books.

Detail of a magical mask design a colleague made and happened to give me today.
You will have caught the book connections in the first two photos; can you catch the last?

Pencil wizard

Once upon a time, I said that writing is the closest thing there is to magic.

Here is why.

Magic is not, well, magic. It is a lot of work (or why would Hogwarts exist? Just saying).

Writing is a lot of work.

Work (a lot of it) makes the magic happen.

Here is a true story of magic moments at the end of this dystopian school year (know that I am suppressing the urge to compare virtual learning to disapparating, i.e., teleporting from place to place, or essentially vanishing). After end-of-grade testing—I said dystopian, right? What does the State expect this data to look like?—a fourth-grade teacher sent me a note:

One of my students has been writing a story in his free time. He wants to read it to the class. He knows it needs some work and I am wondering if you have any time to help him? He’s not usually motivated to write…

I made time. I would shift heaven and earth for this.

He came to my room wearing a giant grin, clutching his pencil and notebook. I recognized the cover—it’s a notebook our district distributes to teachers. His teacher must have given it to him especially for his story, for in grades 2-5, our district doesn’t use writing workshop any more (and that, Dear Readers, is a whole ‘nother tragedy for the telling on another day).

“Come in, come in!” I said. “Have a seat here beside me and read me your story.”

Without giving too much away (for the story is his): It’s a fantasy, a battle between humans and wizards, the protagonist a young wizard with power to make living things grow. The student read it all aloud and then we went back to make some changes for clarity and flow, with my asking:

“What exactly do you mean here, when…”

“What is it you are trying to tell the reader? What do you want readers to think or feel here?”

“Think of an action to add here, so readers or your audience can better see what’s happening in their minds, like we do when we watch a movie. What are you seeing here in your own mind? That’s what you need to get across.”

“What’s a better word choice here, to make the meaning clear?”

While the boy thought and elaborated aloud, I began typing the story. As I read the lines back to him, his face glowed: “Perfect! That’s amazing!”

“That is the power of revision,” I told him. “When you start writing, it’s all about getting your ideas down. When you go back to make the meaning clear, by adding these kinds of details and taking out what you don’t need, that’s where all the magic happens.”

“We’ve made a lot of changes,” the boy observed, “but it’s SO much better.”

And yet the story remained the story he wanted to write.

We’d changed city to town, people to townspeople. He made the stylistic choice to capitalize Humans. We’d added transitional phrases to keep the readers from falling out of the story. We added gestures for the young wizard when he makes vines grow (“I need to see how the wizard does this,” I explained). The student vetoed my suggestion to go ahead and incorporate “earthbending power” (a phrase borrowed from video games): “I am not ready to tell readers yet about earthbending power,” he stated. —Such a tone of authority!

“All right then! You’re the author. Save it for when the time is right in the story. Just make a note here to add earthbending power later.”

And then the word tome… “Is tome the word you want here, where you say the wizard found a tome in the laundry?”

“Yes. It’s a big book of spells.”

I blinked. “Indeed! That’s impressive. Just make sure your readers know what you mean here, that they can see and understand what you mean by tome.” It became an ancient tome of spells, hidden in a robe in the laundry, that the young wizard began to read “without realizing the power he now carried”—those are the student’s own words, not mine.

And thus I spent the last days of school this year watching the love of writing take root and flourish in the heart of a child…magical, indeed, in a year where so much felt anything but, even in some of my own writing of late.

As I write this morning, sunlight streaming in my window like all the glories of summer on the cusp, I recall my final words to this child as he carried his typed version away in a bright yellow folder: “Keep writing!”

In my mind’s narrative, I add: Young word-wizard, with earthbending power.

For that is the magic of writing.

May he cultivate it all of his life.

Imagine. Indy Sidhu. CC BY

with my thanks always to Two Writing Teachers, a community dedicated to the craft, power, and love of writing, for all Humans.

Facing fears poem

National Poetry Month has ended, and I miss it. While I may not be posting every day for a while, I continue to write.

The last prompt on Ethical ELA’s #VerseLove was on fear. Articulating it, facing it…perhaps conquering it.

This got me thinking how facing a thing for what it really is = the first step in conquering. There’s a lot of extreme anxiety in the world today. A lot of hatred. Sometimes we just don’t see things for what they are…including our own thoughts.

And so this poem was born.

Courage, peace, and wellness to you, Friends. Whatever it is…you can overcome.

My Fear Haiku

I once read a book
where people’s eyes turned inward.
They died from seeing

what’s inside their minds.
I trembled to take a look
at what lurks in mine.

Now I remember
what Granddaddy once told me
regarding black snakes:

don’t ever kill them.
See, black snakes eat rats and mice;
they’re good. We need them.

I think fear’s like that
snaking along, with purpose
something quite useful

so I never try
to kill it. Let it consume
the uglier parts

of my thoughts, and go its way
leaving me with a clean peace
and a better mind

so that all I fear,
in the end, is forgetting
memories of love.

Path of peace. The view after turning off the highway to visit my grandparents. The house is my grandmother’s homeplace, where she and her eight siblings were born in the early 1900s. Just ahead, around the bend on the left, stood my grandparents’ home where my dad and his sisters grew up in the 1940s-50s, and where I spent many childhood summers.

My safest haven on Earth. Snakes and all.

Love, life lessons, legacy, and memories live on.

Periwinkle

Last week of February.

Winter wears on.

Trees hold up their naked, skeletal branches, exposing clumps of old birds’ nests. The world is colorless, like a vintage film, a study of grayscale contrasts. Only the pines, bent by a recent glazing of ice, remain green. My backyard is littered with their brokenness. Tufts of needles and a couple of large boughs are strewn across the dead, mud-puddled grass.

It is a time of enduring.

Little things go a long way.

I’ve written of the stab of joy on seeing a bluebird, that brilliant dash of color against this dreary backdrop, as something to treasure each day. Now, despite the cold, an unseen bird nearby sings a bright song to usher in the dawn while it is still dark: cheer cheer cheer… a cardinal. Another favorite bird. I long for its vivid red. Just this week I also heard the first metallic honk, honk of Canada geese, returning to nest.

Spring is afoot, aflight, audible, if not yet visible.

And then there is the flower.

I thought it was my eyes playing tricks.

In the old weathered pots on the back deck, amid the ruins of my geraniums, the trailing Vinca still lives. Pale, leafy strands spill across the boards like errant strands of hair. And in one pot… a spot of… what is that color? Lavender?

A closer examination: Two little periwinkle blooms. Five-petaled. Most unexpected. The vines weren’t blooming when I planted them in early summer. I honestly didn’t know they would. This necessitates research: Vinca blooms in “late spring through summer.”

Mine is blooming while it is yet winter. Surely a there’s metaphor in it. As in the cardinal’s bright song in the dark, just before light. Like the bluebird’s welcome spot of color, popping against the blah. More research, because for me symbolism has an irresistible allure: The color periwinkle represents serenity, calmness, winter, and ice. The flower itself, sentimental memories, nostalgia, new beginnings. I read that it can also represent mental acuity. That’s certainly welcome. In the Middle Ages periwinkle was associated with the Virgin Mary; look for these little blooms beside her in old stained-glass windows. The vine’s very name, Vinca, comes from the Roman word for “binding.” Garlands were made of it, for dead children as well as for criminals on their way to execution—good heavens. This pierces me; I shudder. More shades of Mary’s own story, that…we are, after, all barely a week into Lent.

I shall think of this as winter’s funerary flower, then. A little blue-violet garland on the season’s icy brow, bidding adieu.

In place of a eulogy for winter…note Wordsworth’s inclusion of the periwinkle in “Lines Written in Early Spring” (read the whole poem to see what it is really about):

Through primrose tufts, in that green bower, 
The periwinkle trailed its wreaths; 
And ’tis my faith that every flower 
Enjoys the air it breathes. 

The birds around me hopped and played, 
Their thoughts I cannot measure:— 
But the least motion which they made 
It seemed a thrill of pleasure. 

All I know with certainty is that this little bloom, accompanied by increasingly-present birds, brings a thrill of promise.

*******

-with gratitude to the weekly Slice of Life storytellers at Two Writing Teachers, a bright spot in every week.
Here’s to the upcoming daily writing challenge in March!

Dennis!

a little Poetry Friday fun

Hi! I’m Dennis!

I’ve been waiting and waiting for the world to know about me!

The world SHOULD know about me! The world NEEDS to know about me!

Here are a few reasons why!

No. 1: My “Me” Acrostic!

(I live and breathe this every day! It’s who I am!)

Determined!
Energetic!
Ninja-like (only when sneaking socks)!
Nosey (hey, I’m a hound who’s gotta know all)!
Incredible (IMHO)!
Spirited!

Most of all, I love to have FUN FUN FUN…which reminds me of my namesake!

No. 2: My Namesake!

He was a famous drummer! I should be famous! My heart is drumming like mad all the time! Maybe you have heard of Dennis Wilson? We even look EXACTLY ALIKE!

—Toldja!

Mirror, mirror, on the wall
Who’s the fairest Dennis of all?

Well, gosh, that’s easy – ME!

And, not only am I named for a famous drummer, I do great impressions!

No. 3: Dobby!

A sock, a sock
my soul for a sock!

—um, you all know Harry Potter, right? Didja notice how the border in my portrait goes diagonally?
Get it?
Diagon Alley?
Get it? Get it?

Oh, never mind!

I should also be a model for other famous books!

No. 4: Modeling for Children’s Lit!

Here I have A Bad Case of Stripes!

Actually, not bad, surely just a very warm and cozy case of stripes!

Warm and cozy
sunny, dozy

just dream dream dream
but not of Camilla Cream

Hey! I AM CREAM!…but don’t call me Camilla!

Lastly, I am part of a wildly popular decorating craze!

No. 5: Best. Christmas. Decoration. EVER!

AmIrite? AmIrite?!

—yikes, that’s all I’ve got time for, I hear a car in the driveway, gotta go, gotta know…!
One last thing before I dash off:

I wish you happiness
I wish you joy
I wish you sun-striped dreams
And all your favorite things
And safety ’til this 2020 pox is past
And a dox upon your house, at last!

—Or, one in your lap, at least!

Thanks for stopping by and getting to know me! You can’t say your world isn’t a tiny bit brighter!

You’re welcome!

Bye now!

Y’all come back soon, hear?

*******

Dennis is a light in my family’s life for sure, sparking lots of laughter with his lively antics. He’s a one-year-old cream dachshund belonging to my youngest son, a musician and lifelong Beach Boys fan. We brought Dennis home as a tiny puppy (3 lbs.) last December. Here’s to all the dogs that brighten our days...thanks for (hopefully) savoring some silliness and wordplay here.

Thanks also to the amazing Poetry Friday poets and to Buffy Silverman for hosting the Roundup.

Spiritual Journey: Seeled

seel: close (a person’s eyes); prevent (someone) from seeing. —Dictionary.com

seel: to close the eyes of (a bird, such as a hawk) by drawing threads through the eyelids. —Merriam-Webster.com

A Spiritual Journey Thursday reflection

Over Thanksgiving break from school, I read a book about a family of twelve children, six of whom (all boys) were diagnosed with schizophrenia: Hidden Valley Road: Inside the Mind of an American Family. I expected to learn more about the disorder, how it manifests as a distorted, alternate reality, affecting a person’s thoughts, feelings, and behavior. I expected to learn about the part genetics play (six siblings!). I expected loads of medical research and new scientific insights…more than anything, I expected to be moved by the story.

I did. I was.

In a word: Devastating.

I never expected to learn a haunting little detail about falconry.

Originating in ancient times as a form of hunting, it became a sport and status symbol of the nobility in medieval Europe. A pastime of the Galvin family in Hidden Valley Road, falconry involves trapping a bird and training it to be completely dependent on the bidding of the falconer by “seeling” its eyes—stitching its eyelids closed.

Young Don and Mimi, parents of four boys at the time, trapped their first bird of prey, a red-tailed hawk. They consulted the local zoologist for guidance on training. He said, “Now sew the eyelids together”:

Stabler explained that [falcons’] eyelids protect them as they dive at speeds upwards of two hundred miles per hour. But in order to train a falcon the way Henry VIII’s falconers did it, the bird’s eyelids should be temporarily sewn shut. With no visual distractions, a falcon can be made dependent on the will of the falconer—the sound of his voice, the touch of his hands. The zoologist cautioned Mimi: Be careful the stitches aren’t too tight or too loose, and that the needle never pricks the hawk’s eyes. There seemed to be any number of ways to make hash of the bird…Mimi went to work on the edge of each eyelid, one after the other…Stabler complimented Mimi on her work. “Now,” he said, “you have to keep it on the fist for forty-eight hours”…At the end of those forty-eight hours, Mimi and Don had successfully domesticated a hawk. They felt an enormous sense of accomplishment. This was about embracing the wild, natural world and also about bringing it under one’s control. Taming these birds could be brutal and punishing. But with consistency and devotion and discipline, it was unbelievably rewarding.

Not unlike, they often thought, the parenting of a child.

For me, the fleeting sense of wonder is outweighed by horror on reading these lines… for suffering of the bird, for the foreshadowed suffering of these parents, these children.

The image will not leave my mind. I think about what a falcon symbolizes. Among many things, freedom. Which was taken away, here.

Also wisdom.

The most famous book of wisdom and suffering happens to mention a falcon. In Job 28, the title character continues a speech around the question “Where is wisdom?” Job marvels at the precious resources hidden in the earth and humans’ ability to extract them through mining. Human industry brings silver, gold, iron, copper, sapphires from the depths to the light.

Job speaks of the hidden way to such treasures:

That path no bird of prey knows, and the falcon’s eye has not seen it (28:7).

The metaphor is for wisdom, how elusive it is to mankind, and that its value is far above any earthly riches: “Man does not know its worth” (v. 13). The word “hidden” is referenced or alluded to over and over; wisdom can’t be seen even by the creatures with the keenest eyesight, birds of the air. Wisdom comes only from God (v. 28).

A song also plays in my mind, this line from Bob Dylan’s “Blowin’ In the Wind”: How many times can a man turn his head and pretend that he just doesn’t see?

Hidden wisdom, hidden treasure. Hidden Valley Road. Hidden suffering, to an unimaginable degree…

I can’t help but think, as the year 2020 comes to a close, how those numbers stand for perfect vision—and the irony of so much we never saw coming.

Moving forward, let us seek wisdom, above all. Let us not be guilty of seeling our own eyes—or our hearts—to suffering beyond our own. Let us see.

Most of all, Dear God, don’t let us perpetuate more of it.

Photo: el7bara. CC BY

Quotation: Robert Kolker, Hidden Valley Road: Inside the Mind of an American Family, 2020, p. 5-6.

Written with gratitude for my Spiritual Journey family. See more at A Word Edgewise – thank you, Linda, for hosting.

Spiritual journey: Grateful for belief

For Spiritual Journey Thursday, on the theme of gratitude.

I am grateful for a new morning. I am grateful to be writing about spiritual journeys on the first Thursday of the month, and for my fellow sojourners. As I write, silver-white stars are still glittering in the black sky. My kitchen bay window faces east where the sun is soon to rise. When it does, I will stop to drink in its glory.

I am grateful for books, for having developed a love of reading so early in life that I can’t remember learning how. I am grateful for libraries, for row upon row of treasures waiting to be discovered, for being ten years old and stooping to examine a curious title, for removing a book, opening the cover, and finding myself in another world.

Narnia, to be exact. That book was The Lion, The Witch, and the Wardrobe. It would send me scrambling for the rest of the books in the series, always longing for more. I was given a boxed set for my twelfth birthday and the tattered copies remain on my bookshelf to this day.

When it comes to spiritual journeys, no character in Narnia with the exception of Aslan (the Talking Lion, “King of Beasts, the son of the Emperor-Over-the-Sea, the King above all High Kings in Narnia”) outshines Reepicheep, leader of the Talking Mice. Reepicheep, who stands about two feet tall, is young King Caspian’s most loyal knight, quite fierce in battle with his small rapier. In The Voyage of the Dawn Treader, Reepicheep sails with his king to explore unmapped lands. He does not intend to return home to Narnia; instead, he means to sail to the end of the world, on to Aslan’s country.

No one knows if Aslan’s country can be reached this way. When Lucy (a human child from our world, if you did not already know) asks “Do you think Aslan’s would be that sort of country you could ever sail to,” Reepicheep says he does not know, but that when he was a baby a Dryad (spirit of a tree) sang to him in his cradle about finding his heart’s desire where “sky and water meet, where the waves grow sweet… there is utter East.”

In the movie, however, Reepicheep answers: “We have nothing if not belief.”

When the Dawn Treader can sail no farther, as it’s reached the shallows of lily-clogged, sweet waters where the sea and sky meet, Reepicheep makes his goodbyes. A tiny wooden boat is lowered from the ship and he sails on, alone, over the rim of the world.

No one ever sees him again.

At least, not in that world.

Aslan’s country is another matter…

I glance through my bay window facing east and see that the sky has changed. The upper canopy is now indigo, melting into turquoise, into lighter aqua nearer the horizon where the faintest yellow glows above a pale rosy blush… I cannot see the sun, but I know it is there… it is coming…as it always does.

I am grateful for a new morning. I am grateful for the coffee in my Reepicheep mug, for the eastern sky reminding me to rise above the things of this tainted world… as poet Robert Browning wrote: Man’s reach should exceed his grasp, or what’s a heaven for?

I am grateful for the journey.

*******

with thanks to C.S. Lewis and my fellow Spiritual Journey voyagers, especially Ruth who’s hosting today from Haiti. Visit her site, There’s No Such Thing as a God-Forsaken Town, for more on gratitude.

Also grateful for taking the plunge into creating this blog. A wonderful personal adventure it’s been, writing, discovering, remembering, and interacting with new friends all along the way. This is my 400th post.

13 ways of looking at a black cat crossing your path…

A list poem, of sorts, inspired by Wallace Stevens “Thirteen Ways of Looking at a Blackbird,” shared this week on Ethical ELA. The Open Write challenge: “To look outside ourselves to the larger world. Craft a poem about it…the larger world is many different things to people, and in many cases, it’s America.”

Everything hinges on interpretation. There are infinite ways of looking.

It just so happened that this week marked my return to campus in preparation for student cohorts transitioning back to the building. Driving along the familiar back road for the first time in what seemed like ages, car piled with stuff, brain churning with things to do and how to do them, trapped in a constant state of COVID suspension, in a fog very like the one rising from the ground, smoky swirls lending a seasonal eerie-ness to beguiling red-gold trees against an obscured sky, what to my wondering eyes should appear but the sudden darting of a black cat from the woods just ahead on the right. Neatly across the ditch bank it sailed, mission-like, directly across the road in front of me…

13 Ways of Looking at a Black Cat Crossing Your Path in the Time of COVID-19 While Driving to School to Teach Online Near Halloween of Election Year 2020

I.
Unexpected poetry in motion from the russet woods, long, lithe feline fluidity rippling low along the golden ditch bank, ebony mercury flowing across the gray asphalt, a thing of beauty, a joy forever or at least until…
II.
Still alive. I didn’t hit it.
III.
Spawn of inexplicable, maniacal laughter
(nowhere near the Joaquin Phoenix level)
IV.
The omen of—misfortune? As in—Google crashing?—no Wi-Fi?—more lost instruction?—a forgotten mask? —one more directive on what to do or not to do with data, disinfectant, distance?
V.
Will I even make it to school today?
VI.
Will students (onscreen)?
VII.
Spirit of the season, shape-shifter running to and fro on the Earth, demon on the loose, witch’s familiar, unholy harbinger …
VIII.
This election. Heaven help us.
IX.
Misrepresentation and slaughter of God’s creatures.
X.
Curiosity. Where are you running to, little black cat? From where? From what—or whom? Do people other than scientists know that your fur holds secrets to disease resistance? Can the mystery be unlocked, decoded?
Pandemics of rats and bats.
What if healing sprung from cats.

Poetic justice.
XI.
Portal of memory… I had a little black cat, once. She had no tail and no one else wanted her. The last left in a box of kittens a guy at college was giving away. Brought her home, named her after a magic cat who was exceedingly wise, in a book I read as a child. Couldn’t take her with me when I married and moved into an apartment so I gave her to my dad. He bought turkey from the deli, tore it into small bites, and fed her on the countertop.
She wasn’t magical. Just full of ever-purring love.
XII.
The great portender, seeming to be what you are not… all I know is you are poetry in motion. Run on, blithe spirit. Run on, long, lithe spirit-lifter, ebony mercury flowing… how glad I am our paths crossed.
Fear not. We bring one another no harm.
XIV.
I skipped #13. Too unlucky.

*******

Note on IX: For centuries, beginning in medieval times, superstition and associations with evil led to widespread killing of black cats. Many shelters today will not allow black cats to be adopted near Halloween for fear of their being used as decorations and mistreated, tortured, sacrificed, or abandoned. Just one way of looking at those lines.

With thanks to Ethical ELA for inviting many ways of looking and to the fine folks celebrating Poetry Friday, especially Jama Rattigan for hosting the Roundup. Jama’s blog, An Eclectic Feast of Food, Fiction, Folderol and Chewy Culinary Verse is a mind-bogglingly gorgeous work of art. I don’t know how she does it!

Thanks also to Keats, Shelley, Stevens, and Patricia A. McKillip. I haven’t forgotten you, Moriah.

Lead Photo: Ralph Daily. CC-BY