On Monday, Dave Wooley hosted the March Open Write at Ethical ELA. He invited participants to compose small ekphrastic poems inspired by art, “to capture essential moments that are reflected in, or alluded to, in the work of art. Or, perhaps, how in reflecting upon a work of art, that might become a spark for a related idea that could be explored in the burst of a short poem.”
The key, of course, is selecting the artwork. Dave chose statues.
I chose a work of art in progress…
Envisioners
Segmented cardboard pulled from a shipping package is now repurposed
by the magicians (known as my two granddaughters) with markers in hand
a dragon rises from their creative efforts— Franna provides eyes.
The masterpiece in the making
******* with thanks to Two Writing Teachers for the March Slice of Life Story Challenge
My three-year-old granddaughter, Micah, has finally experienced enough snow to make a snowman.
Two snowmen, in fact. Five weeks apart.
The first snow really wouldn’t pack, so we ended up with a little heap of snowdwarf. It was cute and we loved it anyway (see the photo on To Life and Lafo).
The second snow packed beautifully. Micah’s artistic big sister, Scout, took over as snowman engineer and designer, rounding the body and deciding what to use for facial features.
Micah said, “The snowman needs a hat!” She chose the Santa hat from the toybox I keep for the girls. In her words, the “Ho-Ho hat.”
And here you have it. Our merry friend:
That night, as I put our exhausted Micah to bed, she kept stalling.
She fights going to sleep, has always been a restless sleeper. She asks for songs: Frère Jacques. Twinkle, Twinkle, Little Star. She chats about a boy at daycare and calls him “my brother.” She says he’s going to the beach and she wishes she could go, too.
“All right, Micahroni,” I say at last. “It is time to sleep now.”
She twists around, lies still, and is silent for a moment. She looks at the ceiling, the wall. Her eyes are heavy.
Then those big eyes are on me. “We forgot the Ho-Ho hat! It’s outside!”
“Yes, but it’s okay. The snowman can wear the hat tonight. We can get it tomorrow.”
That seems a sufficient response, for she’s quiet again.
Then: “Franna.”
“What, Micah?”
“I don’t want the snowman to melt.”
“He won’t melt tonight, honey. It’s very cold outside. He’ll still be there tomorrow.”
She looks at me earnestly. Deep brown eyes, rosy cheeks.
“I don’t want his face to melt,” she says.
I murmur something soothing, I think, but my mind isn’t on my words.
It’s on the workings of her little mind, already understanding the temporary nature of things, fearing loss…yes, it’s just a snowman. But its face reflects humanity. She cares about it and knows, at three, it cannot last.
I stay with her until she drifts off to sleep and her breathing grows loud.
And then I go to bed myself, praying, I confess, for the snowman not to melt the next day while she’s staying with me… because childhood and life itself are so short. They melt away so soon.
When she goes home, the snowman is still in the backyard, joyful as ever, twig-hands raised in praise, undiminished.
I remember to rescue the Ho-Ho hat. She will remember asking. She remembers everything.
I hope she always will.
*******
with thanks to two Writing Teachers for the March Slice of Life Story Challenge
For peace at day’s end speak little; hold your truths close. Let sleeping dogs lie.
My granddaughter, Scout, with Dennis the dachshund during a sleepover.
Senryu is Japanese poetry of three lines and 17 morae (syllables), usually arranged 5-7-5, similar to haiku. Traditional haiku is focused on nature, whereas senryu reveals something about the nature of humans in a lively, funny (often “punny”), dark, or ironic way.
Seemed a symbolic way to capture this serene Slice of Life scene.
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Composed for Day 8 of the Slice of Life Story Writing Challenge with Two Writing Teachers
And so it comes to pass, at long last, that I return to the site of my sun-kissed childhood summers.
My ancestral homeplace in eastern North Carolina. Literally the land of my fathers: My dad, my grandparents, my great-parents, my great-greats were all born within a small radius of a tiny town and crossroads that were old long before my appearance on this Earth.
Thus began my fascination with Time.
In the bend of a dirt road stood my grandparents’ home, where my father grew up. My youngest aunt was born here in the same room where her father, my Granddaddy, would die fifty-three years later at 92. He wanted to die at home. He did, peacefully and “full of days,” as the Scriptures say of Abraham, Isaac, and Job: After this lived Job an hundred and forty years, and saw his sons, and his sons’ sons, even four generations. So Job died, being old and full of days (Job 42:16-17).
Likewise, my grandparents saw four generations. They lived to see my children. Incidentally, Granddaddy had a brother named Job who died in the 1920s (he drowned, if I recall correctly; this is a coastal area).
So it was that I grew up on stories of the old days and ways, a little city girl mesmerized by my deep country roots. In my time the once-thriving community was already history; nature was reclaiming the unpainted houses, one by one. Some were still visible through the woods (an early memory: a cypress shingle roof in the treetops, if you looked just right) and others were in various stages of falling down with yards still mowed by descendants.
On this return journey a few weeks ago, I discovered that my grandmother’s homeplace from the early 1900s is being swallowed by the forest:
A terrible jolt, as I can remember it having a hedge, a lawn, a porch swing, a screen door. I remember the layout inside and my great-uncle living there, tending to a patch of sunflowers.
And I knew, prior to this journey, that my grandparents’ house, which stood on the corner a little farther on, is gone.
This story is a little different, however. Instead of the forest reaching its veiny green fingers to reclaim its own, a young couple has built a home right in the middle of what was once my grandfather’s garden. I can’t help thinking how Grandma would marvel at the beauty of this new house and its lovely landscaping.
All that remains here from the enchanted summers of my childhood half a century ago (and from time before me) is the pumphouse, one of Grandma’s crepe myrtles (now wistfully draped in Spanish moss, which never used to be in these parts), and the sidewalk that once led to the front porch of Granddaddy and Grandma’s home:
As a teenager I wrote a song about a sidewalk. Haven’t thought about it in ages:
Where does this lonely sidewalk lead? You think by now I’d know Footsteps into yesterday That’s where I want to go…
I had no idea, then, that only the sidewalk would remain in this place I loved so well, where I used to play outside in the sweltering bug-infested heat, where Grandma would sit at her piano in the evenings to have me sing old hymns with her as Granddaddy listened from his recliner, where I felt loved and wanted and sheltered and that I belonged…
The old dirt road remains, too, of course.
There was another dirt road branching off of it here in the shadows to the left; it once led, Grandma said, to a two-story antebellum house with a double balcony. I could hear admiration for that house in her voice. In my childhood the road was just two tracks through grass and thickets. The path faded more and more with every passing summer. Now you would never know it had ever been anything but woods.
From this vantage point, my grandparents’ yard is on the right, and to the immediate left is an old family cemetery. Not my family’s, although I walked it often with Grandma over the years. When I was a child, I was afraid ghosts would come out here at night. Grandma assured me they would not. She offered this dubious comfort: No need to fear the dead. Fear the living.
When I wondered at the graves of so many babies, she said people just didn’t know what to do for them when they were sick.
It’s clear how much the children were loved and mourned. This tiny cemetery remains painstakingly tended and strangely outside of time:
Hello again, baby Leafy Jean and big brother Leon Russell.
These siblings died a month apart in 1917. Grandma was born three months after Leon, almost a year to the day before Leafy, in the soon-to-be obscured homeplace just around the bend of the road.
Four-month-old twins Audrie and Aubrie died a week apart during that same summer.
The greater wonder, in its way, are the children who survived disease and mothers who died giving birth to them, which almost happened to Grandma: her mother delivered a stillborn baby three months before she was born. My grandmother was a twin. Grandma journaled this because I asked her to; in her writings, she says several women in the community who recently had babies helped nurse her while my great-grandmother was so ill that she “almost didn’t make it.”
—Why am I just now realizing that Grandma’s lost twin would have come around the same time as Leon Russell? Could his mother have been one of the women who preserved my newborn grandmother’s hungry life? if so …imagine saving someone else’s child and losing your own…
So many mysteries in this place. I’ve always felt the pull.
Over fifty years after I first walked this cemetery with my grandmother, I’m awed by the good condition of the headstones. I halfway expected them to be eroding into illegibility — after all, these people’s earthly homes have long since crumbled. No greater mystery than Time…
I cannot linger here, ruminating, for there’s another place to visit. Really just a good walk “around the horn” to the church, a journey I’ve made many times.
This was once the heart of the bustling farm community. The church was built on land given by my grandmother’s predecessors. Her father, mother, brothers, and other family are buried to the right of this crossroads.
Granddaddy and Grandma are buried in the churchyard, to the left.
Such a beautiful little resting place, presently bordered by a lush cornfield. An old live oak felled by a hurricane in recent years has been replaced by a new one nearby.
Grandma would be so pleased to see how well-tended everything is.
There’s even a new footbridge over the ditch at the churchyard, for easy access to the little community center across the road. This building stands where Grandma’s three-room grade school used to, she said in her journal.
Here’s where old and new converge most for me, where Time is most relevant and paradoxically elusive. The spirit of this place is old; my own memories are growing old.
My father as a teenager, in the churchyard
I am the keeper of memories older than mine.
But I came for the new.
I brought my granddaughter, you see.
All along the journey, I told her stories. Of the old days, the old ways.
I brought her to dig for fossils at the Museum in town (which is where the phosphate mining company sends its rejects now, instead of scattering treasures on the old dirt roads).
We found a bit of coral skeleton, shark’s teeth, and some bony things I’ve yet to identify:
Making new memories from the old… even from the ancient, from time before recorded time.
As we were leaving, I discovered that the old library in this old, old town looks the same as it did five decades ago when Grandma drove me to pick out books to read at her house in the summer. I halfway expected to see her coming out with the armful she had to help me carry…
And I think this is used to be, or is at least near, the butcher shop where Daddy worked as a teenager.
There’s so much more to be said about memory, legacy, endurance, overcoming, and family… about the whole spiritual journey of life. The greatest gift my grandparents gave me, beyond their unconditional love and their stories, is that of faith lived out. I learned long ago that eventually there comes a homecoming so bright, so glorious, that all the former shadows are forgotten.
I expect I’ll recognize my little corner of Heaven, having had such a foretaste here.
Until that time, I carry on in the footsteps before me, praying I walk even half as well.
My now, my tomorrows ❤
From Everlasting to Everlasting: A Prayer of Moses
Lord, you have been our dwelling place in all generations. Before the mountains were brought forth, or ever you had formed the earth and the world, from everlasting to everlasting you are God.
You return man to dust and say, “Return, O children of man!” For a thousand years in your sight are but as yesterday when it is past, or as a watch in the night…
Let your work be shown to your servants, and your glorious power to their children. Let the favor of the Lord our God be upon us, and establish the work of our hands upon us; yes, establish the work of our hands! Psalm 90: 1-4;16-17
*******
with thanks to my Spiritual Journey friends who write on the first Thursday of each month and to host Carol Varsalona who posted this reflection and question for July:
Pause and praise God for His wondrous gifts! What are you rejoicing over this summer?
with thanks to fellow Slicer-poet Denise Krebs, who, upon realizing my Slice of Life Story Challenge posts have followed an abecedarian pattern, asked: “Will you do a post about the titles? Perhaps make an abecederian poem using the titles?”
I hadn’t thought of that. Is it possible? Would it even be worth reading?
As I have come to the end of the alphabet with five more posts to write and no plan… why not?
Here goes…
Auspices are favorable for my
barefoot baby ballerina on her toes, at present so like
crows, the absolute embodiment of Thought and Memory. It shows, in throes of
doggerel she tries to recite from her baby books, before she even knows words.
Eavesdropping at nap time, I hear her singing her own invented lullabies.
Focus on saving details of her story, I tell myself. Like the way she calls “Good boy” to the
graze academy of cows pastured behind the manse, and how proud she is of
herself in her little pink coat that shall NOT be removed, nay, all the livelong day.
I remember these from my own early story, memories flitting like tiny gray-cloaked
juncos in ancient winter grass:
koala life lessons from a book my grandmother read to me, in verse;
love notes in the cadence of her voice, ethereal rhythms falling on me like gentle
March snow. There was a book of birds tending their
nestlings as lovingly as Grandma tended me, slathering me in an
ode to menthol (Vick’s VapoRub) when I couldn’t breathe. I am well-wrapped in legacy.
Pursuing knowledge came early: Why is Granddaddy’s middle name St. Patrick?
Quotable Patrick, aka Granddaddy, with a sigh: I got no ideer. And he changed it—!
Remember these days, I say. Write now; who knows what the future holds? A long
sleep experiment poem unfolds. And so each day I am about
taking stock: my pile of good things grows to wealth untold. I play with words like
unfare while my mind time-travels to and fro, a
vagabond in search of a keeping-place, forever digging under the
wall on the writing. Oh, my baby ballerina and big sister nurture scientist/Jeopardy
X-ray expert/backseat prophet, someday you’ll each know how Franna prayed for
your one wild and precious life, filled to running over with awe and
zest—the whole A to Z gamut of my existence.
❤ My granddaughters ❤
*******
with thanks to Two Writing Teachers for the monthlong Slice of Life Story Challenge
and several fellow Slicers who made requests for particular postsalong the way
— now: What to write tomorrow?
Ah, but story is in the making every precious moment that we live.