Poetry: keeping the channel open

For VerseLove on Ethical ELA this week, host Margaret Simon shared this quote from dancer Martha Graham (on The Marginalian):

“There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware of the urges that motivate you. Keep the channel open.”

Margaret invited poet-participants to free-write for ten minutes and “just flow.” She shared a poem she composed in her Notes app while walking, along with this encouragement to keep going: “Mary Oliver says ‘You do not have to be good’ in her poem ‘Wild Geese’…accept what comes and be open to it. We all have an energy inside us waiting to be released in some creative way… Forget the rules today and flow, flow, flow.”

In keeping the channel open…here is where my mind went first.

Gifts from the Limbic Sea

Before it is quite morning
the otherworld of dreams
begins to recede
the hippocampus
swimming in its own sea
of memory
is unable to hold onto
the waving grasses
ever how beautiful
or important these
may be 

Try, I tell my twin seahorses
before I am quite awake
I would tighten
the ethereal reins
but I know I am
only dreaming

my hands cannot grasp
anything solid
images dissolve into foam
all I can feel
is a gentle current
ebbing away

or maybe 
that strange and bright
otherworld remains
and I am what transitions
from there to here
borne away on 
mystical tides 
back to reality

and so I rise 
in the darkness
before it is quite morning
to find my journal

and write
before the hippocampus
shakes off 
the remaining residue

it’s not much
this grasping
but I do it
because
these last particles
of dream-dust
preserved on the page
mean something

and they 
are mine

Hippocampus coronal sections. DanielsabinaszCC BY-SA 4.0

‘Hippocampus’ by The Black Apple. Halogen GalleryCC BY-SA 2.0

Ode to menthol

In the season
of sickness,
of a rattling
in the chest
that lingers
and lingers
and lingers
I seek
your healing power
O my elixir

none other will do
as well as you

your name
is not always recorded
on cryptic inscriptions

but I know
it’s you

nothing else
has that
distinctive
burn

Alas, you have become
such an elusive elixir

I search high and low
(on the shelves)
just to find
you’ve vanished

leaving no trace

it befits you,
vaporous thing
that you are

I cannot entertain
the notion
of orange
or honey
—fie!

These cannot
open passages
like you.

I wonder
what on Earth
I shall do

but wait…

memory stirs
like ghosts
like tendrils
like vapors, yes…

my own father
pouring your
precious substance
into a little silver tray
and plugging in
the vaporizer

there I was
suffering child
surrounded
by a steamy cloud
tinged with your
cool fragrance

sputtering
sizzling
on through the
long, long night

(you’re no cure-all
for childhood asthma, btw
but I’m not dealing
with that
anymore)

and speaking
of clouds…

back there
in the shroud
of Time
where sits
my father
and
my mother
puffing
puffing
puffing
on Salem cigarettes
there, the
telltale green carton
indicates your presence

I can still smell you
on the foil
of those packs
and in the
smoke ribbons
curling in the air
(aside: salem means
peaceful
complete
safe
perfect)

—what a cool operator
you are,
alternately healing
and stealing
breath

but then…

far back
so far back
I find you
at your purest,
perhaps

sick child
that I was
struggling
to breathe
(yeah, it’s a theme)

my grandfather
going to
his medicine cabinet
for a little
cobalt-blue tub
my grandmother
unscrewing the
aqua lid
and with one finger
slathering a good dollop
under my nose

(which now
no one is
ever
ever
ever
supposed to do
although clearly
I am alive)

and it is this memory
these moments
that are salve to my soul.
balm to my spirit

and so I come
to find you
like a miracle
in my own
medicine cabinet

whereupon I slather
my own self
up good

relishing your
mint-oil fire

your vapors
like a blanket
of love
enveloping me

breathing
breathing
Yea, with
a little
more ease

until this
lingering
lingering
rattle

evaporates
at last…

O, my elixir.



Fun facts: Vick’s VapoRub was invented in 1894 in the North Carolina county next to where I live now. It was originally called Vick’s Magic Croup Salve. From the NC Department of Natural and Cultural Resources: “The salve in the blue jar is made of menthol, camphor, oil of eucalyptus and several other oils, blended in a base of petroleum jelly.The creator invented it to cure his son of severe croup…which it did. Spanish flu killed the inventor in 1919 but, paradoxically, that pandemic drastically increased demand for his product. Oh…and guess who worked at the inventor’s drugstore as a teenager? O. Henry.

My ode, however is to menthol, not just Vick’s, seeing as I had to include my parents’ Salem menthols in the mix. I was an asthmatic child, my first attack occurring at age three months. As I grew, I often begged to stay with my grandparents when I was sick; they slathered me with this old remedy, hence my great affinity for VapoRub. Accordingly, my grandparents are ever-present in the healing power of that clean menthol burn…nowadays I am not troubled with asthma but when I feel a cold coming on, or, as in the present moment, trying to shake the rattling cough after a cold, Vick’s DayQuil with VapoCool is my go-to. It works, to which widely empty shelves attest. I finally had some delivered by Instacart (had to show ID, of course) so I can continue burning the rattle out of my chest…it’s the best thing I know of, outside of a certain homemade “recipe” made by one of my old-time church members from the country…not exactly sure what was in THAT jar, but it would’ve surely burned this stuff out long before now… that, however, is another story for another day.

Here’s to the healing power of menthol.

*******

with thanks to Two Writing Teachers for the monthlong Slice of Life Story Challenge
and to Kim Johnson,

whose series on Epsom salts convinced me that I really, really should write about menthol
(which, yes, can occasionally be dangerous, so use with care)

Juncos

Winter mornings
in the half-light
I leave home for work

out on the lawn
a stirring of birds
so small
I can’t quite see
if they’re actually birds

maybe they’re
gray-cloaked fairies
performing secret rites

or the grass itself
sprouting feet for a night
and ethereal wings
for breaking away
at dawn of day

tiny tufts
of earth, unbound
with promise of
heavenward flight

For a couple of months I’ve tried to figure out what little birds are flitting in the tufts of grass each morning. Gray and ghostlike, they’re elusive as fairies. I finally got a good look at a few of them through the kitchen window. I am pretty sure they’re dark-eyed juncos, which my Merlin Bird ID app has picked up and identified by song. They are sparrows, “birds of the ground,” hopping around on lawns looking for seeds. They even nest in the ground.

To me, they give the illusion of the grass transforming into birds.

I researched them and learned that the junco is a symbol of impending winter weather, nicknamed “Snowbird”.

Merriam-Webster says the first known use of “dark-eyed junco” was in 1974—when I was a child. “Junco” itself seems to have originated from a word meaning “rush”… as in rushes, synonymous with grass.

It just so happens that grass is a personal symbol for my father. I’ve often written of sensing his presence in the scent of fresh cut grass; this is steeped in childhood memories of him mowing the lawn. He was meticulous about it. Daddy enjoyed CB radio when it became a fad born of fuel shortages in the 1970s. I can’t recall his handle, but I recall the one I made up for myself, having never heard it before:

Snowbird.

It seems to have come to me around the same time the name “dark-eyed junco” was first used...

out on the lawn
a stirring of birds
so small
I can’t quite see
if they’re actually birds

maybe they’re
gray-cloaked fairies
performing secret rites

—Maybe they are memory itself.

Dark-eyed Junco. Kurayba. CC BY-SA 2.0.

*******

with thanks to Two Writing Teachers for the monthlong Slice of Life Story Challenge

Round yon December

a triolet for my grandmother

Come December, I’m remembering you
in the lights and silent night
—how years, like snow and feathers, flew—
Come December, I’m remembering you
at sight of ruby-red cardinals, too.
On the wings of the morning, all is bright…
come December, I’m remembering you
in the lights and silent night.

December is my grandmother’s month. She was born the day after Christmas, was married in the middle of the month at age 20, and died the day before Christmas Eve, at 90. She loved the season, children, cardinals, and the color red, symbolic of her name: Ruby. “Silent Night” was her favorite carol; whenever I hear it, she is near. Her home place and resting place are in the outskirts of a rural town named for the dawn… “on the wings of the morning” is borrowed from my favorite Psalm, 139, a hymn to the omnipotence, omniscience, and omnipresence of God.

The cardinal ornament in the photo was a gift from a friend yesterday. I hung it on the tree last night after choir practice with the kids at church. They’re singing “Silent Night” in the worship service on Sunday.

Grandma, you would love it all.

Sleep in heavenly peace.

The givers


Remembering people
across the years
with a mixture
of awe, gratitude,
and humility
for often those who
gave me the most
had the least
to give

materially,
at least

I don’t recall
every gift now
only the bright joy
on the faces
of the givers

there is
no calculating
the vast riches
in their hearts
or the price
of their generosity

only that it lives on
long after them

I still hold
their greatest gold:

sacrificial love

Widow’s Mite – Ancient Roman Bronze Coins. IronRodArt – Royce Bair (‘Star Shooter’). CC BY-NC-ND 2.0.

Cotton tales

Cotton in the fields
reminds me of Granddaddy,
his recollections…

farm community
in friendly competition
out picking all day

he would pick the most,
winning proud recognition
when his load was weighed

the landowners then
permitted his returning
after the harvest

to strip the remnants
for himself, gleaning enough
to buy shotgun shells

Cotton fields abound this season in eastern Virginia and North Carolina

Modern cotton bales, waiting to be ginned

Harvested cotton field, with remaining bits my grandfather would gather to afford his shotgun shells. He called this “scripping.” When listening to his stories, I could envision him in his youth, strong and determined, never complaining of the laboriousness. His words only radiated nostalgic warmth and pride that he was able. Eventually, he said, the boll weevil forced out cotton and tobacco replaced it as the community’s cash crop. In the Depression, Granddaddy was a sharecropper; my father was born in a tenant farmer house. Eventually my grandfather “couldn’t make a go of it” and would find work in the shipyard three hours away, staying in a boarding house all week and returning to his family on weekends…for ten years, until the oldest children graduated from high school and he moved the family. Farming remained his love, however, for the remainder of his days. After retiring, he and Grandma moved back home where he planted glorious vegetable gardens, one of my own most-loved memories.

Spiritual Journey: Revenants

with thanks to Chris Margocs for hosting October’s Spiritual Journey Thursday. Chris invites our group to write about those who have passed and left something behind in our hearts, in preparation for the upcoming holidays of All Hallows Eve, All Saints Day, and All Souls Day. She says: “As a person of Celtic heritage, the idea of the thinning of veil between here and the hereafter on these days intrigues me…”

—Me, too, Chris.

*******

The stirrings begin with the first breaths of cooler air.

As September gives way to October, while the trees and grass are still green, before any obvious turnings of yellow, orange, or fiery red, they appear.

I sense them most often at doorways. Portals.

There, on weatherworn sidewalks, a smattering of fragments from dead leaves surreptitiously dropped—I can never tell exactly from where—comes to life just as I approach. A soft rattling, a lifting, a sudden swirling… the upswept pieces begin dancing in a circle.

Fairies, I think.

And then I think, Children.

Small children delight in collecting such things, bits of leaves, tiny twigs, acorn caps, a butterfly’s bright-patterned wing, cicada shells. Nature’s cast-off scraps of life. In the hands of a child, they become treasures, magical objects, if only for a moment, in the mind of the child.

Watching the leaf-bits dancing in a circle, round and round and round again, I wonder if invisible children are at play. I almost want to linger long enough to hear them laughing…for there’s a stab of joy in it that I cannot explain, a piercing longing, a wild freedom…why should I perceive these things?

I wonder, then, about memories, so like the leaf fragments rising anew at the portals as I continue walking through the stations of my life, here to there, there to here…it is real, this revenant of my own childhood, the child that I was, holding onto the treasures that were given to me, reliving the precious bits that remain. As memories swirl round and round, I delight in them, in re-immersing for a moment in long-ago moments with people I loved, who loved me, who sheltered me, sustained me, prepared me…and who are gone but never far away. I see their faces before me, their eyes shining. I remember their stories. I hear their voices: I love you.

People die. Love does not.

Autumn comes with its fiery promises, its contrasts, its losses; trees will soon release their fragile organs in hopeful glory of surviving the winter. They shall sleep until spring, until the reawakening, life made new.

I walk on, remembering, wrapping gratitude round and round me like a hooded cloak, still sheltered, sustained, loved, awed by the beauty that deepens around me every passing year.

The stirrings begin with the first breath of cooler air.

Dancing revenants of what was, hinting at what is to be.

Perhaps they are whispering Allhallowtide.

Slices of life recycled

If the writer
observes the world
then the artist
recreates it
and the poet
preserves it all

Knowing yesterday was a milestone anniversary of my father’s death, a friend created this digital image as a gift. She took lines from one of my blog posts, Fresh-cut grass, written in his memory: Grass, though cut, always heals itself and grows again, and you are always present in that sweet scent. She used pictures in my posts to make the grass…here in these blades are slices of my first Christmas, the cross necklace my father gave me, a portion of his Air Force uniform, and a lamppost like the one that stood in the yard of my childhood home; my father used say that when he turned onto the street he could see the light of home shining straight ahead.

I’m in awe of the gift and its artistry.

A metaphor for life itself.

My father’s presence remains in the scent of fresh-cut grass. Here is Sunday’s poem, marking the twentieth year of his passing: September, When Grass Was Green.

*******

with thanks to E. Johnson for the digital masterpiece and to Two Writing Teachers for the original impetus to start a blog for capturing Slices of Life. I began by writing each Tuesday in April 2016, then every day each March, then for Spiritual Journeys on the first Thursday of each month, and on occasion for other writing communities like SOS— Sharing Our Stories: Magic in a Blog…and every day thus far in the year 2022.

If you are reading…thank you.

We are our stories. Let us write them and live them well. And bring healing to one another.

Twenty years

September, When Grass Was Green

Try to remember the kind of September
When life was slow and oh, so mellow
Try to remember the kind of September
When grass was green and grain was yellow…

(T. Jones/H. Schmidt, 1960)

I remember
our last conversation
in September
twenty years ago

you said you’d
been cutting the grass
and that maybe
you’d overdone it
going back and forth
with your mower
making a pretty pattern
—you thought your chest muscles
were sore from the turning

it worried me

—you were worried
about other things

but happy to be retiring
in two weeks

the thing about last things
is that you don’t know
they’re the last

I remember promising
to come celebrate your retirement
and how we spoke of you
having more time to spend with
your grandchildren

I remember getting the news
a week later
as soon as I walked in from shopping
with the retirement card I just bought
still in my hand

I remember that September day:
so glorious, cloudless
sky so blue it hurt
all the trees still green, sharp-edged,
clinging hard to the light

never again will September
be as bright

or kind

I remember coming home
for the last time

to speak at your funeral

to thank you,
my duty-minded, dedicated
father

twenty years
come this twenty-fifth day
of September

don’t you know
the grass is still oh so green
and Daddy, you are still
in the scent
of its cutting

Yesterday’s sunrise

with thanks to Susan Ahlbrand for the Do You Remember prompt with musical inspiration on Ethical ELA’s Open Write earlier this week. Susan remembered her own father’s passing with Earth, Wind & Fire’s “September”. I chose “Try To Remember” as a frame instead. The song predates me; I recall hearing it on my father’s radio when I was very small.

I still have the retirement card I bought for my father on the day that he died, with three workdays left to go. The card mentions that it’s a great time to be alive.

Twenty years, and that remains the great dichotomy of late September.