in honor of the tenth month: an etheree is a poem of ten lines, ascending or descending from one to ten syllables
Soon the scent of woodsmoke will spike the soul against a backdrop of iron-gray spattered with bright orange, yellow, red but for now, October whispers sweet green nothings as if we can’t sense her chill unlacing cloak about to fall
Alphonse Mucha – PagP50 Automne/Autumn, c.1903. Public domain.
If the writer observes the world then the artist recreates it and the poet preserves it all
Knowing yesterday was a milestone anniversary of my father’s death, a friend created this digital image as a gift. She took lines from one of my blog posts, Fresh-cut grass, written in his memory: Grass, though cut, always heals itself and grows again, and you are always present in that sweet scent. She used pictures in my posts to make the grass…here in these blades are slices of my first Christmas, the cross necklace my father gave me, a portion of his Air Force uniform, and a lamppost like the one that stood in the yard of my childhood home; my father used say that when he turned onto the street he could see the light of home shining straight ahead.
I’m in awe of the gift and its artistry.
A metaphor for life itself.
My father’s presence remains in the scent of fresh-cut grass. Here is Sunday’s poem, marking the twentieth year of his passing: September, When Grass Was Green.
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with thanks to E. Johnson for the digital masterpiece and to Two Writing Teachers for the original impetus to start a blog for capturing Slices of Life. I began by writing each Tuesday in April 2016, then every day each March, then for Spiritual Journeys on the first Thursday of each month, and on occasion for other writing communities like SOS— Sharing Our Stories: Magic in a Blog…and every day thus far in the year 2022.
If you are reading…thank you.
We are our stories. Let us write them and live them well.And bring healing to one another.
Try to remember the kind of September When life was slow and oh, so mellow Try to remember the kind of September When grass was green and grain was yellow…
(T. Jones/H. Schmidt, 1960)
I remember our last conversation in September twenty years ago
you said you’d been cutting the grass and that maybe you’d overdone it going back and forth with your mower making a pretty pattern —you thought your chest muscles were sore from the turning
it worried me
—you were worried about other things
but happy to be retiring in two weeks
the thing about last things is that you don’t know they’re the last
I remember promising to come celebrate your retirement and how we spoke of you having more time to spend with your grandchildren
I remember getting the news a week later as soon as I walked in from shopping with the retirement card I just bought still in my hand
I remember that September day: so glorious, cloudless sky so blue it hurt all the trees still green, sharp-edged, clinging hard to the light
never again will September be as bright
or kind
I remember coming home for the last time
to speak at your funeral
to thank you, my duty-minded, dedicated father
twenty years come this twenty-fifth day of September
don’t you know the grass is still oh so green and Daddy, you are still in the scent of its cutting
Yesterday’s sunrise
with thanks to Susan Ahlbrand for the Do You Remember prompt with musical inspiration on Ethical ELA’s Open Write earlier this week. Susan remembered her own father’s passing with Earth, Wind & Fire’s “September”. I chose “Try To Remember” as a frame instead. The song predates me; I recall hearing it on my father’s radio when I was very small.
I still have the retirement card I bought for my father on the day that he died, with three workdays left to go. The card mentions that it’s a great time to be alive.
Twenty years, and that remains the great dichotomy of late September.
Evening settles early streetlights flicker air stands still, breathless, expectant… finger to her lips, Autumn enters trailing her twilight-sky kimono in the fluttering, silhouettes a skittering of little dark birds or maybe bats
with thanks to Susan Ahlbrand for the invitation to write a “this but not that” poem based on an abstract noun over at Ethical ELA’s Open Writetoday
Memory is a blanket of new-falling snow over barren ground where nothing would grow
Memory is not static it is ever-changing reinventing itself day by day ever so slightly around the edges
Memory is sparks crackling and popping from the inner fire in the grate
Memory is not reliable— it goes its own way, its own consummation and consumption, ashes stirred to life rolling in the breeze
Memory is a river life-giving, sustaining, sacred flowing free until obstructed necessary and nourishing yet potential danger for drowning —you cannot live there, submerged
Memory is not tomorrow or yesterday
Memory is now
Memory is not a book, a record carefully preserved
with thanks to Wendy Everard for the Open Write invitation today on Ethical ELA. A traditional sestina has six stanzas and a three-line envoi; the initial six ending words rotate through remaining stanzas in a prescribed order. Today’s process begins with brainstorming six words. For a semi-sestina, one can alter stanzas and lines, exercising creative freedom…
Here are my six words and opening stanza at present. It will take some time to see where they lead…
fabric scissors fall damage pieces pattern
Childhood Memory
She spreads the pattern across the fabric placing the pins. Wielding her sharpest scissors, she cuts along the grain. The scraps fall to the floor, haphazard collateral damage. She will not save the pieces or remember their wholeness, before her pattern.
with thanks to Denise Krebs for encouraging “multiple languaged” poems for today’s Ethical ELA Open Writeand NCpedia for shedding a little more light on name origins…
In the Place of the Sweet Trees
Long ago, the first People knew the river.
They named it for the trees growing there where spice-bark and great white flowers perfume the air.
In this place of the sweet trees along the riverbank a vine began to grow.
It bore fruit in the shape of spheres of the Earth itself as yet unknown.
Thick-hulled green-gold pearls of the vine that the People named for the blackwater river in the place of the askupo, those heavy, fragrant trees rooted in swampy soil.
The People, standing in the cool shadows of the sweet trees by the river, tasted the askuponong, the scuppernong, and understood the Divine.