Writing your own story

/ Fran Haley / 6 Comments

I saw his shirt from across the crowded cafeteria:

Writing my OWN story.

I hadn’t seen him before, didn’t know him, but I had to go over and say: “That’s the most awesome shirt! Do you like to write?”

He smiled and nodded, eyes bright and cheerful: “Yes!”

We had a short conversation about reading and writing. He was new to our school. After this initial encounter he was quick to come ask questions if he wasn’t sure about how we do things here, always greeting me with an earnest face and slightly self-conscious smile.

He wasn’t with us long. On his last days, he asked if he could stay after lunch and clean all of the tables as his grade level headed to recess. He wiped every table meticulously, then straightened all of the cardboard trays in the serving line for the classes to follow.

I understood.

It was something he could control. A positive and productive outlet.

I never got to write with him.

I thought about students over the years and what I learned about their lives from their writing. A girl whose family slept in their car on the journey north to visit relatives for the holidays; how she woke in the morning, shivering, to find frost coating the windows. A teenager whose vivid third-person narrative about a child born in another country, who survives abuse to find a new life and family in America . . . it switches to first person at the end as he rejoices and reveals he was that child. A first-grader who wanted to write about her dog, how the police shot and killed it. Unnerved, I told her teacher, in hopes that this was just a disturbing fabrication. It wasn’t. The child saw it happen.

For all the story-loving writer that I am, I know writing is not a magic cure for the pain and scars of life. It is, however, a real coping mechanism, a positive and productive outlet, a way of seeing and dealing with and finding hope to overcome. Even in the youngest of us, many of whom already know that life doesn’t follow a neat formula, that it seldom follows a clear and sensible series of steps. I often think about what passes for “writing” in schools; it can’t always be a neat response to a text or a prompt. If we are truly to equip children with tools for life, it begins with a real response to their lives in this world. We owe them, for as long as we have them, a place to feel safe, to be loved, a way of having some control in the face of change, to find their own power despite their powerlessness.To write their own lives, even as life is unfolding.

To have hope on the journey as it takes so many twists and turns.

Time is of the essence; we don’t know for how long or short a time they’ll be in our sphere of influence. Good-byes can come without warning.

And so I quickly gathered the best tools I had at my disposal: pencils, notebooks, a couple of favorite books from my shelf. It was my way of saying Godspeed, child. Write your OWN story. Believe. Attend to your heart. Here’s a piece of mine to carry with you.

Edward knew what it was like to say over and over again the names of those you had left behind. He knew what it was like to miss someone. And so he listened. And in his listening, his heart opened wide and then wider still.

You must be filled with expectancy. You must be awash in hope. You must wonder who will love you, whom you will love next.

—excerpts, Kate DiCamillo, The Miraculous Journey of Edward Tulane

Holidays, holy days

/ Fran Haley / 16 Comments

Holidays.

Holy days.

The words roll round my mind as I drive to work, noting how the rising sun gilds the trees in all their fall colors against a deep charcoal sky. The sharp glory of it is beyond my power to describe. It’s beautiful. Haunting. Fierce. How can there be such detailed color and brilliance when the sky is so strangely dark? If a storm is brewing, why is the light so golden-bright? And where exactly is it coming from? The sun itself is hidden.

I cannot quite capture how I feel. It’s more than one thing. Awe. Reverence. Curiosity. A bit of foreboding.

Mostly gratitude for having been here to see it.

Holy day.

Holiday.

I am thinking a lot about the interplay of light and dark this holiday week.

And the fierce beauty of life.

My husband is here after a massive heart attack this summer. His surgeon said that his blockages were such that when the last artery went down that day, he had no reserve; he made a “medically inexplicable recovery.” This coming only three years after my husband lost an eye to ocular melanoma.

Light and dark, dark and light.

He lives to see our son get married the day after Thanksgiving. Not just to see it, but to officiate. After all the years of praying for the boy to go into the ministry and the boy saying, no, Dad, that’s not for me.

He ordained our son into the ministry three weeks ago.

Never say never.

Today the boy took the last of his things out of our house to finish setting up his new home. He’s gone, but not too far away.

He took his dog.

Henry.

The last dog.

In two years, we’ve lost three: Nikolaus the dachshund to old age. Banjo the yellow Lab that I raised from age seven weeks to a new home because my husband can no longer manage a 90-pound dog after bypass surgery. And now Henry, the best of the best, the rescue dog whose sole mission in life is to extract and exude as much love as possible.

I am now dogless for the first time in almost two decades. On every one of those days I could always count on a happy greeting, an ever-faithful warmth, some commiseration or comic relief. No tail thumping tonight, no snuffling, whiskered nose in my hand, no nails scrambling on the floor in exuberance for a pat, a treat.

How strange is it that my son moves out and I write about missing the dog.

And another thing: I recently wrote about the two old mules around the corner, how one of them was sick. I often saw it lying on its side in the pasture as the other mule grazed nearby. The farmer didn’t want to put his ailing mule down, knowing that the other mule would grieve, as they had never been apart. He finally had to. When I rode by the following week, I saw the remaining mule standing bereft in the pasture. My friend who lives on an adjoining farm said the mule hadn’t eaten since its sister died. I dared not drive that way for a few days afterward, fearing what I’d see, or not see. But this week I braved it. I drove past the pasture. There was the mule, grazing, which made me happy. As I watched, a big orange tabby cat came strolling across the pasture to sit by the mule. It looked right in my direction, swishing its tail.

A once-in-a-lifetime photo shoot that I couldn’t stop and capture.

And then today as I went by . . . the cat was still there. In all these years of loving those old mules from afar, I have never seen any other creature in the pasture. That cat is there keeping that mule company. It was sent. I am sure of it.

What is life but a bizarre balancing act, a series of give and take, comings and goings, losses and comforts, laced with love, fierce in itself. A mosaic of light and color, a stark silhouette against a backdrop of darkest gray.

Holy days.

Holidays.

Every day is one to be celebrated.

Tonight I go to sleep in my dogless house, beside my husband who’s still here. We have one more son sleeping upstairs. Although there’s an ache, there’s not emptiness. I am grateful for that big orange cat who’s out in the pasture with the old mule left behind. I am grateful to see the glory and drama of autumn with the promise of celebrations to come. I am deeply grateful my oldest has found his calling at the same time great love has entered his life; on the day after Thanksgiving, he becomes a husband and a father all at once. It just so happens that his wedding day is the second anniversary of his grandmother’s passing; how she’d rejoice for him.

Light and dark, dark and light.

Oh, and on the wedding night, I get to bring home a little girl, officially my granddaughter; she and I will have our own celebration with Bride’s Cake ice cream and peppermint bark Oreos and probably the movie Frozen.

I put the Christmas tree up early, just for her.

Holidays.

Holy days.

How can there be so much light.

********

Note: After publishing this post, I learned that the big orange cat has a name: Sunshine.

Sick Ada

/ Fran Haley / 13 Comments

I don’t know where it came from, this idea for a story about a little girl who likes cicadas.

Except that I was a little girl who liked cicadas. I am a grown-up who loves them; I’ve written about this many times.

Anyway . . .

In my idea (that fell into my head when I was actually thinking of other things), a little girl is having a hard time adjusting to her parents’ separation. It’s connected to a change in seasons when she can’t hear cicadas anymore. Perhaps she will find some shed cicada shells and ponder the emptiness where a living thing used to be. Or how one outgrows things. Maybe she’ll even think that her parents have outgrown their love for her. I am not sure yet of all the meanings and connections; I will have to write and let the story grow and breathe on its own.

I do know, however, that the little girl becomes ill. Is it terminal? Not sure yet. She goes to the hospital. It’s winter. As she’s falling asleep, the heater in her room sounds like cicadas rattling high in the summer trees. It’s a happy sound, this buzzing. She will wonder if dying is not so bad, really, if she can just keep hearing cicadas . . . and then she hears voices. Her mother and father are there with her in the room, together if only for a little while, united in their concern for their sick daughter.

Whose name is Ada.

Sick Ada . . . cicada . . .

That’s as far as I’ve gotten, just grasping at these gossamer images, the barest wings of an idea.

But I think it might like to become a real story.

That belongs to children, for they live at the mercy of adults and the world.

And, of course, to cicadas, which are always buzzing somewhere, and which represent many things, mostly good.

Seems I almost owe it to little sick Ada, waiting there in the wings.

Photo: Girl with cicada bug. Jose Hernandez. CC BY-SA

Waiting

/ Fran Haley / 6 Comments

We put the cookies in the oven

and we wait.

Good things take a while.

Don’t they.

Like Christmas and growing up.

Like wedding days

and having children.

Like heart-dreams coming true.

Like you.

It took a long time.

I had to wait.

My little boy had to grow up

and finally find your Mom.

It took a while

didn’t it

for you to get your dad.

Know what he told me?

“Mom, you’re getting a little girl

at last.”

So much of life is waiting, waiting,

it’s true

like my long ago-dream

of you.

So many books to read

and stories to share

and songs to sing

and places to go

and just to be

you and me.

So we put the cookies in the oven

and oh, we can hardly wait.

The course

/ Fran Haley / 6 Comments

Curriculum.

A Latin word that sort of rolls around the throat and off the tongue.

As well it should roll, since it literally means course, derived from curricle, a horse-drawn chariot for racing, and currere, to run.

So, perhaps that’s why there are pacing guides . . .

Moving on . . .

Suffice it to say that I’ve spent a good deal deal of time lately thinking about and discussing curriculum with teachers. At this point, I could launch into an exhaustive albeit incomplete analysis of types of curriculum (new facets develop almost daily), but it’s that’s not my purpose here. Having spent all of last Friday co-facilitating professional development for my colleagues on core instruction, I will reference my state’s definition of curriculum:

“The materials, instructional programs, texts, lessons and mapping (for academics and behavior/social-emotional functioning) delivered to all students. These should be evidence-based, aligned with student needs, provide clear mapping towards meeting standards, take into account student skill deficits, and align with school resources. The chosen curriculum should be evaluated often for effectiveness but with a keen eye first on implementation fidelity. In other words, before abandoning a program, the team should ensure it was implemented as it was designed because this is a common cause of poor outcomes” (NC MTSS Implementation Guide, “Defining Core”).

—There you have it, friends. That’s the course.

The running of this course is what concerns me.

Consider those phrases: aligned with student needs and taking into account student skill deficits. A course of study, a prescribed curriculum, doesn’t always, and isn’t able, of itself, to take into account student needs and deficits. The curriculum is a thing. A long and winding road that’s sometimes treacherous to navigate, for the thoughts, ideas, ideologies, theories, experience, assumptions, and intents of curriculum designers (and adopters) are not always clear or evident to the minds of those who are trying to discern them while simultaneously attempting to plot the course for a class of diverse learners. We see the what for the arduous path it is. We can sometimes see, even appreciate, the why. We struggle most with the how. The how too easily becomes an effort to run this course at all costs, to finish well, to plow on full-strength to the best of one’s ability in order to cover the necessary ground, i.e., all the standards and objectives as laid out. And the greatest how of all: How to run this race well when so many students are nowhere near the starting gate in regard to meeting standards, or proficiency?

Years ago a mentor told me we must stop thinking via the deficit model. We must see the whole child, meaning that we must acknowledge students’ strengths and focus on what they can do vs. what they can’t. I believe in the truth of this; I just know that it’s hard to hang onto in the throes of the daily race while rattling bumpity-bump down a formidable and rigorous course. Last Friday my teaching colleagues spent a lot of time thinking about children who aren’t “making it” in core instruction. Teachers considered why, then why again, then why again . . . coming to the conclusion that while there are curriculum tights to adhere to, for all kids to have the chance to be successful, there must also be curriculum tweaks. Collective decisions made with professional judgment. A concentrated meeting of the minds, a gleaning and sharing of experience and expertise, not for any other children but the very ones in front of us . . . .

That brings us to instruction, the real how. That’s why we HAVE professional development, to continue reaching for strategies, better ways of supporting students in getting from where they are to where they need to be. It doesn’t come prepackaged. It comes by knowing the children. In growing pedagogical know-how. In creativity. In thinking a great deal more out of the box when the box clearly doesn’t fit. In collaboration, through collective decisions made with professional judgment, with respect to the professionals that teachers are. The true art of teaching means tapping into the very core of humanity, in fostering atmospheres and experiences in which all learners will grow. . . and that undoes our analogy, doesn’t it? For if curriculum is the running of the race, who, then, is the charioteer? Who are the horses, running for all they’re worth? What, pray tell, is the chariot? Is education itself merely a marathon, a twisting and turning through obstacle courses laden with increasingly higher hurdles to clear, a jumping through hoops that progressively constrict?

When I was completing my teaching degree I lamented the high volume of work for little meaningful benefit or lasting takeaways. My advisor sighed: “I might as well tell you that education courses are basically tests of endurance.”

That is not what education should be. For students, for teachers, for anyone.

I’d rather think of the course as Life. The student as the charioteer. The student’s teachers over the years as the chariot engineers and artisans, continually building, tightening, tweaking, balancing, and adding their own unique embellishments to the vehicle that will carry that student forward through the future. The horses are named Knowledge, Wisdom, and Preparation; they are always hungry, always wanting to be fed so that they can keep driving on. The horse leading them all is called Inspiration . . .

But of course education, nor curriculum, is really about racing. Right?

“Thank you for pointing out the importance of professional wisdom,” said one of the teachers leaving the core instruction session last week, “and for honoring all the things we’re already doing. It was so uplifting.”

We’ve been off and running so hard for so long but now, oh yes, maybe now, we are getting somewhere.

Photo: Chariot (The Brandenburg Gate in Berlin, Germany). Shawn Allen. CC BY

Muleogy

/ Fran Haley / 4 Comments

I love the two old mules who live down the road and around the bend from me.

They do not know this, of course. They don’t know me at all.

They do not know how they stir my soul when I drive by their pasture, or how the sight of them makes me feel like I just might be, for a few seconds, back in time. They are a brief glimpse of rural life as it was in the 1930s. Or 1920s. Or even long before. They are remnants of a time when man lived closer to the earth and life was hard but somehow better. The mules are reminders of my grandfather; I’ve rhapsodized about that before, having been a little girl who grew up in the city longing for the countryside that my grandfather loved and the past that he lived. All because of the stories. Granddaddy said, “Nobody had any money but everybody looked after each other and we were happy.”

So, I see these old mules several times a week and they never fail to lift my spirits. They fill me with an inexplicable sense of peace and well-being.

Until.

One day in the last few weeks when I drove by the pasture, anticipating this little stab of joy that the mules always impart, one of them was lying down on its side.

Odd.

In all the years I’ve lived here, I have never seen one of the mules lying down.

The next time I drove by, the mule was still lying there in the same place. Completely on its side, motionless, while the other mule grazed close by.

I didn’t like it. Something was wrong.

On the third day when I passed by, that mule was in the very same spot and position.

I started to cry.

It had to be dead. What other reason could there be?

And where was the farmer? Didn’t he KNOW his mule was lying out there? Why would he leave it to die like this?

I came home and told my husband, sniffling: “I think one of those old mules is dead.”

“Why?”

“It’s been lying on its side in the very same spot for three days. It hasn’t moved at all.”

“Hmmm,” my husband mulled. “Did you see any buzzards?”

“Uh, no . . . .”

“All right then. The mule’s not dead.”

His nonchalance irritated me.

And the next day when I drove by the pasture — lo and behold! — the mule was standing!

I drove by several times, rejoicing.

—It is possible that the mules now know my car, even if they don’t know me.

And it occurred to me that I might be developing an obsession so I ceased mule-stalking for a couple of days.

But I asked a friend: “You know those mules who live just up from you? What’s wrong with one of them? I’ve seen it lying down so much I thought it had died. Except that there were no buzzards.”

Yes, my friend knows the mules and the farmer. Yes, that mule is not well and the farmer is quite aware. He’s had these mules for thirty years, since they were three years old. They are sisters, named Penny and Annie. The farmer knows Annie is suffering; she’s old and she now has sores from lying on her side so much. The farmer told my friend that he ought to put her down . . . except that when he does, her sister Penny will grieve herself to death. They have never been apart.

And my soul is stirred, my heart wrenches anew at this love story within a love story within a love story.

I brace myself every time I drive around the familiar bend, as the fencing and the red roof of the dilapidated barn come into view, not knowing what I’ll see. Maybe on a day when the sky is its bluest blue and the grass is its greenest green, Annie will go peacefully. It’s autumn now; as I draw near I see the shadows of the trees dappling the grass, waving to and fro, and little yellow leaves wafting through the air, catching the sunlight like glittering specks of gold. Maybe it will be a day like today. I suddenly worry about the coming frosts and Annie lying out there in the open instead of being warm and safe in the barn with Penny.

I reach the pasture. I slow down.

Annie’s lying on her side.

I come to a stop.

Penny quits grazing, lifts her head, looks at me.

Then Annie raises up to sit and look at me.

We watch each other for a minute.

I wonder what they think.

I can’t stay here in the road, so I drive on.

That was yesterday.

Today, today . . . when I rounded the bend early in the morning . . . they were both lying down.

Sisters to the end.

I will not want to drive this way anymore when the pasture stands empty, but for this moment, the mules live, they love, and their little pasture is a hallowed place.

More so than ever.

I think again of my favorite Shakespearean sonnet, about autumn, about dying, about the coming of night and being consumed by that which once nourished, about loving well that which you must leave . . . if mules had funeral services and if I officiated, that would be my eulogy.

—My muleogy.

Ah, Penny and Annie, you can’t know that when you go, you’ll take a little part of me with you.

Maybe it’s illogical.

I only know it’s true.

For I love you two old mules who live down the road and around the bend from me.

Why I Write 2019

/ Fran Haley / 8 Comments

The National Day on Writing invites me to examine my writing history: Why DO I write, really? And why do I love it?

I don’t know exactly when the desire began, only that it manifested itself early in life.

It had nothing to do with the hateful formation of letters on paper. My handwriting was never pretty. Even now my letters aren’t uniform; I scrawl my thoughts onto a page lightning-fast, before they escape me.

That’s what writing is. Thoughts. Ideas. The attempt to capture and convey images, emotions, sensations.

It has everything to do with words.

I fell in love with words long ago on my grandmother’s lap as she read book after book to me, the prosody of her voice like the waves of the ocean rolling on and on and on. Endless, musical, alive. Her voice buoys me to this day. I hear it still; she is never far away.

At age six I gathered paper and a pencil, sat at the coffee table in my living room, and wrote a story that I’d heard many times. No one said Do This. The compulsion came from within. The writing was for me and no one else. It simply needed to be done and I wanted to do it. So there I sat, laboriously printing my ugly letters, making words to what I believed was the most beautiful story in the world.

I wrote because, in the days before the Internet and cellphones, Grandma wrote letters (with perfect penmanship) in which she included books of stamps so that I could mail letters back to her.

In my adolescence she gave me a diary with a lock and key (two keys, actually, in case one got lost). I flooded those pages with the secrets of my young soul, such as the angry suspicion that my parents had adopted me, whereas my sister was their real child, and: One day I want to write a book. I hope it will be published!

And so I wrote.

One teacher, then another and another, strategically placed throughout my education, said Keep writing. Here’s what you do well. Here’s a thing that can make your writing even better. They asked me to read my work to my classmates, who said Keep writing. Oh, and will you help us?

Throughout my teens poetry called to me. It said: You hear my music. Show me. Come, dance. Don’t think about perfect steps. Just listen and follow what you hear.

—That’s pretty much how I write everything now.

And the books, the books, the books . . . who and what would I be if I had not loved reading so? All genres, all my life. New words, new information, new ways of thinking, new things to explore and imagine. New motivation to write with the same power as the writers who stir something my very core, as our cores are clearly made of the same stuff.

So, to this day, I write. Because I love story, real or imagined. I write with and for children who have their own stories to tell. I write to cope with people and situations that I cannot change and to remember all that’s good in my life. I write my celebrations and my losses. I write not to wage war on the world but to find peace in myself, where finding peace with others begins. I write to forgive myself and others. Not with words that destroy, but those that build, that create, that go on in the belief that the chapter to come will be better than the one before. Even when pain is woven through it, so is joy. Because that’s life. And love. And writing. I want to store it all it before the hippocampi in my brain (I envision these as two seahorses, yes) stop recording my memories and before the ideas evaporate and the words don’t come any more.

Until then, on a sea of words, the rhythm of life rises, falls, and calls: You hear my music. Show me. Come, dance. Don’t think about perfect steps. Just listen and follow what you hear.

And so I do, with a heart full of gratitude.

That is why I write.

Mindful

/ Fran Haley / 14 Comments

Shattered

This is my phone.

Was my phone.

During a drive to school, where a thousand things awaited me, I realized I didn’t have it. Pulled over. Searched my bags.

No phone.

—Where had I last seen it?

Charging. That’s right, I remembered plugging it back up for a full charge to get through the day.

Turned around, went back home.

Nope. Not there.

I finally used the Find My Phone app on my iPad and within seconds, my phone was revealed to be about a quarter mile away, in the middle of the road.

Because — I have no recollection of this, it’s just obvious — as I loaded bags, notebooks, stacks of paper into my car that morning, my mind off and running miles ahead in a dozen directions, I made the unconscious, fateful decision to put the phone on the trunk.

I drove to said location and there it was, facedown on the pavement, shattered, tiny shards of glass pricking my fingers on retrieval.

At the moment, the greater marvel to me wasn’t the modern magic of pinpointing the exact location of my lost phone (while trying to imagine the extreme unsettledness of never finding it), or that I was so thoughtless (more than a little alarming). I marveled instead that the phone held onto the car that long before sliding off. Astonishing.

It was inoperable. Dark screen with an occasional flickering of gridded lights that grew weaker and weaker, like a monitor for a little dying creature.

So I set about the repair process — in this case, replacement — which is costly both in dollars and in time, meaning that my one second of not being mindful diverted valuable time and energy from the day and the important things I needed to do. The phone tethers me to my sons, wherever they are. To my husband, still recovering from heart surgery, in case he should need me. To my colleagues, who will text with questions or to ask me to come to their classrooms. The phone is an effective lifeline to the people who matter most to me.

It dawned on me somewhere during this ordeal that I held a metaphor in my hands: Relationships.

I thought about the cost of not being mindful in relationships. How they can get so far off track if we aren’t paying attention. How hard it is to get back to a good place when this happens, if we are not ever-mindful of words, actions, signals, choices. I thought about all the emphasis on relationships in education, usually in the context of teachers building relationships with students to help them thrive as learners. But even more important are the relationships between the adults in the building; if there isn’t collegiality, professional trust, and a true spirit of collaboration, all relationships suffer and the children pay the price.

Mindful. Such a proactive word. A few seconds of investment to avoid the time, energy, and costliness of repair, before things get off track and slide away.

Before relationships shatter.

Homecoming

/ Fran Haley / 8 Comments

I live in the country, where I hear a rooster crowing every new morning, where mists rise like swirling specters from glassy-surfaced ponds reflecting the pinkening sky. Where geese fly over my house so low sometimes that I hear the rustling of their wings as they call to one another in that rusty honk honk honk.

I think together together together. Home home home.

On Sundays I drive past fields, dilapidated tobacco barns, fences, pastures, goats, ponies, donkeys, horses, chickens, and peacocks that like to stroll along the roadside as if they own this pastoral kingdom. Around the bend are mules, cows, woods. Eventually I reach a clearing. The church, nestled between the fellowship hall and the graveyard. Gathering places. The place of worship connects the place of eating and celebrating life with the place of the dead, remembered and still very much loved.

This Sunday, the fellowship hall was crammed with tables laden with casseroles, salad, friend chicken, ham, deviled eggs, cakes, pies. This Sunday, family, friends, and former church members returned to celebrate their ties to the church. This Sunday, I rejoined the choir for the first time in many weeks, singing a song of gratitude to God.

This Sunday, my husband — the pastor — returned to church after four heart bypasses, four stents, two hospitalizations for nineteen days, two heart attacks, one cardiac arrest and one resuscitation. Thinner, slower, easily tired but gaining strength with each passing day, he came for Homecoming. To honor the life and legacy of the church. To celebrate his life being given back to him. To his ministry. To thank our oldest son, who filled the pulpit and even conducted a funeral in his father’s absence.

And to tell the church that this boy, who was seven when we came to serve here, who was baptized here, who grew up, left home, and returned to go to seminary in his father’s footsteps, has just been called as pastor of another church on the other side of the county. That this boy, now a man, is simultaneously getting married and becoming the father of three-year-old girl. She looks up at him with adoration, a big bow in her hair, so excited that they’ll all be able to live together. Their first home will be a parsonage.

Together together together. Home home home.

As his father returns, our son leaves to build his own life and legacy. To establish his own home. I think, as people cry and smile and hug, that for every homecoming is a homegoing.

Home. It is tied to place, yes, often in the context of where one grew up; but home is ultimately about love, about belonging. I heard an educator speak about his childhood. He and his brother were abandoned by their parents, spent their lives moving from one foster home to another. At seventeen, just as he was about to exit the system, his last foster parents adopted him. He went to college and one day, on coming home, realized that “success isn’t about leaving home, getting a good job, making a lot of money.” He understood, as his adoptive mother opened the door and threw her arms around him, that success is about living and loving well. It is about caring and helping and trusting and sacrificing. It is about family, about belonging. About carving out home.

I look at my son, standing tall and strong beside his worn, weeping father at the altar in the sanctuary, as an invisible torch is passed. The benediction. It pierces me, but not like an ending. It feels like a beginning.

Home. It doesn’t begin with physical place. It’s not external. It begins with finding home within yourself, with who you are, with the love you have to give as well as that you receive. It is about believing. Then it becomes the story of belonging, of rising to meet life each new day.

Together together together.

—Godspeed on your journey home, son.

On his father’s shoulders