nature

The fledgling

/ Fran Haley / 12 Comments

Simply walking down the street
found a fledgling at my feet.
Tiny baby on the hot asphalt
from where’d you fall? By whose fault?
What left you in the middle of my street
wobbling on your new, new feet?
Yellow beak wide in a silent cry
flailing wings so small to fly.
Should I touch you?
Dare I try?
Baby bird, what can I do
to keep harm from befalling you?
How long could you last
if I just walk past?
Wait—I think I’m hearing
—yes, your mother nearing
and your father, too,
—they’re both here, calling you.
They won’t come very near
as long as I am here.
How wretched it is to back away
my wrenched heart will break—it may
—but from back here I see them land
see you hop-hop toward them, and
—you’re not too steady
—don’t know if you’re ready.
But to think I know more than a bird
about what’s best for birds, is absurd.
So I turn and walk, fighting my fears,
fighting my instincts, fighting my tears
—it’s a hard, hard thing, just walking on
praying, Baby, you’re soon up and gone.


*****

I have seldom felt so helpless or torn as I did on encountering this baby bird one late afternoon. Although tall trees line the street (a quiet cul-de-sac), I couldn’t possibly guess which one held the nest, if I could even reach it, for returning the bird. I thought about my Aunt Jack, who found a baby blue jay when I was very little; she took the foundling home and raised it to adulthood (he was never caged, had free rein in her house, and here’s a post if you’d like to read about him: Kilroy). I wondered: Should I take my fledgling (I think it’s a finch) home, too? Could I raise it? Or would I be tempting fate, tampering with nature when nature knows far better than I about taking care of itself? How long had the baby been struggling here on the road when I (heaven help me) nearly stepped on it as it flailed? Should I scoop it up carefully and put it by the side of the road in the grass… where there are cats… and snakes… then, the frantic parents showed: Which side did THEY want their baby on?

I walked back and forth a while, not too close to the scene, until the parents and their baby were gone. Where, I do not know. I didn’t see. Seems I could hear their voices somewhere in the lush pines… all I know is that, after a bit, there was no trace of birds on the street any more.

Yet I remained distressed. I had done nothing to help the baby bird. It was so tiny, so frail. Was it really so helpless? Was I? Had I been wrong? I had to face the truth, even it if it was ugly… so, later on my phone, I searched things like What to do if I find a baby bird and Should I touch a baby bird? National Geographic had an interesting take: “It depends on how cute it is.” Meaning that a mostly featherless pink baby bird not capable of hopping or flitting is a nestling and should be returned to the nest. A fledgling has feathers, can hop, and is “generally adorable and fluffy with a tiny stub of a tail.” National Geographic (bless them) says “It’s not a good idea to put a fledgling back in the nest—it will hop right back out.”

I can rest a little easier. I guess. I do marvel at the parents both coming to rescue their baby, both of them chirping and hopping, looking back to see if the baby was, too. Which it was, in its zig-zaggy way.

—They better be giving that baby some quality flying lessons now.

*******

Special thanks to Catherine Flynn who’s hosting Poetry Friday Roundup at Reading to the Core. Drop by to check out her wonderful post and the many other poetic offerings.

Resurrection fern tanka

/ Fran Haley / 3 Comments

Teacher-poet Margaret Simon features a weekly writing invitation on her blog, Reflections on the Teche, in response to a photo. Today’s offering is a resurrection fern photographed by her neighbor and friend, James Edmunds.

Few things are more intriguing to me than a resurrection fern, which seems to die but can manage to live again, maybe even after a century of drought, with a little watering. Somewhere I have an unfinished short story in which this inspiring plant appears…

For today, however, a tanka seemed called for. The form consists of thirty-one syllables, lines of 5/7/5/7/7. It is meant to be song-like.

withering, drying,
fronds curled heavenward, dying,
resurrection fern’s
thermoluminescence burns
until rain regenerates.

Here’s to holding onto the life-spark, Friends, ever how long the drought … storing the inner light for strength until the healing rains finally fall.

Photo: James Edmunds

To today and the tortoise

/ Fran Haley / 14 Comments

In an instant, life changes. Without warning, parameters close in. Existence is not what it was or ever will be again, for one can only endure each moment in the moment, with no sense of what lies beyond the shell, the shadowy vignette of Now, the eternity of it, the temporality of it. There is no turning of Earth, no movement of Time, no tortoise-crawl into tomorrow where Now could ever be snared in the net of memory…

Until all of a sudden, it is.

For five months Life As We Know It has been suspended by COVID-19. We’ve yet to crawl beyond its grasp.

For my family, however, today makes a year since the borders of our being were reduced, abruptly, to a sand-like speck floating in minutes as vast and endless as the sea.

One year since the Sunday afternoon that my youngest and I took our last routine walk around the church, talking about life and the future as he prepared for his final year of college.

One year since we came back home, hot and tired, and the dog went crazy barking at the patrol car pulling into our driveway. One year since the officer asked if this is where my husband lived, because he’s been in an accident, ma’am, and do you have a way to the hospital…

One year since my husband, coming home from the gym, suffered cardiac arrest while driving and his truck veered off the road, into the woods, stopping just short of a ravine.

One year since not knowing what our boys and I would learn when we walked into the ER entrance, where we were met by a nurse waiting for us, who took us into a side room…

One year since the attending physician told the boys and me it was a “big” heart attack, that their dad was alive because the EMTs were heroes, because he was not when they found him.

One year since we learned that EMS in this county happens to have the second-highest resuscitation rate in the nation.

One year since the night spent sleeping on chairs in the cardiac ICU waiting room as hypothermia was induced to give my husband’s brain time to recover.

One year of not knowing how much could be, or would be, recovered.

Time slowed to a crawl so infinitesimal that it could never really pass.

But it did, and it has, and it is.

Today makes one year, somehow. A compromised year, one in which I didn’t start or end the school year normally, a year of resuming life only to hit another prolonged pause, a year of no traveling beyond the necessary, first because of my husband’s mending heart and then the pandemic. A year of time outside of time, or time folding in on itself… I am not sure which. A year of near-implosion, of living and dying strangely, epically. A year of not knowing, globally or nationally, how much recovery there can be, or will be…

My husband has recovered remarkably well, in all ways except for a span of memory for the month or two prior to his cardiac arrest. The brain seeks to protect itself from trauma; it’s a survival mechanism. All my husband’s long-term memory, all his beloved sports trivia and history lore, remains intact for instant recall. But for a vague recollection of leaving the gym on that fateful day one year ago, my husband’s brain erased last July. He has no memory of our last family vacation to the beach, of long walks on the shore, of plunging into the bracing, beckoning ocean, of trying new restaurants, of the little Guatemalan shop he loved and visited several times, where he encouraged the rest of us to buy whatever handmade items we wanted because a portion of proceeds supports the native artisans. We ask him: Do you remember the putt-putt game? How you got beat by one point? How you demanded a rematch? Do you remember the storm blowing in on the 4th, when we ate at that new place in the enclosed deck by the marina and you said it was the best fish you ever had? Do you remember the music and dancing in the square? Don’t you remember buying this tapestry bookbag and the belt?

He looks as if we are speaking a different language, one we have created, one he has never heard and can’t grasp. No. No. Really? That happened?

One night last week he and I were watching a nature TV program. The camera zoomed in on a tortoise. Instantaneously, my husband said: ” I remember that.”

“What?”

“The tortoise. We saw one like it on the beach trip last year.”

He is right. We did. We saw a giant tortoise on the side of the road while driving. We pulled off to encounter several tortoises owned by a man who had them out for visitors that day. Tortoises, we discovered, enjoy having their heads petted; they’ll stretch their necks out to you for more.

And I know, looking away from the tortoise on the screen to the intent expression on my husband’s face as he watches it, that the return of the tortoise in his memory means that what is good remains, even if hidden. It is never just gone. Despite the extent of trauma, pain, and suffering, endurance is possible, and healing more than possible.

Here’s to today. And the tortoise.

–Last July. I could not have imagined the significance of this moment, one year later.

Dragonfly

/ Fran Haley / 16 Comments

New day. Opening window blinds to a flood of sunlight. Glimpse of pines, grass grown tall overnight (how??), weathered wooden deck railing, old white rocking chair, large cement pots draped in long ivy vines, new tendrils waving, geraniums blazing green and red, interspersed with spiky brown starbursts—oh, time to deadhead.

Within moments, scissors in hand, reaching for exposed bones of skeletal blooms, crisping, decaying, red petals shriveled, let loose, bled away, spent…

—Oh! Hello. Didn’t know you were here, Dragonfly.

Swapping the scissors for the phone-camera…

How close will you let me get?

—Surprisingly.

You’re small. Maybe two-and-a-half inches. Not like the first dragonflies I ever encountered in my grandmother’s yard when I was a child. Enormous things, terrifying… “They won’t hurt you! They eat mosquitoes”… good thing I didn’t know the old Scandinavian folktales then, how dragonflies come to weigh people’s souls, doling punishment on the bad, stitching children’s eyes closed for telling lies. Instead I learned to see the beautiful in the strange. Living sticks of metallic blue, iridescent gleams against the sunlit grass, darting any which way, impossibly. Air acrobats. —You’re very still. Not blue but yellow with bold black stripes. Clinging to a deadhead. Wonder why. Can’t cut the dying bloom away, not while you’re on it, Dragonfly. Won’t disturb you.

Returning later: You’re still present, resting on a green leaf.

Why should this feel so reassuring?

Maybe because the symbolism of a dragonfly is usually positive. You’re said to be bringers of light, restoring joy when it’s waning. Just as those bright geranium blooms are waning. Many new buds are already evident. Growth from within. The ability to change, transform, adapt—that is what we humans say about you dragonflies, as you begin life submerged in water (most of your lives being lived there) yet you eventually take to the air and learn to fly. By then the time remaining to you is short. Seems you make the most of it. Maybe you are harbingers of the soul. Not in judgment, but in self-realization, mental and emotional maturity, acceptance. A call to wisdom. A recurring word for me, of late.

Whatever motif lies written in iridescent ink on dragonfly wings, my grandmother knew it was good: You eat mosquitoes. You will not hurt me. You’re helpers. Protectors.

Sitting so still, amid decay juxtaposed with new growth… an inexplicable stab of delight, vibrant little messenger from nature, oblivious of your mission, perhaps, of nudging, not judging, human souls toward our own betterment … oh, and do you know? Could you know? In human lore… geraniums represent unexpected meetings.

The rocker

/ Fran Haley / 7 Comments

First, the light.

More of it each day. Driving the darkness away with its gentle appearing, rousing bright-eyed birds earlier and earlier, which respond in uninhibited chirps, songs, chatter. New day new day new day day day …

It’s a beautiful time to be alive. To be reborn. To mark having been born.

“What do you want for your birthday?” asked my husband.

“New rocking chairs.”

I’d been thinking on it.

The old chairs on the front porch are cracked, broken, portions held in place with wood glue. Time for them to go. Time for new ones. I want to sit outside in the light, in the breeze, even though it remains oddly chilly, to hear the birds, to see Papa Finch alight on the roof. I hear him before I see him; I wonder what his loud twitter means but I always answer, “Hi Finch!” Then there he is, tiny brown creature with his chest faintly dusted red, sitting high above the garage against the cloudless blue sky, looking directly at me. The porch is part of his domain. Sometimes from inside the house I hear his loud chirp; looking through the window, I find him sitting on the white porch rail. I suspect he’s eyeing the front door wreath for his bride’s nest. Although I took the wreath down for the winter, I’d left the old nest from last year attached. With the coming of March, and with great care, I put the faded, bird-loved wreath back in hopes that the nest would be reused. It hasn’t. So I removed it to make way for new.

Like my rocking chairs.

When my granddaughter visits now, it’s only on the front steps for a while, until the coronavirus social distancing expires. She comes with eyes full of spring light, as blue as the sky above my finch, who never fails to join our gathering and to add his voice to the conversation.

“That’s a loud bird!” says my granddaughter, age four.

“He is. Look, there he is, on the roof. Hi, Finch!”

And in these bright little moments, I revel in the poetry of life, that this bird (I wonder if he was one of the previous hatchlings from my wreath? ) should be a mainstay. Especially as my granddaughter’s name is Scout. Yes, from To Kill a Mockingbird. Whose last name was … Finch.

I want sturdy chairs on the porch, for resting. As a place to quiet my mind with the greenness of the grass in the yard and over where the path leads round the pond through greener trees. He maketh me to lie down in green pastures: he leadeth me beside the still waters. He restoreth my soul … To share with my granddaughter as she grows, to have coffee with my husband who almost didn’t live to see another spring. To celebrate living, being, enduring. To converse with generations of finches who’ve chosen to make my home theirs. To know, as evening falls, and I must go in, that I savored the gifts of that day to their fullest, their deepest.

My husband bought the chairs.

“We’ll put the old ones on the back deck,” he told me.

I wanted to say Why, they’re held together with glue, they’ll last maybe three days out there with no shelter, let’s just throw them away. But I didn’t. He wants to keep them, for some reason …

Truth is, the old chairs look kind of nice on the back deck by the flowerpots. For ever how long they last out there.

It was the rocker nearest the kitchen that made me realize.

Thump thump. Thump thump.

Dennis the dachshund woke from his sleep in a patch of sun-stripes at the back door. Ears perked.

“What is that?” I asked him from my chair at the kitchen table, where I was typing on the laptop.

Rising, looking through the window.

The rocker, rocking all by itself.

Thump thump. Thump thump.

The other rocker opposite sat motionless.

The wind, I thought.

Second thought: Why this rocker and not the other?

Third thought: Is the wind — or something — IN that chair?

It reminded me that I’ve always wanted to write a collection of ghost stories. An incongruous thought on such a bright, gold-green day.

Then.

How have I missed it?

For all the weeks—months—of the wind’s extended gusting and moaning under the eaves, unlike I’ve ever heard it before, I failed to notice it had stopped. All through the COVID crisis it’s been a grieved entity, swirling around my house in desperation, haunting my spirit with its voice, agitating the tall pines.

It’s still here, as my rocking chair can attest. But subdued.

Perhaps the wind has decided to sit a spell and rest. Perhaps the rocker was an invitation.

I am not sure we are friendly, yet, the wind and I, but I will offer it hospitality as long as it’s a benevolent guest. Is it taking up residence here, like the finches?

Perhaps I will take my coffee out there one afternoon and ask—begging the wind’s pardon, of course—why it cried so long and so hard.

But as I have no wish to stir anything up, maybe I’ll just let the wind rock to its heart’s content, in peace.

Progressive poem is here

/ Fran Haley / 28 Comments

So, April has had a number of firsts for me, beyond “first pandemic.”

It’s the first time I’ve attempted to write a poem a day for National Poetry Month. My first plunge into Poetry Fridays.

And this is the first time I’ve participated in a Progressive Poem.

Our poem was born on the first day of April, with the first poet writing two lines. The next poet chose one of those lines and left two more for the subsequent poet to choose from … and so the poem grew in stature and whimsical beauty as it rolled all the way down to me on Day 29.

Here’s how it was up ’til now:

Sweet violets shimmy, daffodils sway
along the wiregrass path to the lake.
I carry a rucksack of tasty cakes
and a banjo passed down from my gram.

I follow the tracks of deer and raccoon
and echo the call of a wandering loon.
A whispering breeze joins in our song
and night melts into a rose gold dawn.

Deep into nature’s embrace, I fold.
Promise of spring helps shake the cold.
Hints of sun lightly dapple the trees
calling out the sleepy bees.

Leaf-litter crackles…I pause. Twig snaps.
I gasp! Shudder! Breathe out. Relax…
as a whitetail doe comes into view.
She shifts and spotted fawns debut.

We freeze. My green eyes and her brown
Meet and lock. Time slows down.
I scatter the cakes, backing away
Safely exiting this strange ballet.

I continue the path that winds down to the lake.
Missing my breakfast for beauty’s sake.
But wait, what’s that delicious smell?
Something familiar, I know so well.

It’s a campfire. I follow my nose. I see
a circle of friends waving at me.
I free up my banjo, quicken my pace

And here were my two choices for the next line:

Option 1: Find a place to sit and gaze into space
Option 2: Find a place to sit and unlatch my banjo case

And I gotta choose it, because it’s just so musical (pun intended):

(are you ready?)

(really ready??)

Option 1: Find a place to sit and gaze into space (!)

So here we have it:

Sweet violets shimmy, daffodils sway
along the wiregrass path to the lake.
I carry a rucksack of tasty cakes
and a banjo passed down from my gram.

I follow the tracks of deer and raccoon
and echo the call of a wandering loon.
A whispering breeze joins in our song
and night melts into a rose gold dawn.

Deep into nature’s embrace, I fold.
Promise of spring helps shake the cold.
Hints of sun lightly dapple the trees
calling out the sleepy bees.

Leaf-litter crackles…I pause. Twig snaps.
I gasp! Shudder! Breathe out. Relax…
as a whitetail doe comes into view.
She shifts and spotted fawns debut.

We freeze. My green eyes and her brown
Meet and lock. Time slows down.
I scatter the cakes, backing away
Safely exiting this strange ballet.

I continue the path that winds down to the lake.
Missing my breakfast for beauty’s sake.
But wait, what’s that delicious smell?
Something familiar, I know so well.

It’s a campfire. I follow my nose. I see
a circle of friends waving at me.
I free up my banjo, quicken my pace
Find a place to sit and gaze into space.

—Now what?

Apparently I have to compose two lines.

I then hand the poem to the thirtieth and last poet in the line of succession, Michelle Kogan.

Dear Michelle … I leave my two lines to you for your choosing. The chosen line will, however, be hanging out there by its lonely self at the end of all these lovely quatrains. What if you add your own line after mine and we end as a couplet? You can also have the distinction of titling our collective masterpiece! Such choices!

Here’s what I’ve got:

Option 1: Then my fingers pick out the old, old tune

Option 2: Then together we sing, and the song is our story

Thank you, poet-friends, for this alluring, ambling April adventure. It’s an honor to have walked this path in your company.

Here’s the progression of the poem:

1 Donna Smith at Mainely Write
2 Irene Latham at Live Your Poem
3 Jone MacCulloch, deowriter
4 Liz Steinglass
5 Buffy Silverman
6 Kay McGriff at https://kaymcgriff.edublogs.org/
7 Catherine Flynn at Reading to the Core
8 Tara Smith at Going to Walden
9 Carol Varsalona at Beyond Literacy Link
10 Matt Forrest Esenwine at Radio, Rhythm, and Rhyme
11 Janet Fagel, hosted at Reflections on the Teche
12 Linda Mitchell at A Word Edgewise
13 Kat Apel at Kat Whiskers
14 Margaret at Reflections on the Teche
15 Leigh Anne Eck at A Day in the Life
16 Linda Baie at Teacher Dance
17 Heidi Mordhorst at My Juicy Little Universe
18 Mary Lee Hahn at A Year of Reading
19 Tabatha at Opposite of Indifference
20 Rose Cappelli at Imagine the Possibilities
21 Janice Scully at Salt City Verse
22 Julieanne Harmatz at To Read, To Write, To Be
23 Ruth, thereisnosuchthingasagodforsakentown.blogspot.com
24 Christie Wyman at Wondering and Wandering
25 Amy at The Poem Farm
26 Dani Burtsfield at Doing the Work That Matters
27 Robyn Hood Black at Life on the Deckle Edge
28 Jessica Bigi at Mainely Write
29 Fran Haley at lit bits and pieces
30 Michelle Kogan

Earth song of life: cicadas

/ Fran Haley / Leave a comment

My love for the sound of cicadas is a recurring motif in my writing.

It stems from childhood summers spent with my grandparents in the country, the most idyllic days of my existence.

In thinking of Earth Day, my first inclination is to write on In the sweat of thy face shalt thou eat bread, till thou return unto the ground; for out of it wast thou taken: for dust thou art, and unto dust shalt thou return.

That verse, Genesis 3:19 in the King James, conjures images from At Home: A Short History of Private Life. Here’s Bill Bryson’s observations of country churchyards in England where churches seem to be sinking into the ground: Think about it. A country parish like this has an average of 250 people in it, which translates into roughly a thousand adults deaths per century, plus a few thousand more poor souls who didn’t make it to maturity. Multiply that by the number of centuries that the church has been here and you can see that what you have here is not eighty or a hundred burials but probably something more on the order of, say, twenty thousand … that’s a lot of mass, needless to say. It’s why the ground has risen three feet.

In other words … we are the earth.

Times being the pandemic they are, death surrounds us. April 22 also marks the anniversary of the sudden passing of my husband’s father at the age of fifty-four. My husband was just twelve.

But I do not wish to turn Earth Day into a death knell.

I write about cicadas today because they lie in the earth and emerge—some after seventeen years—to sing their song of life.

In the thick woods and byways of North Carolina, from May through September, it’s a deafening cacophony; but as beauty is in the eye of the beholder, so there is beauty in the ear of the listener.

In honor of Earth Day, a “found poem,” of sorts, from a former blog post I wrote, entitled Cicada Rhythms:

The song of cicadas
calls to me
from long ago
from sultry summers
in the country
where narrow dirt roads
keep an ominous forest
from encroaching
on rustic homeplaces
from tiny cemeteries
where baby after baby
is buried
under white monuments
adorned with lambs
at the old church
just around the bend.
The song is of the ages
of the rising and falling
of generations
all of us coming and going
in our time
a song reverberating
from oaks, pines,
cypresses
across canals
teeming with frogs
and turtles
to white-tailed deer
standing along the fields
at dusk.
It is the bright song
of the sun
of hope
of continuity.
It is the dark song
of the night
oddly comforting—
something out in the blackness
is vibrant, alive
maybe keeping watch
while children
drift off to sleep.
It is the sound
of safety
of stability
of belonging.
Calling, calling
the crescendo mirrors
the rhythm of life
brimming with promise
echoing eternity.
When I hear it
I am a child again
no matter
how many summers
have come and gone.
Every spring as I mark
another year of existence
I listen
for the first rattle.
You’re back! my heart sings.
Ah, but we were here all along
they might say
if cicadas had words.
There’s a lot of living
and loving
yet to do.
You have today.
Carry on.

The cicada isn’t exactly a beetle, but a “true bug.”
They symbolize renewal, rebirth, transformation, change.
They can disappear for many years to return en masse.
Their buzzing call is made by the males, who begin singing soon after emergence.

Social distance of trees

/ Fran Haley / 5 Comments

One of the best books I’ve read in recent years is The Overstory, Richard Powers’ novel of the American chestnut blight that wiped out almost all of those beautiful trees by the end of the 1930s. Powers wraps stories of people’s lives around that core like concentric rings. The novel won the Pulitzer Prize for Fiction on April 15, 2019, a year ago yesterday. Author Robert Macfarlane’s enthusiastic praise of the book led me to read it and to plunge deep into the secretive, endlessly fascinating world of trees. They communicate with one another. They have memory. Maybe they are whispering their secrets to us … This week Macfarlane shared an article on Twitter about the social distance practice of some trees, the phenomenon known as crown or canopy shyness, their treetops (“overstory”) not touching in order to survive in the competition for resources like sunlight. That was the clarion call to me: Write something. About trees and how they do this. But what? How? Then I stumbled across a different article about the Fibonacci sequence of trees, oaks in particular: as their branches grow, five branches to two spirals, a pattern is formed. Could I combine these ideas, somehow?

Doesn’t poetry always make a way?

A Fibonacci poem on the social distance practices of trees:

Trees
keep
distance:
crown shyness,
their overstory,
shared but not touching each other.

Photo: Old oak. Dave Parker. CC BY.

Morningsong

/ Fran Haley / 6 Comments

Waking
to grayness
rain slapping windows
winter wind crying
because it does not heed
spring
and life.
Wrapped in my blanket
I listen
to that unrelenting wind
daring
not caring
moaning
mourning
around the edges
of existence.

—then—

Through the
gusting gloom
wailing doom
a faint sound.
A solitary
little bird
singing
joy joy joy-joy-joy
honoring
the light
ever
how dim.

Bird singing in the rain. Andy Morffew. CC BY

On the finches not returning

/ Fran Haley / 6 Comments

Today I lift a line from Emily Dickinson.

“Hope” is the thing with feathers—
My finches, every spring—
On my wreath their nest awaits
New life they always bring—

This year —more than ever—
I watch for their return—
Yet the nest is empty
Of that for which I yearn—

I wonder what is keeping them
And if my charm is gone—
Do the finches know somehow
Life must keep moving on—

Come home, little finches—
Come home— if you will—
Hope is the thing with feathers
Where I’m abiding—still.

Note: “Charm” is the group name for finches.