Lament and celebration poem

with thanks to Andrew Moore, host of Sunday’s Open Write on Ethical ELA. Andrew challenged teacher-poets to compose around lament plus celebration (these don’t have to be related; this is meant to be exercise in writing freely, in any form). He writes: “My inspiration comes from a distinct lack of good sadness, grief, and lament beside a healthy laugh and looking forward to the changes the future may bring.” The poem can be as light-hearted, silly, or serious as the poet desires.

Here’s where I am today:

Remains

Today, I mourn 
the destruction of trees along my rural byways
the displacement of wildlife
the destruction of Ukraine
the displacement of her people
the systemic demoralization of teachers
the systemic misplacement of trust

Today, I celebrate
the remnants
of trees
wildlife
Ukraine
her people
teachers
trust

Today, I hope
for restoration
in revelation 
and reverence

before all
become revenants

“The Elephant – great destruction.” Public domain. Note the trees, the cities, the elephant all in stages of disappearing … elephants, by the way, symbolize wisdom, memory, prosperity

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with thanks also to Two Writing Teachers for the Slice of Life Story Challenge every day in the month of March.

Death calls

Subtitled The morgue, part 2. A slice of memoir.

And so it was that the house for the dead became a house for the living. If there were any ghosts of soldiers or prisoners lingering in it for over twenty years, perhaps a three-month-old baby’s cries and the acrid odor of diapers drove them on.

Even I wouldn’t be there long. The shadow of death falls like a blanket; the living must keep moving out from under it.

My memories of the house are fragmented, all in black and white. A living room with plain white walls. A window with pale curtains likely made by my mother. The black slats of my crib. Years later my mother said there were little black footprints on the wall from where I pressed my feet through the crib slats. She didn’t have the heart to wash them off. My grandmother wanted to know why I’d been put to bed with dirty feet.

I had a white blanket with satin trim. I sucked my thumb and rubbed the satin against my nose with my forefinger; eventually the satin pulled away from the blanket. I’d rub it between my left thumb and fingers while sucking my right thumb. A soothing rustle, rustle, rustle. I called it my Silky String.

That is almost all I can remember for myself of the old house that was once an Army hospital morgue.

Pa-Pa was the reason we came to live here; he was the reason we had to go. He owned the house. When he died suddenly from a heart attack, his children took over his property. We were the stepfamily. Grannie had to leave the big house next door. My father, mother, baby sister and I had to leave this first house of my remembering. It was March. I was not yet three, when the long shadow sent us searching for a place to be.

When death calls, the living must answer.

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All these years later, I watch the news. Tanks, warships, airstrikes, destruction. A hundred and nine empty baby strollers placed in Lviv’s central square today, commemorating the children killed in the invasion of Ukraine.

I think of morgues.

And of the mothers. And little footprints left behind.

And people being driven from home. That is what wars do. That is what death does.

My son, in his mid-twenties, comes in as night falls. Dressed in suit and tie. I know he’s tired.

“Long day, wasn’t it?” I ask.

“It was,” he answers. “Maybe I won’t get called out tonight.”

For a minute I see him at age five, pulling out the church directory every time a member passed away. He’d grab a pen, cross out the person’s photo, and write the word Died.

Funny how these things come back to you. Memories are ghosts.

And life is circular; all things are connected.

My boy eats supper, collects Dennis the dachshund, goes upstairs to rest and, I hope, to sleep. Unless his phone should ring in the night. If it does, he’ll be back in suit and tie, leaving home to pick up someone. He’ll transport them to the house waiting to receive them, where he’ll begin the preparations for their burial or cremation. Got a death call, he’ll say, if his dad and I are still up. If not, he just goes quietly into the night, a mortuary emissary.

For when death calls, the living must answer.

Window in the living room of the house that was originally an Army hospital morgue.
I lived here from about age three months to almost three years.

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with thanks to Two Writing Teachers for the Slice of Life Story Challenge every day in the month of March.

For love of all creatures

Many years ago I read a series of books about a young 1940s veterinary surgeon beginning his career in Yorkshire, England. The stories are captivating, hilarious, heartwarming, and heartbreaking; the characters—some of them animals—are larger than life, unforgettable. I fell in love with these stories right away.

And so I have again, with the Masterpiece Theater version of James Herriot’s All Creatures Great and Small. When the series premiered in 2020, it was deemed “the surprise runaway hit of the year.” The second season recently ended and I do not know how I am going to endure until Season Three. I have begun watching episodes over and over…and over…

I have to ask myself why.

Maybe it’s that I loved these stories so much when I was young. I recall encountering the name “Tristan” for the first time and being so enchanted by it (and by the comical character, another young vet) that I thought about naming one of my eventual children Tristan (a thought which earned a resounding Are you serious? NO from my eventual husband). Maybe it’s that I find details of long-ago rural veterinary practice fascinating. James delivers calves and tangled-up twin lambs; in the show he must figure out how to untwist a mare’s uterus to deliver a foal, or both will die. Or maybe it’s James’s ongoing struggle for acceptance by the local farmers who are often mistrustful, preferring their familiar “old ways” (I so relate to this as an instructional coach, sometimes).

I suspect it’s all of these. And more.

Beyond James’s love for the animals and his gentle spirit is a compelling, refreshing sense of purity. Times aren’t simple, life is hard, loss is always imminent, yet there’s a richness in it all, a sacred honesty born of living close to the land, a sense of true interdependence and valuing all living things…

Not to mention the scenery. The Yorkshire Dales are breathtaking. I have to go there someday. I feel like I have seen this place before, in some of my most beautiful dreams. Place is a character in itself, alive, vibrant, calling in its own voice, and the Dales will not be outdone by human nor beast…speaking of which: the animal performances are astounding (how DO the directors manage this magic?).

As the series progresses, so do relationships. I will not say anything more than this: Conflict, humor, and great love are all bound together by cords of civility. Reputation matters. Honor matters. Honoring life matters…

And just as one is getting cozy at the end of 1938, and snow begins to fall, and farmers lead draft horses through the town streets at the close of day, and young people are gathered together, beginning new chapters of their lives…the first war plane flies overhead in the darkening sky…

And I’ve an overwhelming desire to stop time, to hit rewind, to savor peace… which we almost never realize we have, until we don’t…

Yorkshire Dalestricky (rick harrison). CC BY-NC-SA 2.0.

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with thanks to Two Writing Teachers for the Slice of Life Story Challenge every day in the month of March.

The feather

on the second anniversary of school shutdowns due to COVID-19

Bleak days. A long, rain-spattered, windswept season, gray as ashes, as stones, just as hard, cold, and immovable. Day to day to day the green promise of spring seems like a dream barely remembered; naked tree branches twist skyward as if beseeching the heavens for renewal…

We go through the motions, automatons numbed by a pandemic not quite past and the ripple effect of unprovoked war on the world stage, as if we’ve somehow fallen through a wormhole to eight decades ago… what year IS this?

I am tired, my colleagues at school tell one another. So tired. Some don’t know if they’re coming back next year. Some don’t know if they’re going to stay in education at all. Our principal is leaving in four weeks.

The children have seemed shell-shocked most of this year. Maybe I seem the same way to them, especially now that masks are optional and I find myself not recognizing some of them; I’ve never seen them without masks before. I don’t know their faces below their eyes.

As I walked the hallways last week, I had a sense of dragging myself over a finish line, except that there is no finish line. Not now, not yet…

But even in the bleakest, rain-spattered, windswept season, when gray goes grayer still, bits of brightness are always swirling. Maybe as tiny as a feather, a soft semiplume shed from a creature with the gift of flight. It might appear to be half one thing and half another… it might have the appearance of dark, wispy, wayward hair as well as a tapered tip dipped in fiery red, altogether like an artist’s brush with which we might, we just might, begin to dispel despair by painting our moments as we will…

So much symbolism in a feather. In the bird that releases it.

It is said that when cardinals appear, angels are near.

I don’t know about that.

I just know a cardinal feather is a symbol of life, hope, and restoration. And courage. And love. And sacrifice…

Falling from the grayest sky
Ethereal, riding the wind
Alluding to nearness of angels
Tiny trace of a nearby cardinal that
Has lost a bit of his insulation
Ephemeral, perhaps, to him
Restorative tincture, to me

Semiplume cardinal feather photographed by my friend,
E. Johnson, 3/11/2022.

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with thanks to Two Writing Teachers for the Slice of Life Story Challenge every day in the month of March.

Dear Goat

Dear Goat In The Pasture At The End Of The Street Where I Make a Right Turn On My Way to Work Each Morning:

I just want to say thank you for lifting my spirits on weekday mornings as I drive by your pasture. You cannot know that I look for you and your herdmates, or how the sight of you fills me with inexplicable peace. Perhaps it’s the idyllic setting, the pastoral scene with its inherent restfulness. Maybe it’s the continuity. Your pasture remains as it always has, while all around us fields are being bulldozed and sculpted for the coming of houses. The trees farther down this road are being timbered this very moment… I wonder: Had birds already nested in them? Were there any little eggs that are now lost? It’s possible; this is March. Isn’t tampering with birds’s nests and eggs a crime? I digress. I cannot help it, watching the trees come down even though I know the new houses to be erected will be homes where people will build their lives and live their stories, where children will grow up… meanwhile, on the other side of the world, a man is busily destroying people’s homes, sending them fleeing from danger like animals trying to outrun a raging forest fire, in search of a different place to survive…

Yesterday as I came through here I heard a bird calling and wondered if its tree is gone. Will the big, beautiful,snowy-feathered hawks soon be gone, too? I haven’t seen one for weeks now. I keep watching. And in all the years I’ve lived here, I’ve never seen skunks until last week when I saw two dead in the road and my son saw a third. We didn’t smell them, thankfully. Makes me wonder about them never seeing the end coming…

I don’t know why I should be telling you all of this, dear Brown Goat in your green pasture so often dappled with new morning light when I drive by. All I really meant to say is thank you. I see you grazing in the grass and a tiny bit of balance returns to the universe. Your placid nature spills into mine. You somehow impart the right and needed mood for the day…

I am grateful for you.

Sincerely,

An Admirer

P.S. I would deliver this letter to you in person but I suspect you would only eat it… I’ve had to eat my words before and it’s not a particularly pleasant experience… trust me.

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with thanks to Two Writing Teachers for the Slice of Life Story Challenge every day in the month of March.

Ashes

a combination Slice of Life & Spiritual Journey offering

I grew up hating ashes.

They were a part of my everyday life.

My parents were smokers. Salem menthols. When their friends came over or when some of my mother’s family gathered at our house, smoke hung in the air, thicker than fog, like some conjured ghost constantly materializing, encompassing, lingering…

Sometimes I was given the chore of cleaning out the ashtrays. A debasing job. Dirty. Ashes are pervasive. Everywhere and never really gone, no matter how hard you try. Even now, remembering, the stench is my nose, the metallic taste on my tongue…

It would be a long time before I’d learn the seeming incongruity of ashes as the main ingredient of an age-old cleansing agent. Lye. Which was also used to make hominy and that Southern staple, grits. In spite of my heritage, I never learned to like them.

It took me longer still to understand ashes as symbolizing something holy. Ash Wednesday and Lent weren’t part of my Protestant church or family tradition.

I got the humility part early on, however. From stories. First there was Cinderella, named for the soot that clung to her skin and her clothes from ashes that she (too!) was relegated to cleaning. Ashes are pervasive… then the Bible. Job, stricken with boils, scraping himself with broken pottery, sitting in the ashes. The repentant king of Nineveh mandating sackcloth and ashes after revival preached by the pouting prophet Jonah. Eventually, the vivid image of Tamar placing ashes on her head, sobbing, in utter humiliation and grief after the assault by her half-brother. Priests were commanded to change out of their sacred garments before disposing of burnt offering ashes.

Ashes are pervasive…

At fifteen I stood outside watching flakes falling from the sky in late May. Not snow at that time of year, in the southeastern United States. Ash. From the eruption of Mount St. Helen’s on the other side of the country. The volcano’s side exploded with such force that plumes of ash rocketed skyward for miles. The snowlike flakes settled across the nation and parts of Canada. I caught these curiosities in my hands. They didn’t melt. They looked to me like flakes of human skin.

I thought of war.

I think of war now. As I write, scenes are all over the TV. Bombs. Destruction. Death. What once was, now in ashes.

I think of the gorgeous churches of Kyiv.

I think of the dead.

My second son is a recently-certified crematory operator. Traditional burials are steadily giving way to cremations now. One day I went with him and watched while he placed someone’s ashes in an engraved box urn. These ashes are different from other kinds. Pale powder, fine as talcum. One of the most reverent acts I’ve ever witnessed, my boy tenderly packing that human dust.

The ancient Romans had a saying, Memento mori. Remember that you die. It is the same idea behind Ash Wednesday rites: Remember that you are dust, and to dust you shall return, echoing God’s words to Adam in Genesis 3:19, after the Fall.

I’ve never had a cross of ashes placed on my head by a priest, but I understand the call to repentance. It echoes deep in my bones. I know the desperate desire for holiness in the face of raging unholiness. The need for wholeness. I believe in repent and believe. I do. I repent. I believe.

I believe there’s an eventual reckoning.

Ashes are pervasive.

Volcano ash man. @Doug88888.CC BY-NC-SA 2.0.

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with thanks to Two Writing Teachers for the Slice of Life Story Challenge every day in the month of March. This is my sixth year participating.

Thanks also to my Spiritual Journey writing friends and to Ruth Hersey in Paraguay for hosting on the first Thursday in March. Ruth chose the theme “ashes” in connection with Ash Wednesday (which is why my post is going up a day early this month).

Duality poem

with thanks to Brooke, Bailey and Ryan at #verselove on Ethical ELA yesterday. They challenged poets to create duality poems: “Alternative italics is where a poem is written with two meanings. The first meaning is the poem as a whole, and the second meaning is given to it through the italics. Most commonly, the two themes are fundamentally (or, at least, seemingly) opposed. Take two opposed ideas or concepts and make one the base. The other idea will be repeated throughout the poem and written in italics.”

Here is my take on the dual nature of the human heart…

For Day Twenty-One of National Poetry Month

What the Human Heart Craves

Peace
sweet peace
drifting earthward
as prayers float heavenward

Peace
enveloping souls
like winter coats
pulled from a magic wardrobe
thwarting winter’s chill

Peace
seeping inward
warms the heart
dwarfing all fear

Peace
is hardly for cowards.
It is
its own reward.

Peace dove. Jeff Attaway. CC BY