funeral home

A curious balance

/ Fran Haley / 22 Comments

There’s a curious balance in life. Maybe the same can be said of death.

Once upon a time I watched a day-old kitten die in my mother’s hands. I wept that it didn’t have a chance to bloom and grow. I named it Edelweiss (who among you will catch that musical allusion?).

Not so many years ago I watched a sixteen-year-old dachshund draw his last breath after two needles from the vet. I wept. Profusely. So did my boy, standing by my side. He’s the one who said it had to be done. This was his beloved childhood pet from the age of four to twenty. When we left the vet’s office, my boy carried the little limp body in his arms. The lights had been dimmed and a candle had been lit. Tears rolled down the receptionist’s face.

The boy now makes his living in the death industry. After having obtained a worship ministry degree, he’s returned to school for mortuary science. A funeral director’s apprentice. His hours are long. He gets called out in the middle of the night, in the wee hours of the morning, to pick up a body.

He’s carried the old, the young, the sudden, the long-suffering.

Even a baby.

I worried, at first, about the toll it might take.

But he’s a born comforter, stalwart, as solid as mountain, as placid as a morning pond in the countryside, smooth as glass. In taking care of others, he is taking care of himself.

He is as happy as I’ve ever known him to be.

He meets people. He connects with them. He learns from them. He hears their stories, knows about their lives.

Not just the families of the deceased.

A couple of times a week, he picks up the funeral home groundskeeper and drives him to work. This man tends a farm, among other things. Occasionally he puts something in the back of my son’s car. At some point along the way he has my boy stop so he can get the thing out of the back. A cage, of sorts. The groundskeeper will set it by the woods and release whatever’s inside… a big ol’ possum, a raccoon… creatures he traps on the farm to keep them away from his chickens and eggs (I suspect he’s trying to catch a fox. Maybe he has. Maybe my boy just hasn’t said).

What strikes me is the preservation of life. That of the wild creatures as well as the domestic ones. It’s especially fascinating to me in light of the context, occurring en route to work at the funeral home. A curious balance…

Earlier this week, when the boy dropped the groundskeeper off at the farm at the end of the day, the man pointed to the goat pen:

Look—a new baby goat. It’s maybe thirty minutes old.

He pointed again:

That one, maybe fifteen minutes old.

My son marveled. I could hear it in his voice when he told me the story: Fifteen minutes old, Mom. So tiny. I could see the afterbirth still hanging from the mother.

He sees death every single day. How fitting that his work should also lead him to witness life preserved and the miracle of its fresh arrival.

Such a curious balance.

Baby Goat. kendrick. CC BY-NC-SA 2.0

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with thanks to Two Writing Teachers for the Slice of Life Story Challenge every day in the month of March

Death calls

/ Fran Haley / 13 Comments

Subtitled The morgue, part 2. A slice of memoir.

And so it was that the house for the dead became a house for the living. If there were any ghosts of soldiers or prisoners lingering in it for over twenty years, perhaps a three-month-old baby’s cries and the acrid odor of diapers drove them on.

Even I wouldn’t be there long. The shadow of death falls like a blanket; the living must keep moving out from under it.

My memories of the house are fragmented, all in black and white. A living room with plain white walls. A window with pale curtains likely made by my mother. The black slats of my crib. Years later my mother said there were little black footprints on the wall from where I pressed my feet through the crib slats. She didn’t have the heart to wash them off. My grandmother wanted to know why I’d been put to bed with dirty feet.

I had a white blanket with satin trim. I sucked my thumb and rubbed the satin against my nose with my forefinger; eventually the satin pulled away from the blanket. I’d rub it between my left thumb and fingers while sucking my right thumb. A soothing rustle, rustle, rustle. I called it my Silky String.

That is almost all I can remember for myself of the old house that was once an Army hospital morgue.

Pa-Pa was the reason we came to live here; he was the reason we had to go. He owned the house. When he died suddenly from a heart attack, his children took over his property. We were the stepfamily. Grannie had to leave the big house next door. My father, mother, baby sister and I had to leave this first house of my remembering. It was March. I was not yet three, when the long shadow sent us searching for a place to be.

When death calls, the living must answer.

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All these years later, I watch the news. Tanks, warships, airstrikes, destruction. A hundred and nine empty baby strollers placed in Lviv’s central square today, commemorating the children killed in the invasion of Ukraine.

I think of morgues.

And of the mothers. And little footprints left behind.

And people being driven from home. That is what wars do. That is what death does.

My son, in his mid-twenties, comes in as night falls. Dressed in suit and tie. I know he’s tired.

“Long day, wasn’t it?” I ask.

“It was,” he answers. “Maybe I won’t get called out tonight.”

For a minute I see him at age five, pulling out the church directory every time a member passed away. He’d grab a pen, cross out the person’s photo, and write the word Died.

Funny how these things come back to you. Memories are ghosts.

And life is circular; all things are connected.

My boy eats supper, collects Dennis the dachshund, goes upstairs to rest and, I hope, to sleep. Unless his phone should ring in the night. If it does, he’ll be back in suit and tie, leaving home to pick up someone. He’ll transport them to the house waiting to receive them, where he’ll begin the preparations for their burial or cremation. Got a death call, he’ll say, if his dad and I are still up. If not, he just goes quietly into the night, a mortuary emissary.

For when death calls, the living must answer.

Window in the living room of the house that was originally an Army hospital morgue.
I lived here from about age three months to almost three years.

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with thanks to Two Writing Teachers for the Slice of Life Story Challenge every day in the month of March.