Laughing Buddha

Hotei

Hotei Buddha. Shanna RileyCC BY-SA

“Come see what your aunt brought you!” Mom calls. 

My aunt has given me some pretty neat gifts: A shirt with iron-on letters that say Bookworm and a Partridge Family album. She’s a fun person, sometimes, like when she records us singing Olivia Newton-John songs on her tape recorder and says we sound professional, or lets me try on her wigs.

I can hardly wait to see what she’s brought this time. I fly down the hall from my bedroom to the living room.

My aunt is smiling wide. She hands me something wrapped in brown paper, saying: “Be careful -it’s breakable.”

I unroll the wrapping, pull out the breakable thing.

It’s a statue. A little bald man with a big belly and no shirt, wearing only a skirt, with his hands up in the air. He is laughing – at me, I think, because I don’t know what in the heck he is.

He’s also solid pink. A little darker than Pepto-Bismol.

I am confused. 

“I made him in ceramics class,” my aunt says, looking pleased with herself. 

Every grown-up female I know is making ceramics or macrame or decoupage. But I’ve never seen anything like this fat little pink man.

“What is he?” I ask, feeling disgusted, while he laughs at me silently. 

I think about dropping him.

My mother glares at me.

“He’s Hotei. If you rub his belly, he’ll bring you good luck,” says my aunt.

I want to say he needs it for himself, but my mother speaks up:

“Look at what’s underneath.”

I turn Hotei head down. Under the base on which he stands is an inscription:

Made for Fran with love. Aunt E.

I look up at my aunt and see the earnestness in her eyes.

She never married, never had children of her own. When I went to high school, she attended my plays, convinced that I’d make it on the stage in New York City. She directed my wedding, bought dozens of outfits for my first child. When I started trying to write short stories, she asked to read my work.

“You should send this to magazines!” she said, genuine excitement in her voice. “You could be published!”

She didn’t live to see my second child.

Hotei sat on my bedroom shelf for many years, and yes, I rubbed his belly. Some days more than others.

But I didn’t need him for good fortune, not really.

I had my aunt.

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A long time ago in a Galaxie far, far away

Galaxie

Truly wonderful the mind of a child is. – Yoda

A long time ago in a Galaxie far, far away . . .

A little girl clutches Mama Bear and Papa Bear. Baby Bear has accidentally been flushed down the toilet.  Clad in a mod red pantsuit instead of a long white dress, and with hair too short for cinnamon buns on the sides of her head, the little girl is nevertheless a princess of sorts, if not a rebel. Yet.

“Stand right there and smile,” says the little girl’s grandmother, who snaps a picture. The little girl really cannot not see the camera, as the sun is in her eyes. She smiles anyway.

Behind her stands the Galaxie  – a 1964 Ford Galaxie 500 that the little girl’s Granddaddy bought, used, for her Grandma. The exterior of the car is red. The interior is red, the fabric of the seats trimmed with silver cord.  The Galaxie doesn’t have power steering or air conditioning. In the summer its windows must stay rolled down if the people inside are to survive. Once it lost a hubcap and the girl’s Granddaddy had to run after it in the city streets.

Yet the Galaxie represents power, things far beyond the little girl. Ford Motor Company named it for the Space Race before the success of the United States over the Soviet Union, which came to pass in 1969, when Neil Armstrong and Buzz Aldrin walked on the moon. The little girl has no memory of this event but likes watching Star Trek with her dad: “Beam me up, Scotty.” She sings The Jetsons theme song:  “His boy, Elroy . . . .” She loves the Jetsons’ dog, Astro. Space gets up close and personal in March of 1970, around the time this picture is taken. A total eclipse occurs in the southeastern United States. The little girl’s family and all the neighbors run out of their apartments in an excited frenzy to watch it. A hush, a stillness, falls over them as the bright day goes as dark as night. The sun disappears,  becoming a mere halo around the huge, black moon. 

“Don’t stare at it,” says Grandma, drawing the little girl close. “It will hurt your eyes.”

The little girl stares anyway, because it is so strange to see the sun go dark.

The world was changing fast. So was my universe. In the year following the eclipse, my grandfather retired. He’d been a shipbuilder since World War II. “We turned out ships in three months in during the war,” I recall him saying, “when it used to take a year.” The war had been over for twenty-five years and it was time to go home; my grandparents packed everything, loaded the Galaxie, and returned to the remote outskirts of Aurora, North Carolina – a tiny town named after the Roman goddess of the dawn. I thought at first it was named for Sleeping Beauty.

My summer voyages began. There on the old dirt roads where my dad ran and played as a child, I learned how to drive with that Galaxie. It was, after all, more indestructible than the Death Star. It was still running after the birth of my first child. My grandparents finally gave it away to the man who hauled trash off for them.

It’s probably running still, somewhere.

Which is more than can be said of our spacecraft.

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