Life is what you bake it

“‎All the art of living lies in a fine mingling of letting go and holding on.”

-Henry Havelock Ellis

Today I share my golden shovel poem inspired by the Ellis quote, posted this week on Two Writing Teachers‘ Slice of Life Story Challenge along with these questions: What are the moments you’re holding onto? What are you letting go of today?

Here’s to the art of living, to holding on while letting go, to savoring moments spent with children, making every one count.

I hold to all
moments spent with children in the
holy art
of seeing the world with fresh eyes, of
spontaneous embracing, of living
each day in newness. I hold to freedom that lies
in forgiving, that paradoxical self-rising power in
letting go. I hold to a
continuous, necessary cobbling of fine
crystal moments, their pure sanguinity mingling
with, dulcifying, the blood-tart of
a sliced heart. Letting
go of despair, of my shortcomings, letting go
of yesterday, yet believing in tomorrow, letting go and
savoring today in a bluesy canton of confidence, holding
onto the children, always the children, just holding on.

My granddaughter loves to bake. I love symbolism. Here’s our flag cobbler. “Canton” in the poem is the term for the flag’s blue square. Strawberries, heart-shaped, represent love; blueberries, youthfulness and confidence in the future. Bake it well.

The future is calling. I’m listening.

*******

Thanks also to Margaret Simon for hosting Poetry Friday. Visit her blog, Reflections on the Teche, for more poems and magnificent quotes in response to “What is poetry?”

On children and hope: Spiritual Journey Thursday

Photo: Child of Vision. Baby eye in black and white. Iezalel Williams. Public domain.

I’m a hopeful person. A hopeful writer. I created this blog in hopes that whomever encountered it would come away feeling uplifted. There’s already too much in the world pulling us down, every day. Burdens can pile until one hardly feels able to move. Grief is like this. Depression is like this. Oppression is like this.

Always, I am looking for a way, or writing my way, through to the better I believe is there. That, to me, is hope. Coming through. Knowing that possibility exists, sensing it, even when I cannot see exactly what it looks like. Eventually it reveals itself. And so I hope.

Yesterday I read that hope is not enough for one of humanity’s biggest burdens. Not COVID-19, which will eventually pass, although it will destroy many more of us before it is done. But we will be fighting diseases as long as we’re alive. No—hope is not enough, in itself, to remove the unbearable burden of racism.

As hopeful as I am, I know this is true.

Yesterday evening I watched a news segment featuring families talking to their children about racism. Black families, families with brown skin. A beautiful little girl—little girl—coached by her dad on how to respond if she should be singled out by those in law enforcement. Eyes wide, brow slightly knit in concentration, the child dutifully repeated everything her dad taught her on how to move, how to hold her hands … she covered it all. Dad paused in his feedback. He nodded. Then he said, quietly: “I did all that. And they still tased me.” The little girl’s face froze, then crumpled. Weeping, she climbed into her father’s lap, into his arms.

Another parent, a mother, said that as awful as it is to burden her children with this knowledge, it’s ultimately for their protection. They need to know.

A boy and another little girl from different families said they know it’s wrong for people to treat each other this way. “We are all human,” said the boy, a young teen. “It doesn’t matter what color skin anybody has,” said the girl (is she maybe six? seven?). “We should all be good to each other and love each other.”

Love one another.

The greatest spiritual journey we can ever take.

Loving means bearing each other’s burdens; it does not mean hoping the burdens go away. It means putting love into action, working to remove the burden, the systems, the structures that oppress others. The possibility is there; our hearts just have to be burdened enough, collectively, to usher it into reality.

For what’s the alternative? Hopelessness. The deadliest thing of all.

As I tried to sleep last night, so many images flooded my mind. Mostly children. Many I’ve known over the years. Black, brown, white faces, eyes full of light, little arms open wide, always ready to give away their love. How easily laughter, wonder, song, and joy come to them … my daughter-in-law texted that my granddaughter woke up singing yesterday morning, before she got out of bed: “Everyone is a star, and everyone has to see how strong and powerful, and everyone has to see how much I love you and how much I’ve grown.” She is four. The thought of anyone robbing the pureness of her heart is … inhuman. It should not happen to any child. Ever. But it does. It is the most terrible of dichotomies, that the big love we have for one another as children does not grow as we do. If it did, the world would be an entirely different place … and if we have any hope of it being better, it begins with acting now. Understanding now. Changing now. Breaking out of age-old racist, prejudiced molds that may have shaped us, now … or they remain intact, shaping those who follow.

I remembered a thing last night, as I finally fell asleep only to dream about children (babies, in fact, standing in a crib, laughing because they’d just learned to pull themselves up). Somewhere there is a photo of me in a crib with my doll, Suzy. So long ago. I saw her in the store while shopping with my grandmother. Beautiful doll. What was it about Suzy that I loved? Her dark eyes, like my own? Black hair and skin, not like mine? I don’t even remember the shopping trip; my Grannie told me years later how I asked for that doll. So she, a white woman from the rural South, bought it for me—in the late 1960s.

Every day, every action, great and small, every word … colors the picture of society that the children see.

That’s us, reflected in their eyes.

In kindergarten I drew a family picture that made my mother angry: “Why did you have to draw me with a cigarette?”

I blinked, and couldn’t respond: Because I always see you smoking.

Children.

On my mind when I go to bed.
On my mind when I wake.
Not just my own
or ones I’ve known.

Children.

So full of love.
So full of song.
So free with their giving
in everyday living.

Children.

We hand them the crayons.
Blank sheets of paper.

And set little hearts so earnestly
to coloring the world they see.

Children.

Is there a crayon called Hope?
To color Tomorrow?

And what will that picture be
if they copy you and me?

My little granddaughter once explained sadness this way: “I was crying with my blue eyes.”

I know, Baby. Same as I cry with my brown ones.

Everyone is a star, and everyone has to see how strong and powerful … let us all keep loving. And growing. And working together to help and heal. Daily finding the way.

That, I’d say, is what hope really looks like.

From my granddaughter’s heart: I love you so very much.

Special thanks to Ruth Hersey for hosting Spiritual Journey Thursday, and to all my friends and sojourners. You are welcome to continue the journey by reading their thoughts on the theme of Hope here.

A child is a poem

I recently encountered acrostic analogies, thanks to my friend and endless source of inspiration, Margaret Simon. The basic idea is to find your word and then compose analogies on each line, related to the acrostic word.

The word Child came to me pretty quickly:

Courage is to character as
Hope is to heart as
Imagination is to idea as
Love is to life as
Discovery is to delight

It takes courage to be a child. So much is unknown; there’s so much to learn. I think of my granddaughter, age four, sighing heavily at the end of a long, pre-pandemic day. When my daughter-in-law asked what was the matter, my granddaughter said, with utter bone-weariness: “It’s hard to be a kid.” I think of how natural hope is to children. They hope for summer, for pizza and candy, for snow enough to build a snowman, for specific toys, for special things, for being with special people. Hope seems hardwired into children, as does delight. I originally had “dazzling” in place of delight, thinking how discovery causes a child’s face to light up, sometimes drawing a vocal Ooohhhhhhh and a smile. Dazzling seemed temporary, though. Not sustainable. Delight feels more permanent, a better fit with imagination and a synonym for joy, just as intrinsic as hope to children.

Revisiting this Child acrostic today has me thinking that a child is a poem.

A miracle, how you came to be
You were not, but now you are
Materializing in ways I could not foresee
Stardust forming its own new star
Your own direction you’ll go
Your own rhythm and rhyme you’ll make
In all your wanderlust, just know
That whatever path you take
I’m part of you, you’re part of me

Life interwoven, yours and mine
Images of each other we’ll always be
Written in every line.

Read it as if it is referencing a child—doesn’t matter if it’s a child of your own, any one that you’ve loved or taught, one you’ve happened to encounter, or possibly the child you used to be.

Then read it as if it’s addressing a poem. Certainly one you’ve written. Maybe even one you’ve read.

Tell me a child is not a poem.

Or, at the very least, poetry in motion.

Frozen acrostics

Once upon a time, a terrible enchantment swept across the land like a howling, raging wind. It forced people into their homes so lives could be spared. It kept children from being with their friends and grandparents so the evil sickness would not spread. Many heroes waged a mighty battle with a tiny germ at great cost to the whole kingdom. Meanwhile, the people waited … and waited … and waited … and longed, with all their hearts, to be together again. They missed each other fiercely but they knew the waiting was an act of true love, and that love, eventually, conquers all

I would love to hold you close
Sometime soon
Only when it’s safe again
Let this virus go, let it go
All will be well in
Time
It is so long, so hard
On the heart, being apart
Now

Soon the spell will be
Over and we
Can be
In the same bright kingdom together
Again
Let this virus go, let it go
Don’t come back any more
It’s funny how
Some distance makes everything seem like
Time is frozen
Although, little queen of my heart, we are one day
Nearer to overthrowing this
Corona-nation separation to resume our happily
Ever after

Original photo with text: L. Haley. Edited with Cartoona Watercolor.

Carry on

The road is long
With many a winding turn
That leads us to who knows where
Who knows where …

—”He Ain’t Heavy, He’s My Brother,” B. Scott/B. Russell

Dear Son,

I think this may be my favorite picture of you. For several reasons. I like to see you in such a peaceful setting, walking that country path beside lush green fields, under the blue summer sky. You were walking with a friend, so you weren’t alone. You told me that her puppy followed youI still can’t believe that’s just a puppy; he’s massive!and he got tired, so you picked him up and carried him the rest of the way.

That is why I love the photo so much. It captures the essence of who you are.

Quietly bearing your burdens, no matter how heavy. There have been many in these past few years. Ever how burdened you were, ever how twisted and dark the path became, you kept on walking.

No one knows better than I what a long, long road it’s been, from the day you started college to now. Graduation being canceled, just when the end is in sight, feels like a coup de grâce.

It all started off on such a high note, didn’t it? Getting that phone call two weeks after you finished high school, a church looking for a music director. Your childhood dream. I still have your kindergarten “All About Me” book with the prompt ‘When I grow up, I want to be’ … where you drew yourself as a choir director in crayon. You attained it at seventeen, before your formal training even began.

That summer was glorious and brief.

That fall you started college and almost instantly the shadows came.

Your father‘s diagnosis of ocular melanoma, the loss of his eye, the weeks waiting for pathology to reveal no cancer cells had spread. Despite your new job and your courseload, you stepped up to help him readjust.

On the heels of his healing came Ma-Ma’s stroke, the beginning of her slow decline over the rest of that year. She knew how much you loved her. She treasured every minute with you; she savored every long phone call you made from the time you were little. She couldn’t keep from crying whenever you played the piano and sangremember how she organized for you to come play at her nursing home, near the last? I will never forget her wet, shining face. She was inordinately proud of you. She loved you fiercely.

How grateful I am that you and your dad were there, holding her hands, when she died.

And so you bore her loss on top of an unexpected one.

I know you’re marking the date. Three years ago today, the accident that took your friend. Your little childhood playmate who sang with you in preschool choir, your high school band mate, the organizer of the Sunday-nights-at-Bojangles gatherings. As I write, I hear her pure, high voice echoing in the church to your harmony and piano accompaniment. Her going left all of us reeling—a swift, severe, deep cut to the heart, a knotty scar we’ll bear forever. And yet you play on. You still sing. You stand by her family in their remembrances, your presence the only comfort that’s in your power to give. She would be graduating, too, this spring … but no one is graduating this spring …

It’s one of the hardest things in life, losing people, and not only to death. People will come and go because they choose to, no matter how much we wish they’d stay. You endured this, too, with uncommon grace, never lashing out, just walking on with your invisible pain. I knew it was there. I could feel the weight of it.

Seems we were due a respite, and if there was one, it was those few weeks of vacation last summer before your dad’s heart attack. You and I had just come home from walking when the officer arrived in the driveway to say your dad’s truck had run off the road and hit a tree, it might have been a medical event, maybe a seizure, no, he wasn’t sure what condition your father was in, EMS was working on him when he left, and did we have a way to get to the hospital? With your big brother too distraught to drive, you did it. Calmly, carefully, you drove us to the emergency room where the nurse met us at the door. You were beside me when she ushered us to the little room where the doctor met us to say your father had been resuscitated and was being prepped for heart surgery.

You were there with me that first night of sleeping on the waiting room chairs, not knowing what tomorrow would bring. You were there with me throughout that long week of his hospitalization, until your dad came home, battered, bruised, trying to recover his memory. You got his prescriptions so that I wouldn’t have to leave him … and when I took him back to the ER with chest pains a couple of weeks later, you met us there. Another hospital stay. Another heart surgery. Two more weeks of sleeping in the hospital. Do you remember the surreality of it all? How we felt like it would never end, like we were caught in the web of the wrong story, a movie with a terrible plot twist we didn’t see coming? How could this be?

Somehow you managed to keep your studies up, only leaving for your classes and your church services, making the music and leading the worship for others.

So here we are, at last. Your dad, recovered and restored … able to drive me back and forth to work with my broken foot … until this tiny pathogen bent on world domination closed the schools. Here you are, completing your final weeks of college online, being denied the walk to receive the reward of all your labors … it is unthinkable.

I think about the whole of your young adult life. How your road has been so long, with many a winding turn, through many a dark shadow. I watched how you went around, through, or over every obstacle on this arduous journey. You’ve endured what might have caused others to quit college, others who might have actually enjoyed their studies; I know you never loved the “game” of school and that for you it’s been a test of endurance, in itself. But the end is in sight—despite a pandemic. A plague. Who’d have ever believed, in our time …

You have come this far, bearing every heavy load. You’ve carried on. Often you, the baby of the family, carried the rest of us. You’ve fought internal battles for your own wellness more than anyone else knows; in this spiritual war, you’ve earned a Medal of Honor for exceptional valor. I know it and God knows it, Son. I stand in awe of your heart, full of love and mercy, so self-sacrificial, so willing to lighten others’ burdens as your own grew heavier. Like carrying a giant puppy during a long walk on a hot summer’s day, because it got tired.

That is why I love this picture. It is your story.

There are no words for how much I love you.

Keep walking, Son. Carry on. You are strong.

I am stronger because of you. Soon my foot will be well enough to walk with you again.

When we come through this present ominous shadow, college will be over, we’ll find ourselves in a whole new chapter in our lives, and we’ll celebrate all of it. Just a little farther alongI know that in your quiet way, you’ve already made your peace with it. I can almost hear you singing:

Here comes the sun, here comes the sun
And I say it’s all right
...

All my love, my always-little darling,

Your forever proud, grateful Mom

Child’s play

My granddaughter, age four, has a touch of cold. She told her dad (my son): “I think I have a little bit of coronavirus.” Yesterday she told the family that that her new Barbie bakery had to close down because “people in her town got coronavirus.”

Her understanding of such stark realities pierces my heart. Her comments also take me back to something I learned in my final high school English class, where I sat horror-struck, riveted, as my teacher painted a verbal image of London in the bubonic plague (which also originated in China):

This was the second and worst wave … people were superstitious about a catastrophic event occuring in 1666, with the Biblical symbolism of three sixes together, but the plague struck the year before, 1665 … spread by fleas on black rats … First you must understand the condition of London at the time. The characteristic fog was mingled with black smoke from factories and the coal-fires of a terribly overcrowded city. There was no sanitation; people dumped their waste from windows—that’s where the phrase “Gardy-loo!” originated, from the French “garde a l’eau!”—”watch out for the water!” It’s what people shouted to warn those walking on the street below, so they could jump out of the way when the buckets and chamber pots were dumped. Raw sewage ran in the streets … human and animal … just imagine what was on people’s shoes, on the hems of ladies’ long dresses … and during the plague, bodies also lay in the streets, where people fell dead… this sparked the children to invent a new game: Ring-Around-the-Rosie …

—What?

Ring-Around-the Rosie? It’s a silly, giddy game. How many times had I played it as a child, with neighborhood kids or schoolmates, trying to pull each other around the circle of our joined hands faster and faster, until we deliberately made ourselves fall?

“Ring-Around-the-Rosie” was originally “Ring a ring of roses,” funeral wreaths for the dead. “Pocket full of posie” was a reference to the nosegays people carried when they had to walk in the streets—flowers held to the nose to counteract the stench, or a handkerchief doused with cologne, if they were wealthy enough to have it. “Ashes, ashes”—at the time, it was “rashes, rashes,” indicating the discoloration of the skin from bursting lymph nodes, or “buboes,” hence the name “bubonic plague.” And “we all fall down” … that’s self-explanatory. It’s what the children saw…

That’s an indelible image: Children joining hands in the streets, chanting, whirling around faster and faster— laughing—against that ghastly backdrop. It’s how they interpreted and internalized events, how they coped with their world—through play.

The game remains with us centuries afterward. In our time, it’s indicative of the carefree joy of childhood; the darkness is long forgotten.

That’s what play does: defeats the demons, diminishes fear, turns the dark into light. It’s the way children communicate their learning about the world. It’s release, acceptance, solace, safety. It’s the bright, creationary force in a child’s domain: play is within the child’s control when nothing else is.

Its value, inestimable.

Barbie’s bakery will re-open, I am sure, for our businesses will. Our times are grim at present, but we know what causes disease to spread. We understand (most of us, let’s hope) that for now we have to keep our physical distance, for our greater good. We know the value of hygiene. We shall have to join hands—figuratively— in many different ways; we shall be pulled, and strained, but as long as we don’t succumb to panic, and if we submit to wisdom, we shall not fall.

And our children?

They’ll keep on playing.

And watching.

“We should respect with humility the bright holiness of childhood.”

-Janusz Korczak

Photo: “Circle of Peace” bronze sculpture by Gary Lee Price (children playing Ring-Around-the-Rosie). Blake Bolinger. CC BY.

Stayin’ alive

The master says it’s glorious thing to die for the Faith and Dad says it’s a glorious thing to die for Ireland and I wonder if there’s anyone in the world who would like us to live.

—Frank McCourt, Angela’s Ashes

A friends tells me she can’t turn on the news at home anymore because her first-grader is terrified of catching “the cronavirus.”

I remember that terror …

It began with nosebleeds. I had so many as a child that the pediatrician told my father the vessels in my nose might need to be cauterized.

“Carterized? What is that?”

“Burned.” Said my father, before thinking better of it.

Burned?

BURNED?

I lived in mortal terror of having another nosebleed, of having the inside of my nose burned.

I told my Sunday School teacher about it: “My nose might have to be carterized if I don’t stop having nosebleeds.”

“Well, it’s better to have a vessel burst in your nose than one in your head.”

A vessel can burst in my HEAD? What does that mean? What happens to you if a vessel bursts in your HEAD? Do you die?

My head felt weak. I tried not to move it very much.

“Why are you walking so stiff and hunched up?” snapped Mom.

And then there was the sign in the church stairwell:

FALLOUT SHELTER

“What’s a fallout shelter?” I wanted to know one evening after supper when our neighbor walked across the street to play Yahtzee.

“Oh, a place where people can go if there’s a nuclear bomb, to be safe from the radiation,” said Mom, taking a drag of her Salem.

“Yeah, and this is the first place that would be attacked,” said our neighbor, shaking the dice, “with all our military bases and being so near D.C.” The dice rolled across the table. “Damn! Nothin’! I guess I’ll have to take it on Chance.”

How will we get to the fallout shelter to be safe, if it’s blown apart?

Why do we live here?

Nuclear bombs… the vessels in my nose, the ones in my head … what’s gonna blow first? What will happen to me? How’m I gonna stay alive?

—Yes, I remember the terror. To this day.

—Remember the children.

Photo: Fallout. m anima. CC BY

Little girl blowing bubbles

Ever wish you could keep a small child safe and innocent forever? It’s a wish as ethereal as bubbles in the wind, drifting away like childhood itself. I took this photo last summer. It’s taken this long to figure out how to convey what I felt.

Little girl

blowing bubbles

in the sun

free of troubles

How they drift

on the breeze

turning, turning

as they please

Colors shimmer

ever bright

just a moment

in the light

Wave your wand

my temporary

iridescent

bubble fairy

All too soon

time shall pass

bubbles pop

in the grass

How I wish

things could stay

idyllic as

this summer day.

My new name

All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts

—Shakespeare, As You Like It

Life’s transitions tend to sneak up on us.

For example, when it dawned on my oldest son that high school wouldn’t last forever and beyond it was college plus this thing called The Rest of Your Life, involving responsibility and duty, he looked at me with big brown eyes full of gloom: “I don’t want to grow up.”

Alas. It happens.

But he found his way. Last fall he simultaneously started the pastorate, married, and became the dad of a beautiful four-year-old girl. That’s a lot of transitions in one fell swoop, and he’s embracing them all. He’s thriving.

One man in his time plays many parts . . .

All of a sudden, his father and I have reached the grandparent stage of life. While it’s the loveliest transition, I can’t keep from thinking, with a pang, How did I become this old? Truth is, there’s exactly the same age difference between my grandmother and me as there is between me and my new granddaughter. It shouldn’t seem so astonishing.

The hardest transition isn’t mine, however. It’s my granddaughter’s. She loves to come over, loves to climb in my lap with a book as much as I loved climbing into my Grandma’s with one. All of this is glorious fun. No, the hard part is what to call me. She’s used to saying Miss Fran:

“Miss Fran, I’m hungry!”

“Oooo, Miss Fran, I like your nails. Can you paint mine?”

“Can we have a popcorn party and watch Frozen again, Miss Fran?”

“Let’s go outside and blow bubbles, Miss Fran!”

She likes telling everyone that I am her grandmother now. She even likes pretending to be me. My son said that after I broke my foot she went clomping around their house with one rain boot on, saying “I’m Miss Fran!” Yikes.

This transition away from Miss Fran has proved challenging. But she’s working on it.

The other night she asked me to spell words for her with magnets on a whiteboard. I did, without realizing that she intended to copy them with a marker.

Here she is, writing with utmost care. A message to me.

With my new name, for the new role I get to play in her life:

Franna.

Life just gets grander.

I asked her if she wanted to spell “Franna” with one ‘n’ or two. She chose two.

A matter of heart

Better is the end of a thing than its beginning, and the patient in spirit is better than the proud in spirit.

-Ecclesiastes 7:8

Last week didn’t start so well.

On Sunday, I broke a bone in my foot while simply walking (and falling, somehow) down the garage steps.

I’d already taken Monday off to attend my brother-in-law’s funeral but spent it on my couch instead with my newly-damaged foot elevated, commiserating with my husband, whose leg has developed a discolored, painful bulge—the leg from which veins were removed for his bypass surgery last fall. It’s not a clot, and that’s all we know until his appointment this week.

“I never would have believed that I wouldn’t be able to attend my own brother’s service,” he sighed. It’s a seven-hour round trip; neither of us was up to it.

I surveyed our legs, propped on the same stool. His left, my right. Mirror-images of each other. Except for my orthopedic boot.

I sighed, too, the entire left side of my body sore from overcompensating for the right. “I know. This is like being eighty years old or something.” Which is decades away…

Our college-student son, passing through the living room, quipped in his deadpan way: “Well, at least you’ll know what to expect when you are eighty.”

So. That was Monday.

On Tuesday I returned to work. It happened to be the 100th day of school, meaning that most kindergarten and first grade students (and many of their teachers) came dressed as old people. White hair, glasses, wrinkles sketched with eyeliner, canes galore.

For a split second, I mused: Who wants to live to be a hundred?

But the kids were adorable, their teachers were having fun, and God knows we all need to have more fun at school. Too much of it isn’t.

That is where my mind was when a little “old” person wandered up to me in the lobby where I rested on a bench between the arrival of buses, my morning duty.

A kindergartner. Big, mournful eyes moving from my boot to my face: “Are you all right?”

“Oh yes! I am fine,” I said, touched by the obvious concern in that small voice.

“What happened to your foot?

“Well, I broke a bone in it.”

“Does it hurt?”

“No, really, it doesn’t. The boot is a cushion for it, see, and it doesn’t hurt at all right now.”

A flicker of relief across the little, made-up old face. The tiny pseudo-centenarian went on her way.

That was Tuesday.

And Wednesday, and Thursday, and Friday. Everywhere I went, the kids wanted to know: What did you do to your foot?

I shared the X-ray with some of them, saw the fascination in their eyes.

Some didn’t ask anything. They came up to me just to say I hope you will be okay. I hope you feel better.

As I labored up and down the staircases, one careful step at a time—the elevator at school is BROKEN—I thought a lot about the curiosity and compassion of children, how natural these things are for them, how comfortable children are with asking and expressing. If we can preserve, nurture, stir curiosity and compassion through all of their formative years … what a different culture, what a different world, it would be. Possibly our greatest work.

The week ended much better than how it began. Not because of satisfying still more curiosity about my broken foot with ongoing questions, or the taste of true human compassion at its purest. Not because I made it through the first week of recovery, although that was a glad milestone. No. Friday was a day of festivities, of celebration, all shining from the children’s faces.

“Happy Valentime’s Day, Mrs. Haley!” called the little ones when they passed me in line in the hallways, inviting me to their classrooms to share their candy, their cupcakes, their joy.

Valentimes. The mispronunciation seems almost poetic. As in, these times are made for Valentines. Definitely for love.

Oh my, thank you, I’ll come see your goodies but you keep them; they were given to you.

You yourselves are gifts enough to me, children.

You as well as puppy therapy. ❤️

Dennis the dachshund takes turns between my lap and my husband’s while we prop our legs.