Finch elegy

I forbore
checking the finch nest
in the wreath
on the door

after three
maybe four
little finches hatched

in the cold

I knew that February
seemed too early
for laying

that sustained
freezing in March
could take a toll

but I heard Mama
and Papa House Finch
chattering all along
with babies’ bright voices

until a day or so ago

they’ve fledged and gone
already
, so
I told myself

when it is warm,
I will check the nest

(don’t disturb them
in this cold)…

Today, it is warm
like spring should be

with the earth bathed
in watercolor pastels
a blossom-spattered mosaic
after soft rainfall

and so I came to see
if the fledglings had gone
at last

not prepared
for what I found

one
hanging backward
over the front
of the nest
open mouth and closed eyes
pointing to the sky

another
wedged in back
against the door
essentially fused
into the nest itself

they are
too tiny
and new
and perfect
to be dead

but they are
they are

seems
a sibling or two
must have made it
to the skies

but these
sweetest little wings
I’ve ever seen
shall never rise

so now I lay
these lost ones
down for keeps

rip away the
beautiful nest
and sweep
and sweep

in silence
where there was
so recently
such happy song

not knowing what
went wrong

(and never will)

it is just
The Way of Things

nevertheless
my heart wrings
in two

and cries



A couple of my hardy finch fledglings in a previous year

*******

with thanks to Two Writing Teachers for the monthlong Slice of Life Story Challenge

Tale-based poem: The Legend of Water Rabbit

Today on the Ethical ELA Open Write, poet Stacey Joy invited participants to read a few short folktales, fables, fairytales, myths, or legends to inspire a poem: “Your poem might be a response to, a retelling of, or a new version of the original piece.”

I wanted to work with a fable but the children’s tale that came to mind first was… well, maybe you will recognize itmy poem is meant to be something of a mythological sequeltribute.

The Legend of Water Rabbit

In the forest deep
upon a cushion of emerald moss
Water Rabbit sleeps

and dreams

of the Child.

In his dream
he cannot tell the Child
how much
he loves him

for to the Child,
the Rabbit isn’t real

and there is no language
for conjuring a bridge
across the chasm
of unbelief.

Water Rabbit twitches,
remembering

the nursery
the toys
the Wise Horse
who spoke of love

and longsuffering.

It was Fate that placed
the Rabbit in the arms
of the Child that night
when a favorite toy
was lost.

It was only for a season
that the Child embraced him
and carried stuffed Rabbit
everywhere he went…

Water Rabbit’s whiskers tremble
with dream-reliving.

He sighs.

Other rabbits nearby
cock their heads
and perk their long ears

for in a moment,
Water Rabbit begins
to whimper
and weep
and wail
in his sleep

—the dream
is all too real:
the Child’s fever,
the separation,
the command that
Rabbit and all the other toys
be burned.

It isn’t fire or fears
that brings Rabbit’s tears

but the thought
of never being
with the Child again.

Wake up! Wake up!
The colony surrounds
Water Rabbit,
dozens of their small front feet
against his shimmery fur,
shaking, shaking him

into reality.

Water Rabbit gazes at them
through his tears
from his emerald-moss bed

and asks…Is it time?
 
The colony nods in unison.

Water Rabbit rises
wiping tear tracks
from his velvety face.

The colony parts
Water Rabbit
makes his way through…

he hops and hops with 
boundless energy until
he reaches the clearing 

where the Child
bigger now
(for he’s bigger every Spring)

sits on the blanket
spread over the grass
with a picnic feast 
made ready.

Into the Child’s arms
leaps the Rabbit. 

There are no words
for there is no language
that can capture
love so great
and eternal
and real

as real as the solitary tear
of a toy Rabbit
about to be burned
for the sake of the Child.

For it was that teardrop
the inevitable price
of love
and sacrifice
that brought life,
transformation,
salvation.

That is how
Water Rabbit
came to be.

*******
-with thanks and apologies to Margery Williams and The Velveteen Rabbit.

2023 is the Chinese Year of the Rabbit.

More specifically, the Year of the Water Rabbit.

You make vita cry!jpockele. CC BY 2.0.

Skitterings

Winter morning, below freezing, ground covered with thick layer of frost like unto snow. Oyster-gray sky streaked with clouds aflame with sunrise. Breathtaking colors. I drive to work, looking for magisterial hawks perched on power lines. None to be seen. At the corner where the patch of woods has been cleared, old tobacco barns are melting into the stubble, overlaid with a thin veneer of crystal. So beautiful, I say aloud. Something pure remains in the devastation. I cannot think of what. I drive on, pondering destruction and human hunger for it.

In the new rose-light little birds skitter up from the wood-edged fields. What type of birds they are, I cannot determine, just upward movement and wings. A strange line plays in my head: This day your life will be required of you. I suppose it’s born of constant murder in the news and too much reading, this very morning the strange coincidence of Diana, Princess of Wales, attending the funeral of Princess Grace of Monaco, who died from injuries sustained in a car crash. Did the struggling Diana sense any foreshadowing?

Why am I even thinking of these things during such a glorious dawn?

A shape swoops from the right, directly in the path of my car…surely a bird. I hear no thunk. I see no skittering escape in my rearview mirror.

The bird—if in fact it was—must be caught in the grille of my car. This happened once, long ago, when I was driving a different vehicle: I discovered a dead cardinal hanging partway under the car. Why, why do they fly so low?

I will have to stop and check. There’s nowhere to pull over on these winding backroads frequented by too-fast drivers and farm equipment.

There’s a tiny church tucked in the woods up ahead, past the intersection. Steep driveway, deserted area, but I have to get out and look.

Nothing ensnared on the wide chrome grille of my old car. Beneath the grille, however, are unscreened compartments and there, on the dark, recessed shelf, is a bird.

Alive and moving around. Gray, orange, and cloud-white, like the morning.

Oh, bird.

I take off my heavy black cardigan, wrap it around my hands, and reach in.

Gently, gently… then a soft, warm weight is in my sweatered hands. I make sure to cover its wings to avoid panicked and possibly injurious flapping. Its head is gray. Small gray beak opens and closes without a sound. Its eye, turned toward me, has a faint purplish hue, slightly reminiscent of my pet parakeet when I was six. The gray back and pale-orange coloring on the breast had me thinking robin, but now I can see it’s not. I don’t know what kind of bird this is.

Oh, little bird. I am sorry. As if my speaking will help, somehow.

I cannot stand here gawking at it. The creature has survived the trauma of my car; I don’t want it to die from terror of me.

I think of being in the hands of God.

Please don’t let it die, I pray. Is this a selfish prayer? I don’t know how badly the bird is damaged.

And what am I going to do with it now.

The woods…I skim for a sheltered spot. I step in the leaves and a sudden sound startles me: a rabbit goes skittering away, its big white cottontail bobbing against the sepia scenery. I had no idea it was there. What else is here that I cannot see—? I am shivering. I find a small ridge of leaves and pine straw by a bit of barren brush and there I lay the bird.

The bird turns itself from side to breast, facedown. There’s a bit of white edging on its tail feathers. I wish for to something cover it. The morning is so cold. My sweater might entangle its legs; scraping pine straw over it might alarm it.

I will go. I will not stay to see the outcome. It will recover, or it won’t. I recall the woodpecker that flew smack into the glass wall of the school where I work; it landed on its back in the flowerbed mulch and lay so still I was sure its neck was broken. Within a moment, it managed to flip itself right side up, ruffled its feathers, and flew off—zip!—as if nothing had happened. The robin I extricated from the grille of my sister-in-law’s car, having traveled miles down the interstate at 70+ mph, hopped around my backyard for a day before it flew away. Birds are hardier than they look…at least robins and woodpeckers are.

Still.

Should this pretty little bird die or recoup…it will be in its own natural setting.

In the hands of God. Not a sparrow will fall to the ground apart from the Father...

It is hard, yes, to leave it there and walk away. But I have done so before. With people whom I loved very much.

It is Yours.

Back in the car, I circle the tiny church named for St. John, heading on toward crystal-coated fields and misty-mirror ponds and the work that lies ahead. The little bird will never know that I will remember it, that it’s now part of me, stuck to my soul as long as I live. I know it and that is enough on this cold, fiery-sky morning, orange and gray, breathtaking glory tinged with, but not diminished by, loss.

“If I take the wings of the morning and dwell in the uttermost part of the sea, even there your hand shall lead me, and your right hand shall hold me.”Psalm 139:9-10 (my favorite of the Psalms). This is the view leaving my neighborhood.

As best I can determine: My unexpected passenger was a female eastern bluebird.

DSC_3019e eastern bluebird–female. jjjj56cpCC BY-NC-SA 2.0.

*UPDATE, May 2023:

I’ve used the Picture Bird ID app to identify my mystery bird as a female Eastern Towhee.

Eastern Towhee.

Twenty years

September, When Grass Was Green

Try to remember the kind of September
When life was slow and oh, so mellow
Try to remember the kind of September
When grass was green and grain was yellow…

(T. Jones/H. Schmidt, 1960)

I remember
our last conversation
in September
twenty years ago

you said you’d
been cutting the grass
and that maybe
you’d overdone it
going back and forth
with your mower
making a pretty pattern
—you thought your chest muscles
were sore from the turning

it worried me

—you were worried
about other things

but happy to be retiring
in two weeks

the thing about last things
is that you don’t know
they’re the last

I remember promising
to come celebrate your retirement
and how we spoke of you
having more time to spend with
your grandchildren

I remember getting the news
a week later
as soon as I walked in from shopping
with the retirement card I just bought
still in my hand

I remember that September day:
so glorious, cloudless
sky so blue it hurt
all the trees still green, sharp-edged,
clinging hard to the light

never again will September
be as bright

or kind

I remember coming home
for the last time

to speak at your funeral

to thank you,
my duty-minded, dedicated
father

twenty years
come this twenty-fifth day
of September

don’t you know
the grass is still oh so green
and Daddy, you are still
in the scent
of its cutting

Yesterday’s sunrise

with thanks to Susan Ahlbrand for the Do You Remember prompt with musical inspiration on Ethical ELA’s Open Write earlier this week. Susan remembered her own father’s passing with Earth, Wind & Fire’s “September”. I chose “Try To Remember” as a frame instead. The song predates me; I recall hearing it on my father’s radio when I was very small.

I still have the retirement card I bought for my father on the day that he died, with three workdays left to go. The card mentions that it’s a great time to be alive.

Twenty years, and that remains the great dichotomy of late September.

The swallows

In a corner
of a window
sheltered by
the carport
at my son’s home

a pair of swallows
built a nest

not well

as my son realized
one morning
when he found
a hatchling
naked, new
and dead
on the concrete
floor

the others
seemed safe
in the faulty nest

until the next day
when my boy
found all
the swallow babies
naked, new
so tiny
so dinosauresque
splayed across
the concrete
floor

some still living

and their mother
fluttering over by
the recycling bin
in the corner
crying
trying
to gather
her broken babies

they couldn’t be saved
my boy told me
with a breaking
in his voice

so I buried them
around
the oak
tree

I cannot think
about the ring
of baby birds
there in the ground
among the roots
of the old live oak

instead I stand
under the carport
noting the stillness
of the air

the silence
naked, new
in the absence
of swallows

somewhere out there
a mama
knows how much
she’s lost

like a child
I wonder
if she grieves

I grieve
for her


Baby swallows singing to their mother. Brookhaven National LaboratoryCC BY-NC-ND 2.0.


Sand dollar etheree

Inspired by and dedicated to Margaret Simon, who shared the photo and who’s mourning the loss of her father.

Photo: Kim Douillard

Half
remains
afterward
it is enough
tangible beauty
even in mourning throes
to sense the infinite flows
of life undulating beyond
what the eye can see or hand can hold
where the spirit abides whole, unbroken

Retooled tanka poem

Today Cara Fortey invites teacher-poets to compose tankas for VerseLove on Ethical ELA. A tanka has thirty-one syllables and, in English, is usually arranged in five lines of 5/7/5/7/7. Cara offers the example of Harryette Mullin, who reduced the lines to three, for flexiblity of form. In honor of Mullin’s nature walks captured in tanka, Cara extends this invitation: “Write one or more of your own tankas in the style of Harryette Mullen. Take a walk, literally or imaginatively, and write what comes to you in three lines with 31 syllables.”

Mourning Walk

Last summer when I walked here 
the fallow field at the end of the lane opened up before me
an undulating sea of green

Long before I reached the shimmering expanse
I could feel the mystical, quivering aliveness
in the depths of the grasses

Infinitesimal orchestra, vast insect choir
assembled in its tabernacle, offering lifesong
to all the Earth

Today, I stand here in memoriam
for the field is no more, shorn of its green tresses
its body ravaged by bulldozers

An unseasonably cold wind
whips with knife-shivering emptiness
even doves, high on the power lines, bear silent witness