The little hand

Hands

Untitled mural. Rob SwystunCC-BY

She’s the tiniest student in our first grade class, beautifully dressed, hair neatly swept up in beaded ponytail holders. She speaks little; she is shy. Her big brown eyes, framed with long, thick lashes, take in everything. 

I often catch her eyes resting on me. I wonder what she’s thinking. I smile at her. She looks away, but I can see the corners of her mouth twisting up, that she’s deliberately suppressing her natural response.

I am not the teacher; I am a teacher in training, working as an assistant. The teacher soon pairs me with this tiny girl. We are to read together for a few minutes every day. My shy friend is a struggling learner.

She has many struggles.

I learn that this child is the oldest of several siblings and that they all live with their grandmother. This child suffers with asthma – common ground with me.

“I have asthma, just like you,” I tell her one day.

“You do?” Little eyebrows elevate over the big brown eyes. She studies my face, and for the first time, a smile breaks over her solemn countenance, like a flicker of light.

The teacher and I notice how our little girl scratches herself, her arms and her neck in particular. Patches of thick, scaly skin appear to be eczema – they flare when she’s stressed. She scratches and scratches.

I take over the class while the teacher ushers our friend to the sink and shows her how to use a nail brush to clean away the necrotic tissue collecting under her fingernails.

After conversations with Grandma, a tub of cream is brought to school. When we open it, the cream is peppered with flakes of our little friend’s skin, from multiple dabbings and applications.

On the worst days, we take turns holding her in our laps, rocking her while she cries, holding her hands in ours to keep her from scratching and drawing blood, while the other kids run and play at recess or spread across the room to do their work.

The teacher fears that the thick patches of skin are permanently altered.

We cry, too.

One morning, after an unpleasant encounter with an adult in the building, I enter the classroom and find a quiet place to sit away from the children. Passing by, en route to morning meeting, the teacher whispers to me: “Are you all right?”

“I will be,” I reply. “I just need a minute to breathe.”

As the students gather on the floor around the teacher, my tiny friend creeps over to me. She crawls up in my lap, featherweight that she is. I put my arms around her. 

She reaches out her little hand and pats my neck.

Your skin is all red,” she says.

And she sits there with me, not to be comforted this time, but to comfort. The only child who perceived that something wasn’t right.

She rocks, humming a tune. I don’t know it. Turns out that my friend is a singer – there’s an astonishingly big, expressive voice inside that tiny ravaged body.

She begins singing more and more. She makes us laugh – her classmates love to hear her. 

One afternoon, after several weeks of reading together – beginning with picture walks and my reading pages to the girl and her reading them back to me, repeating until she can read with few to no errors, with increasingly complex books – she sits regally in the chair beside me and takes the new book out of my hand before I can introduce it.

“I can do it myself,” she announces.

I hold my breath the entire time, restraining myself from intervening as she works through this new, harder text on her own. She labors in some places, but she keeps moving, until the final word.

“YOU DID IT!” I shout. People walking at the end of the hallway stop and turn around.

My little friend, face aglow, radiant, throws her braided head back and laughs for all she’s worth.

I carry those moments – I carry her – in a corner of my heart forever.

For me there’s no question of who really taught whom, who was the greater blessing to the other.

Many years have passed, but when I think of diverse student needs, of overcoming, I see her solemn face, her beautiful eyes. I hear her cries, her laughter, and marvel at the resilience of children. I feel the pat of her little hand, the innate empathy in it, born of suffering, recognizing suffering, seeking to alleviate it; our exterior, our skin, is not the whole of us. Her songs, resonant with untaught vibrato, bubbling up from some pure wellspring deep within, represent the indomitable human spirit – full to overflowing, even in the face of hardship, even in the smallest of us.

 

Soul-ache

Only time for a quick hug

Only Have Time for a Quick Hug. JackieCC BY

I recently learned of the UK’s Empathy Museum, which began in 2015. Their mission: To help us look at the world through other people’s eyes. To walk in their shoes.

Literally.

Part of the exhibit, “A Mile in My Shoes,” is an actual collection of shoes worn by a Syrian refugee, a war veteran, a neurosurgeon, and many others. A person can don the shoes and walk in them while listening to a recording of the original shoe-owner’s story.

Another project of the Museum is the Human Library – instead of checking out a book, you can borrow a human for a conversation. “A Living Book,” says the site.

The keys to empathy are story and dialogue. Experiencing what others have experienced.

The Museum was founded by – can you guess? – a writer.

A thousand things flood my mind as I read about the Museum. Although I know it well, the power of story to impact and transform the mind and the heart is driven home again, anew. To live for a moment inside of others, to see through their eyes, to feel the stab of their pain, their fear, their sorrow, their longing, their joy (for joy, too, is a stab; read C.S. Lewis and William Wordsworth) is to bleed away part of ourselves on their behalf. Empathy is a simultaneous forgetting and remembering of our own soul-aches, while standing in someone else’s shoes.

Shoes remain, as stories remain. People do not. I have long been haunted by the image of shoes lying around the wrecked stern of Titanic when it was discovered. Author Charles Pellegrino writes that it took months for scientists to realize that these pairs of shoes, still intact after seventy-three years on the ocean floor, were uniformly spaced about eighteen inches apart, with shoelaces still tied. There’s no other trace of the people at all – not even teeth. Only the shoes remain to mark where the bodies came to rest. Scientists are at a loss to explain exactly how leather and shoelaces endure when no other clothing or skeletal remains are to be found, yet the shoes are there, the final witnesses, the last word in the story of their wearers. (And one more secret of the utterly mysterious ocean).

It is also worth noting how the hardcore scientists, successful in their famous mission to find her, wept over the Titanic.

Empathy.

Soul-ache.

For the suffering of others.

It’s also important to note that the word origin of empathy is rooted in passion as well as in suffering, hence the photo at the top of this post. The little girl runs to hug the stuffed bear in a burst of feeling, then runs away too quickly for the camera. Her image is blurred, ghost-like; a reminder that life is fleeting. She will not be a child for long. She may or may not ever be in this place again to see this bear, but in this moment, she is spurred to action.

That’s what empathy does – the short walk in someone else’s shoes strikes our souls so that we come away changed, wanting to make changes. We are all islands in a common sea, wrote Anne Morrow Lindbergh, twenty years after the kidnapping and murder of her baby boy. The common sea – the human experience, with all of its sufferings, its horrors, its joys, its beauty. See – really see – the people around you. Hear them. Feel their soul-aches, even as you feel your own. That’s empathy. Read it, write it, speak it – and by all means, teach it. A little soul-ache goes a long way in making the world more livable.

For all of us.

Note: The idea of soul-ache came to me while reading Mary Oliver’s poem “Wild Geese.”