Not just the baking of them as a means of COVID-coping productivity, but as an expression of the times.
My daughter-in-law—artist, baker, craftsperson extraordinaire—created these cookies a few weeks ago. She and my son delivered them with my granddaughter via a front porch social-distance visit:
My ebullient four-year-old granddaughter belly-laughed on presenting these whimsical delights: “TOILET TISSUE COOKIES!!!!!”
“And face masks and soap!” I exclaimed.
“They’re too pretty to eat!” said my husband.
But we did. Every crumb. With joy.
I thought about the joy with which these cookies were infused, how ingesting them was an antidote to the virus zeitgeist. What you put into a thing is what you get out of it …
Yesterday my son and his family made another delivery:
“Ooooohhhhh,” my husband and I breathed in unison.
As we admired the astonishing artistry, I noted a shift in the cookie symbolism: Not just physical survival, as in the previous batch, but spiritual (coffee counts as both, right?). The fleur-de-lis, emblem of our daughter-in-law’s Louisiana roots, long associated with Christianity and the church, an icon from antiquity for royalty and protection. Choosing to believe, as the stages of isolation drag on, that the uncertain future can, and will, be beautiful. “Unbridled hope for tomorrow” … such trust. Such zest for life.
And a pencil.
Truth is, we write our tomorrows by our choices today … and nothing represents spiritual survival to me more than writing.
I call it: “The pencil is mine.”
“I want this one,” said my husband, picking up the fleur-de-lis. How he misses going to church, being with the flock he pastors. A shepherd pining for restoration, preservation.
Those words have been lurking, brooding, around the perimeter of my mind this long, strange, separated spring.
Even on the brightest days, the wind remains a peculiar Presence in my otherwise quiet corner of the world. This is not normal behavior. I cannot decide if its constant moaning represents mourning for the dead and those yet to die of COVID-19, grief for the state of the world at large, or if it’s a harbinger of bleak times ahead for human existence. The earth lives on, arrayed in spring splendor, while the life and livelihood of people has frozen. Time stands still. For how long, we don’t really know: what time frame is there for outlasting a deadly microorganism? Seems the wind knows … on and on it blows, perhaps not ill in itself, but certainly as a soundscape to a ravaging illness. Somewhere in the sound is a sense of statues, cracking, crumbling, turning to dust, being swept clean away.
So it seems to me, anyway. Sometimes.
Haunting, daunting, taunting, flaunting … I cannot decide which. Perhaps all.
Then, the trees.
Last week, while composing my “I Am From” poem, I decided to choose a representative tree. I meant to write of bald cypress, for I love them, I identify with them, they are a symbol of my southern heritage. I even love the sound of the name. Cypress. But almost instantaneously a vision crowded out any other tree: the little pine sapling that grew to a towering height in the backyard of my childhood home. When I left at twenty, it was a majestic presence, a sole monarch holding dominion over the ditch-adjoined, chain-link backyards of the neighborhood. Hardly an enchanted kingdom, but don’t try to convince my pine of that. It would be my representative tree. Reaching ever-skyward, grown wide with long, heavy, green-needled boughs undulating like ocean waves. Whispering, whispering, always whispering …
Today I read this tweet by Robert Macfarlane:
Word of the day: “susurrate”—to whisper, murmur, esp. of noise produced by numerous individual sources of sound (bees humming, leaves rustling, etc.) Compare to “psithurism,” its similarly sibilant sense-sibling, meaning the whispering of wind in trees (from Ancient Greek).
—That’s how the universe works. Messages of perception. Then sometimes supplying the exact right word (the universe is a writer).
Pining Sighing Inner crying Truths revealing Hidden healing Unknown to me Regal tree I listen listen to your whisper whisper Susurrus secrets, ceaseless, swirling Mystery messages written by the wind
There’s something being said, for sure. If only I spoke pine. Or wind.
Pines, by the way, represent survival, longevity, protection (think “shelter”). Sometimes the pine is called the tree of life. Perhaps there’s a promise in this psithurism.
But you, Wind, remember—you’re ill if you don’t bring something good.
Last night a concert by tenor Andrea Bocelli was televised. He wanted to offer a message of hope to the world; his own country has been ravaged by COVID-19. And so he was recorded with only an organist on Easter Sunday in the Duomo di Milan, resplendent and empty … when he walked outside, alone, to sing “Amazing Grace” on the cathedral porch, the screen displayed the empty streets of major cities around the world.
Listening, watching, I thought this is one of the most abiding images of our time.
A golden shovel today, in honor of Bocelli, his gift, the wounded world-in-waiting, the healing power of music, prayer, and hope:
How amazing this lone figure of grace standing on the church steps singing of how prayer and hope turn bitter times sweet while in the deserted streets his angel-voice is the only sound.
One of my favorite themes in literature—in life—is redemption.
Life’s a complicated adventure. Things happen. We respond to them. Each of us is an individual, complex universe of tangled history, experience, emotion, psyche, and DNA. We make choices and our choices make us … and our story. As Shakespeare would say, “Thereby hangs a tale.”
Since I read The Goldfinch in February, while homebound with snow and a broken foot (which seems an eon ago, now) I’ve thought about how certain choices reveal true character more than others. For all the breathtaking artistry of the author’s craftsmanship, in all the moments I paused to reread passages to absorb more of their glory as the story swept me away, one little, shining nugget wedged itself in my heart deeper than anything else. Perhaps it is strange, I don’t know, and I will try not to be a spoiler here … suffice it to say that the main character, suffering from trauma, descends into self-destructive behavior as a means of coping. As he attempts to escape his circumstances, he takes a little dog with him rather than see it neglected. It’s not his dog and he’s actually embarrassed by its “girlishness” (it’s a Maltese) but his appalled distaste over the treatment of the animal and the conditions in which he first found it motivate him to make a rescue at risk to himself. This I found strikingly heroic. A revelation of the character’s inner wiring working at its best. Redeeming.
Then of course there’s the loving character of the little dog itself and I am quite, quite sure that I would have found that just as poignant if I had not had a little dog curled up in my lap as I read the novel.
I have been wanting to capture these sensations, somehow, ever since. Suddenly, today, it gels. Maybe it’s because the sun dawned so bright this morning on our troubled, changed world as it wobbles on. Maybe because this brightness mingles with a searing sense of grief and apprehension about the days to come. About how much of life as we know it will be lost. Destroyed. I’ve been writing an abnormal amount of poetry so maybe images are standing out with sharper edges and taking clearer form than usual.
At any rate, this is my first attempt at a nonet, inspired by that act of rescue in The Goldfinch. Maybe it’s about wishing for rescue. Or redefining it. Sometimes, in saving another, one is often saving oneself …
Redemption may be life’s greatest theme a sign that all hope is not lost overcoming brokenness in the effort to save another creature not capable of saving itself. =Love.
While we couldn’t attend church yesterday, it doesn’t mean a presence wasn’t there.
A friend went to photograph the dawn and heard a song coming from the steeple.
The building, empty like the tomb, had its own winged messenger at the first light of Easter.
If you do not know: A cardinal bird can be considered a sign of the divine—I’ve written of it before (Divine appointment). The vivid red birds also represent life and blood. In Christianity, specifically, the blood of the living Christ. Thecardinalexperience.com states: “Traditionally, the cardinal is symbolic of life, hope, and restoration. These symbols connect cardinal birds to living faith, and so they come to remind us that though circumstances might look bleak, dark, and despairing, there is always hope.”
Cardinals were named for the red-robed bishops (although this one’s sitting on a Baptist church). Name associations include heart and possibly the Old Norse word for cross.
Which is, of course, atop the steeple where our visitor perched to offer his doxology.
First light of Easter morn Found the church silent, forlorn Empty of its life, its music, its people And a winged messenger on the steeple As if proclaiming the old, old story Singing, full-voiced, Glory, glory, glory.
Waking to grayness rain slapping windows winter wind crying because it does not heed spring and life. Wrapped in my blanket I listen to that unrelenting wind daring not caring moaning mourning around the edges of existence.
Through the gusting gloom wailing doom a faint sound. A solitary little bird singing joy joy joy-joy-joy honoring the light ever how dim.
Today I write with a group of friends for Spiritual Journey Thursday.
The word restore has been on my mind these days. More or less as a question: When will society, the economy, the country, the health of the globe be restored to pre-COVID-19 conditions? And what will that restoration look like? How changed or different will everything be?
I think on this a lot, as is there is a lot of time to think.
Naturally a well-known line from the Psalms also comes to mind: He restores my soul. It speaks of peace and confidence, of a daily trust. I watch the news, the frenzy of those in the medical profession, pleading on behalf of us all; the government having to count the cost of a shut-down economy as weighed against the life and well-being of its citizens; and everyone worried about having enough resources for coping. They’re all waging a mighty battle against an insatiable, tenacious, invisible pathogen.
While the rest of us watch from a distance, sheltered. Protected. Trusting that the decisions made for us will preserve us, restore us.
We wait in the stillness.
It brings the preceding line of Psalm 23 to mind: He leads me beside still waters.
I could make an analogy of a stormy, violent sea for the government, the medical field, and the stock market, in contrast to the majority of us waiting at home, by the still waters … but a story resurfaced in my memory instead.
Long ago, when I was about seven, I attended a church service where an older girl was baptized. She was perhaps twelve or so, a sweet and affectionate girl well-known and loved by the congregation. It was an exciting morning for the church … except that as this girl entered the baptistry, she was sobbing.
“I can’t do it,” she bawled. ” I can’t …”
Even as a seven-year-old, I knew she’d chosen to be baptized. She’d walked the aisle some weeks before and professed her faith. I knew the pastor made new members, including children, attend a series of classes to understand the tenets of the faith and the ordnance of baptism. I didn’t understand it all myself, not yet, but I knew this girl, garbed in a white robe, hovering at the steps leading down into the water, crying, wanted to act on her faith. I’d never seen anyone react this way to being baptized: Why’s she so scared?
I look back now and wonder: Was she simply afraid of water? Had she never gone swimming in a pool, as I had?
The water wasn’t deep. It wasn’t cold; it was heated to be comfortably warm. It wasn’t waves crashing on the shore, no dangerous undertow, just clear, still water.
Our pastor, a humble, middle-aged man, a former Navy pilot in WWII and a Bible scholar, stood in his own robe of white at the center of the baptistry. He reached out his hand: “It’s all right, Dear Heart. See, I’m here. It’s safe. You know I’m going to hold onto you.” When she stayed rooted to the steps, clinging to the hidden rail, our pastor waded over, put his arm around her, and led her into the pool.
He held her for a moment. We heard him whisper: “Are you ready?”
Loud sobs, but a nod of her little head.
He raised his hand heavenward:
“I baptize you, little sister, in the name of the Father, the Son, and the Holy Spirit …”
She went under and just as quickly, he raised her back up.
“I DID IT!” she shouted, hair plastered to her head, wet face shining. “I DID IT!”
If ever there was a vision of radiant joy, that’s it.
The entire congregation wept, even seven-year-old me.
The tears return even now, remembering.
He leads me beside still waters. Sometimes through still waters. When we cannot see the bottom. When we’d really rather not descend into them, when we don’t want to get wet at all, when we fear not so much immersion but submersion: How long will we be under? Can we last?
He restores my soul. It is a matter of trust that, somehow, all will be well, that we will be raised back up, we will be led safely through.
For now, we wait in the stillness like water lilies … which, in the Tamil poetic tradition, happens to symbolize the grief of separation.
On the placid surface
rest the blooms
in waters still.
Their unseen roots
to the earth
And so we float
this strange baptism
to one another
by unseen roots
while time stands still.
Today, in my mind, in my heart, the word restore echoes over and over and over like a prayer.