‘Bad things are going to happen’ poem

On the last day of the March Open Write at Ethical ELA, host Shelly Martin-Young invited participants to write a poem modeled after “Relax” by Ellen Bass. Shelley said: “Think about all of the things that are happening in your life right now, good or bad. Make a list and write your ‘relax’ poem. When my students write their Relax poems, I have them start with Ellen’s first line: Bad things are going to happen. So start there and just write. Maybe by the end of the poem, you will be able to relax, let it go, and taste the sweet fruit.”

So I took the first line, and wrote…

Carrying On

Bad things are going to happen.
Your husband will break the handle
off your favorite coffee mug
(the one with Shakespeare’s signature,
that you’ve had since your freshman year
of college). Your young son will lose
the basketball pendant that belonged
to his grandfather in the 1930s. 
It will never be found. Your car dashboard
will burst into flames midway through
a long trip in the mountains and you will discover 
there’s not enough Dr. Pepper 
in that bottle you’re holding 
to douse them. People will disappoint you
and confuse you with their chameleon loyalties
—“fickle,” your mother will tell you, 
while you are still a child.
And the time will come when you no longer
have a relationship with your mother.
You’ll learn, to your astonishment, that your
father is the family glue and everything will
fall apart when he dies. The baby finches
in the nest on your front door wreath
—so perfect, so wondrous—will also die
without warning. You’ll find all five
with their yellow beaks frozen open to the sky,
their tiny bodies quivering with maggots.
Your husband will be diagnosed with
the beginning of ocular melanoma.
He will sacrifice his left eye in order to stay alive. 
Then, one Sunday afternoon,
he’ll go into cardiac arrest
while driving home from the gym.
He’ll be resuscitated. He’ll endure two surgeries.
When he’s over all that, it will be time for 
his spinal fusion. He will depend on you
more and more…you’ll break your left foot twice
and still keep pace with the days as they unfold…
for the days become years 
and the years will bring you 
two little granddaughters.
This, this will be the richest time
of your entire existence,
as rich as the red on the breast of 
the reddest male finch you’ve ever seen,
singing so beautifully there on your porch
that your heart will be filled to bursting with the sound
of life, carrying on.  

*******

Composed for Day 25 of the Slice of Life Story Challenge with Two Writing Teachers

Chanticleer

He comes a-strolling with dignity and purpose, bobbing majestically, robed in royal red, as fiery as embers in the grate on a winter’s night. He’s huge, he’s beautiful, and he knows it, the neighborhood rooster leading his ladies on a foraging expedition though all the front yards.

Sometimes he brings three ladies. Today, it’s four.

He doesn’t partake of the ground-feast himself. He leads the way, strutting to and fro, keeping watch while the hens scratch and peck.

Naturalist Sy Montgomery writes in Birdology:

Most roosters are very solicitous of their hens. When he’s not patrolling for predators, he’s often searching for food his flock might enjoy. When he finds it, uttering his food call…he stands aside while his women enjoy the treat, and only after they’ve had their fill will he sample the snack. The Talmud praises the rooster, and its writers advise the Jews to learn from him courtesy toward their mates.

I watch from the kitchen window as the chickens work their way over to my yard. The rooster crows. Montgomery calls it “the soundtrack of rural life.” In my mind, it’s the quintessence of rustic. And something more. The rooster’s crow calls to something deep in the human spirit (long before and long after the Apostle Peter wept in contrition).

Montgomery, again:

In the sacred book, the Hadith, the prophet Muhammad tells us why roosters crow: they do so because they have seen an angel. The moment a cock crows, the holy man advises, is a good time to ask for God’s blessing.

I remember the story-name given to roosters in fables: Chanticleer. From Old French, meaning “clear song.”

I slip outside through the garage to see if I can record it.

The chickens are under the crape myrtle at the old dog’s grave, scritching about in the mulch, flinging it every which way. The rooster is immediately aware of my presence. He turns to face homeward, in case.

Here’s my recording…wait for it…

At the end of a required re-interview for a job I’ve had for years (another story in itself, involving all staff) I was asked if I had anything else to add. I said yes. “I’ve learned a lot by watching birds. There’s nothing random in their actions.”

I likely left the interviewers scratching their heads, but I held my position.

Chanticleer crows. God, please bless me, my family, the work of my hands, my heart. Give me strength.

In the words of Montgomery: At the end of my prayers…birds teach me how to listen.

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Composed for Day 24 of the Slice of Life Story Challenge with Two Writing Teachers

Dream-double

Have you ever seen yourself in a dream?

I have. Long ago.

I remembered it last Saturday during Ethical ELA’s Open Write when the host, James Coats, invited participants to write a poem that’s “ultimately a reflective piece – a moment to examine who we were, who we are, and who we might want to be.” He called this “Looking Back to Look Forward.”

Something in this language sparked the memory…as vivid as if it happened yesterday…

Me Seeing Me in a Dream

When I was nine
I dreamed
that I was watching myself
sitting at a desk
in the classroom

I could see myself
so clearly

writing something
on paper

then looking up
in contemplation

I knew there was some
urgent message
I needed to tell myself

but I couldn’t get
my attention

I couldn’t get me
to look my way

The me in my dream
sat completely unaware
that I stood before me,
invisible,
unable to break through
some forbidding
force field

I stood before me
as if I were
my own ghost

Five decades later
I remember this dream
and the despair
of being unable to
communicate with me

and I wonder:

What could that message
of such urgency even be
from child-me
to child-me?

Other than
dear me
pay attention
please save yourself
so much trouble

in life

keep learning
keep dreaming
keep writing

these will
navigate you through
all the unseen things
ahead

including
you.

Reflection“. toddwendy .CC BY 2.0.

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Composed for Day 23 of the Slice of Life Story Challenge with Two Writing Teachers

Eagles

I grew up in the city, a child of sidewalks, stoplights, bridges, and clattering trains. I could walk to church, to the 7-Eleven for Slurpees or candy, to Woolco buy the latest hit song on a 45 RPM record, and to all three public schools I attended from kindergarten through twelfth grade.

The memories of nature from my neighborhood, other than the maple tree which dropped its leaves in the front yard every fall, are the gray roly-polies I played with on the concrete steps at the back door, the slugs I salted to watch them dissolve (sorry, slugs), ants, and eastern tent caterpillars with their beautiful rainbow patterning. I caught them put and them into recycled butter tubs with lids, to be disappointed when they turned into such plain moths. Oh, and the random mouse that got in the house to startle my mother, who screamed. And the ditch rat that got into my bedroom… another story for another day, that.

I know there were birds. There had to be birds.

I can’t remember them.

I longed to live in the country, with my grandparents. Even though the mosquitoes, yellow flies, and ticks might eat me alive, I could find tiny gray toads the size of my thumbnail. I would marvel at the dazzling colors of dragonflies, once I got over my terror of them. Hummingbirds zoomed past me for my grandmother’s flowers, never minding my presence, their emerald and ruby feathers gleaming like jewel-fire. Cicadas rattled the earth and my heart with their rhythms. There were deer, rabbits, snakes (alas!), and birds, always birds, chattering and singing incessantly in the dense woods…

The longing never left me, so when my husband and I settled in the countryside, I knew I was home. I rejoiced that our boys would grow up treasuring a closeness to nature…

So I thought.

The oldest always wanted to live in the city (is this always the way? Wishing for the exact opposite of what we have?).

He grew up. He went to the city.

He was miserable.

He came back…got married, became a father…

He texted me a photo recently, with tremendous excitement: Look what I just saw!

A barren field along a deserted country road…

Where stood two bald eagles.

His eyes sparkled when he saw me later: They were huge! So beautiful…

It is better than I ever dreamed, this life, here in the country.

Isn’t it, Son.

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Composed for Day 22 of the Slice of Life Story Challenge with Two Writing Teachers

Franna’s house

Last Saturday morning my son texted:

Micah put her shoes and jacket on and now she’s standing here saying “I want to go to Franna’s house.”

My response?

“BRING HER!”

And so Micah and her big sister Scout came over for yet more adventures.

I feel a celebratory pantoum coming on…

At Franna’s house
We play all day
Singing a hundred songs
Wearing Franna’s jewelry

We play all day
We hide in our bedspread fort
Wearing Franna’s jewelry
While building our castles

We hide in our bedspread fort
We eat up all the ice cream
While building our castles
It’s always a magical time

We eat up all the ice cream
Singing a hundred songs
It’s always a magical time
At Franna’s house

— as magical for Franna as for her girls. ❤

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Composed for Day 21 of the Slice of Life Story Challenge with Two Writing Teachers

Grim tale

Over at Ethical ELA for the Monday Open Write, host Wendy Everard challenged participants with this thing called the double dactyl.

It’s deadly. Don’t even think of trying it.

Ok, not really deadly. You just kind of wish for grim death.

Ok, not really…but…it’s danged hard to write this “simple” poetry (or is it just me?).

Wendy shared the process:

  • The first line must be nonsense, often higgledy-piggledy or jiggery-pokery
  • The second line must be someone’s name. (Again, it has to be a double dactyl, so not every six-syllable name works. Matthew McConaughey does; Kareem Abdul-Jabbar doesn’t.)
  • The last line of the first stanza must rhyme with the last line of the second.
  • One of the six-syllable lines must be one word. This can be anywhere in the poem, but Hecht [one of the form’s creators] preferred it as the sixth line.

Ummmmmmmmmm….

So, here’s an example by John Hollander, another of the form’s creators:

Higgledy piggledy,
Benjamin Harrison,
Twenty-third president
Was, and, as such,

Served between Clevelands and
Save for this trivial
Idiosyncrasy,
Didn’t do much.

…and here are more good examples.

—All right. I gave it a shot. No one can call me a coward. I used one of my favorite Harry Potter characters: Professor Snape.

I know what you’re thinking: This post is getting grimmer by the line.

Yeah, well, so does my poem; even with ongoing revisions I still can’t get the dactyls right.

But I am letting my double-trouble terri-dactyl fly (get it? get it?).

Stand back!—[stretching arms, cracking fingers]—

A Spell of Redemption

Grim-diddy-grim-grib-roo
Snape the Professor, there
Greasy hair, face a-glare,
Stares holes in you.

Adaptability?
Impossibility.
Snape can never forget
The love he knew.

‘Tis misfortune indeed
For you, The-Boy-Who-Lived,
Always reminding him,
Turning the screw.

Wizard-child, unwitting
He’ll give his life for you
All due to your mother…
Snape’s love, still true.

—welp. I tried to do it, and him, at least a little justice.

P.S. I know the double dactyl is supposed to be humorous…like I said, I was feeling grim.

younger sev snape“. Snape’s True LoveCC BY 2.0.

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Composed for Day 20 of the Slice of Life Story Challenge with Two Writing Teachers

—and allow me to celebrate a milestone: This is my 1000th post on Lit Bits and Pieces.

Huh?

For Sunday’s Open Write at Ethical ELA, host Katrina Morrison invited participants to craft poems about their mondegreens.

What, pray tell, is a mondegreen?

In short: mishearing and misinterpreting song lyrics or lines of poetry read aloud. Katrina gave several of her own examples from the Eagles’ song “Hotel California.”

Our pattern-seeking brains are forever trying to make sense of things… I’m sure each of you out there has some hilarious lyric “mishearings” (hint: these make for fun writing, fellow Slicers-of-Life).

While there have been many mondegreen moments in my life, one of my favorites comes from my son when he was little.

My poem tells the story…

Why Would the Lord Look at THOSE?

Music is his thing.
Even as a little kid
he counted the beats,

making untallied
tally marks on his whiteboard.
At five, he joined me

at choir practice,
singing the hymns and medleys
with greatest gusto

and remarkable
musicality for one
so young and solemn.

Around Eastertime
he looked perplexed.
He finally asked:

“What does it mean, Mom?
This part: He looked beyond my
fault and saw my knees?


When I stopped laughing
enough to breathe, tears streaming,
I told him, “That’s NEED.”

Skinned knees“. QT1pCC BY 2.0.

One does have to admit little knees are precious…

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Composed for Day 19 of the Slice of Life Story Challenge with Two Writing Teachers

Interpretation of Grandmothering by AI

Over at Ethical ELA last month, host Amber Harrison invited Open Write participants to compose a poem inspired by Walt Whitman’s “Song of Myself”:

I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good as belongs to you.

The idea being to fill in these blanks:

I celebrate____.

And what I _______you _____.
For every ___________ me as good
_______ you.

My poem:

Grandmothering

I celebrate the immutable now.

And what I pour of myself, you drink—a transubstantiation of sorts,
blood-memory in the making.

For every day, in passing, decreases me as good
as it increases you.

As anyone in a writing community knows, giving and receiving comments is the stuff we feed on to keep going. One of my fellow Open Write participants (“tellio”) offered this astonishing reponse to my poem:

Here is an explication of your poem by the AI Perplexity. It is, in a way a backfilling in of the lines. I wonder what Uncle Walty would make of it.

“Grandmothering” is a poem that delves into the profound connection between generations, particularly the relationship between a grandmother and her grandchild. The poem celebrates the present moment, emphasizing its unchanging nature, hence the phrase “the immutable now.” The act of sharing and passing on experiences, wisdom, and love is likened to a sacred transformation, described as a “transubstantiation of sorts,” evoking the religious concept of the Eucharist, where bread and wine are transformed into the body and blood of Christ.

The line “And what I pour of myself, you drink” vividly captures the idea of the grandmother imparting her essence to her grandchild, who receives it eagerly and completely. This exchange is described as a “blood-memory in the making,” suggesting that the bond between them is not only emotional and intellectual but also deeply rooted in their shared heritage and lineage.

The final two lines, “For every day, in passing, decreases me as good as it increases you,” encapsulate the bittersweet reality of this intergenerational relationship. As the grandmother imparts her knowledge and love to her grandchild, she recognizes that her own time and energy are finite. Each day that passes diminishes her own vitality and presence, yet simultaneously enriches and empowers the younger generation. In essence, “Grandmothering” beautifully captures the timeless cycle of giving and receiving between generations, acknowledging both the sacrifices and the joys inherent in this process. It speaks to the enduring significance of familial connections and the profound impact of legacy and heritage on our lives.

Oh, Perplexity. You have me weeping over the way you’ve pulled all that’s behind the poem and in my heart out into the open. How profoundly you understand the depths of my soul.

And you aren’t even human.

Or alive.

I celebrate the immutable now

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Composed for Day 18 of the Slice of Life Story Challenge with Two Writing Teachers

Jewels

On March 17th I typically write a post contemplating my obscure Irish roots while celebrating the novelty of my grandfather’s middle name: St. Patrick. Yes. For real. No one knows why, my down-east North Carolina Methodist Granddaddy hated it, and by my lifetime he’d legally changed it to the initial S.

I love the uniqueness of it. I cannot let the day pass without saying that Columbus St. Patrick Brantley’s name remains a treasure to me, a jewel in my family’s living memory, a perpetual mystery in our supposed non-Catholic history.

Here is where I diverge from my norm to chase, not a name, but a word: jewels. In keeping with the day, of course. The first jewel I’m after is brilliant language, and the Irish are rich in that. It glimmers in every bit of their wit, storytelling, poetry, and song.

In 1996, Frank McCourt’s memoir Angela’s Ashes burst upon the world and won the Pulitzer Prize. As soon as I learned of the book, I had to have it. Reviewers raved about McCourt’s narrative voice: Stunning. Lyrical. Dazzling.

So I got my own copy. From page one…spellbinding. My concepts of writing and memoir were forever changed; McCourt’s Irish voice has never left my head.

Of his many glorious phrases, one that returns to me most often comes from the scene where young Frank is in the hospital recovering from typhoid fever. In the room next door is a girl recovering from diphtheria. They can’t see each other, but she calls out to him. She says she has a book about the history of England with her, if he’d like to read it. He does. Books are treasures to him; his impoverished family doesn’t own any. The girl sends the book to him via the nurse, Seamus, who delivers it most reluctantly, complaining because it’s about England “after all they did to us” and that there “isn’t a history of Ireland to be had in this hospital.”

McCourt writes:

The book has the first bit of Shakespeare I ever read:

I do believe, induced by potent circumstances
That thou art mine enemy
.

...I don’t know what it means and I don’t care because it’s Shakespeare and it’s like jewels in my mouth when I say the words.

Jewels in my mouth…

I knew exactly what he means. I loved Shakespeare from my own first encounter. The last line of Sonnet 73 is the heartbeat of most everything I do in life, certainly of the things I write: To love that well, which thou must leave ere long. Jewels in my mouth, in my heart…the bequest of beautiful language.

McCourt eventually left Ireland for America where he became a high school English teacher. He’d regale his classes with stories of his childhood, and they’d say Hey Mr. McCourt, you should write a book.

So he did.

Angela’s Ashes.

And so the world is changed.

That is the power of story.

That is the second jewel from McCourt: Story. Specifically, writing of your own life.

In his final memoir, Teacher Man, he’s become a creative writing teacher. He’s trying to inspire students to write about their lives when they think there’s nothing interesting to say. He tells them: Every moment of your life, you are writing. Even in your dreams, you’re writing…Dreaming, wishing, planning: it’s all writing, but the difference between you and the man on the street is that you are looking for it…realizing the significance of the insignificant, getting it on paper. You might be in the throes of love or grief but you are ruthless in observation. You are your material. You are writers and one thing is certain: no matter what happens, you’ll never be bored again. Never…nothing human is alien to you.

Jewels. Your words, your story, your every moment. All priceless.

I met Frank McCourt in the winter of 2000 when he visited North Carolina State University. I went despite a falling snow. I took my oldest son with me and we listened to McCourt speak of his books and devastating childhood in Ireland. We listened, and marveled. We listened, and wondered about the story of our own origins on The Emerald Isle.

Which brings me to my final set of jewels for today: Christmas before last, my husband gave me a necklace and ring. His sister, without knowing or discussing it with him, gave me earrings. The jewelry, all bearing my birthstone, emerald, are a startling match. My sister-in-law chose the jewelry for me because she loves the color. My husband said, These are to remind you that one day, I’ll take you Ireland.

Where, I imagine, the voices of my distant ancestors still whisper in the wind…perhaps when I go, if I am very still, I might hear them…learn from them…

Until then, and always, I shall be about the excavation of my own story-jewels, with McCourt’s words echoing in my brain and my curious link to St. Patrick forever pulling at my heart.

As for today… here’s to proudly wearin’ o’ the green.

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Composed for Day 17 of the Slice of Life Story Challenge with Two Writing Teachers

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Works cited:

McCourt, Frank. Angela’s Ashes: A Memoir. New York, Scribner, 1996. (Pages 195-196)

McCourt, Frank. Teacher Man: A Memoir. New, York, Scribner, 2005. (Pages 244-246)

King no more

I cannot confess
to any success
playing
chess

and nevermore now
since

mine dog Dennis
—vicious brute!
—sharp of tooth!
has, forsooth!
—finished

the King.

Or, almost.

The beast
heretofore lieth
under mine table
chewing on some thing

methought was a bone…

but no

nonny nonny no.

‘Twas the King.

—Alas and alack!
The thing
is King
no more.

A sneak attack
whereupon
said brute,
confronted
subdued
scolded
and
marked
for banishment,

now groveleth
for all hims is worth
on mine floor.

Thinketh thou that the tiny wag of thine tail wilt redeem thee, miscreant?
Arrgh! Poor little Den-Den! It’s okay! I forgive thee pretty much anything.
Even the destruction of said King.

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Composed for Day 16 of the Slice of Life Story Challenge with Two Writing Teachers