Nightwalk

The Boy and I traveled long
stopping by the cemetery
in the waning October sunshine
to visit his grandparents
(hello, Daddy)

eventually locating
our unfamiliar hostelry
near the colonial village

the hour was late
but we were not yet tired
so we walked
the timeless deserted paths
anyway
in the dim silver glow
of the waxing moon

if we hadn’t,
we’d have missed
hearing the song

what kind of bird? I wondered aloud
until the telltale skitter
overhead in a halo
of lamplight

bats
singing to one another
in the dark

loud
wild
plaintive
notes
sustained
urgent
echoing
echoing

searing the night

and my shivering heart

even so
the evensong
sent The Boy and I
heading back
locating a different path

if we hadn’t
we’d have missed
the diamond-sparkling
darkling stream
under brick archways

a beautiful sight
a beautiful night
despite the chill
spirits so still

when The Boy and I
traveled long


*******
with thanks to the Two Writing Teachers community
for the weekly Slice of Life sharing

and to the bats
for their moonlight melody

and to The Boy
a constant joy

The way of it

On the first required workday
before school begins
I drive the familiar backroads
once again

dew-drenched pastures
and old weatherboard barns
defy time
they are
their own world

then to my delight
a patch of tangled sunflowers
on the right
must have been growing here
all summer
I didn’t know
I think of Van Gogh
walking the rustic village
of Arles

up ahead, the pond
I scan it quickly
for the great blue heron
and there it is
at water’s edge
nearest the road
big and gray-blue
like a watercolor rendition
so perfect a pose

I feel light
like these are signs
that all will go well
with the work
lying before me

peace becomes strength
in my spirit
in my bones

on the second workday
I see it all again
even the heron

I can always face
the day ahead
whenever I see
the heron

I am so light
I could soar

then on the third day
without warning
orange signs on white gates
say the road is closed

I must detour

no passing the pond
no seeing heron
standing with elegiac grace
in the still water

although I know
it’s there

so on I fly
day after day
going out of my way
to get to where
I need to be

for now at least
I have the sunflowers

Vincent would say
it’s enough

keep painting the day
and the required work
beautiful
around the barriers
until they are gone

that is
the way of it

Coming home; the pond is just ahead but I can’t see it

Dog day rhythms

Rest is not idleness, and to lie sometimes on the grass under the trees on a summer’s day, listening to the murmur of the water, or watching the clouds float across the sky, is by no means a waste of time.

—John Lubbock

haiku story poem

dog days of summer
triple-digit heat index
white haze cloaks the air

one can drown in it
too hot for lying in grass
even in the shade

lethargic rhythms
settle on all living things
except for insects

unrepentant sun
shimmers on dragonfly wings
iridescent darts

buzzing cicadas
in feverish frenzy sing
of love high in trees

remaining unseen
falling silent before storms
darkening the skies

as lightning’s forked tongue
snakes from the heavens to earth
(thunder, they told me

when I was a child,
is just the angels bowling;
that’s their pins, crashing)

—the heat breaks at last
like evening revival
saving weary souls

murmuring water
seeps into my dreams
ephemeral streams

summer’s lullaby
syncopated rain-fingers
tapping windowpanes

no sleep is so deep
as that borne by rhythms of
dogs days descending

summer rain. annalisa ceolin. CC BY-NC-SA 2.0.

*******

with thanks to Ruth Ayres for the inspirational quote at SOS-Sharing Our Stories: Magic in a Blog

In the heart of the tree

with thanks to Margaret Simon for her photo, inspiring “This Photo Wants to Be a Poem” at Reflections on the Teche.

In the forest
stands a tree
bearing a heart
for all to see

how is it so
how can it be
this symbol of love
here on this tree?

When it was young
perhaps it was scarred
some long-ago night
black sky starred

when a bolt of lightning
struck young lovers
there pledging their troth
forsaking all others…

Some things, it seems,
are not meant to be
star-crossed lovers
found dead by the tree

their initials not carved
but their love still marked
by this bounced-lightning
scar in the bark

where life comes anew
with every rain, in turn
see, within the tree-heart
a resurrection fern

took root, where it dies
in the heart of the tree
yet like hope, like love,
returns alive, eternally.

Which is more compelling, the tree-heart or the resurrection fern within it?
Thanks again to Margaret for sharing her photo.

For the record, I like this explanation of the resurrection fern (Polypodium polypodioides) from the North Carolina Extension Gardener Plant Toolbox:

“The Resurrection Fern is an evergreen fern that is typically found growing on trees (especially leaning tree trunks and Live Oak trees), fallen logs, stumps, ledges, and rocks.  It will also grow on fence posts and buildings. Some of its host plants are live oak, elm, magnolia, and cypress.  it is considered an epiphytic plant, which is a plant that grows on another plant and dependent on that plant for support but not nutrition.  An Epiphytic plant gets moisture and nutrients from the air or from small pools of water that collect on the host plant.  It is also epipetric, meaning that it can also grow on rock.

It is a difficult plant to get established.  During dry periods it appears to die but regains normal appearance with rain.

Making it count (syllabic verse)

Today I have the pleasure of hosting the final day of the June Open Write at Ethical ELA. 

I shared syllabic verse:

My youngest son is a musician. When he was four or five he’d stand at a whiteboard easel making tally marks as he listened to cassettes of his favorite songs. When I asked what he was doing, he replied: “Counting the syllables.”

He meant beats. 

Like heartbeats, rhythms of life surround us. Let us listen and take note. Moments and words count…down to the last syllable. Last year I attended a workshop led by a poet who said: “Experiment with the rhythms of your voice. Find a syllable count that’s natural for you.” 

Process

Perhaps there’s a line of unwritten poetry playing in your mind, waiting for its moment. Now’s the time. Count the syllables. Maybe it’s five, eight, or iambic pentameter. Or simply begin by crafting a line that relates to something important to you (listen for it in the beatings of your heart) and count the syllables. 

Once you know the count, try writing the remainder of your lines with the same number of syllables. See where the beats take you.

Maybe play with more sound by incorporating internal rhyme, alliteration, and so on.

My poem, sparked by the words of a teacher during a memorable job interview, came out in lines of five syllables.

All in for the Kids

In the interview
the candidate said
we don’t get credit
for all we’ve endured
on behalf of kids
in these past two years

and apologized
for the sudden tears

surfacing from depths
immeasurable
a soul subjected
to intense pressure
somehow withstanding
high temperatures
beyond description

the weight of the world
in every teardrop
salt-worth far beyond
the rarest diamond

culminating crown
of love resounding
courage rebounding
in five wondrous words:
“I still want to teach”

*******

As the day progresses, I am savoring the poetry being posted over on Ethical ELA.

Every bit of it counts. In the end, I think that’s the poet’s job…showing just how much.

Every moment
every heartbeat
every today
all tomorrows
count forever

The brokenness of things: 5

part of a story-poem memoir, when I was nine

The nurse affixes
a sling
for my left arm
in its heavy
Z-shaped cast

she helps me
from the hospital bed
into the wheelchair

she wheels me
across the hall
to see the little boy
with the crushed foot
who’s five
who’s been screaming
almost
non-stop

there he is
very small
in his bed
with crib rails

his foot
big with bandages
is suspended in the air
on a tall sling

I see
the surprise
on his tear-streaked face
when he sees
me

This is the girl
from across the hall

says the nurse
She has a broken arm
look

but she’s okay
the doctors have fixed her arm
so it can get well

Hi
I say
because
I can’t think
of anything else

he stares at me
this little boy
with the crushed foot
who is five

but he’s stopped screaming

Hi
he says
at last

he doesn’t smile
exactly

I don’t know
if his foot
is going to be
okay

I just know
as look at him
and he looks at me
that somehow
he
will be

because
I am

Get Well Soontsbl2000.CC BY-NC-ND 2.0

The brokenness of things: 4

part of a story-poem memoir, when I was nine

The pediatric wing
of the hospital
is quiet
in the gray-blueness
of a June afternoon
easing into dusk

muffled sounds and voices
from the nurse’s station
down the hall

alone in my room
my newly-casted arm
is heavy
and awkward
bent in a Z-shape
so the bones
will knot back together
nicely

on the bedside table
two dozen handmade cards
crayon-decorated
by my fourth-grade classmates
brighten the sterile room
Hope you are feeling better SOON!
I’m sorry about your arm
We miss you

I am feeling
surprisingly loved
in these
long and lonely
moments
of nothingness

until a scream
shatters the
gray-blue stillness

a jolt
of electricity
shoots through
my heart

another child
nearby

the scream rises
and falls
into loud sobbing

it goes on
and on

when the nurse comes
to take my vitals
I ask
Who‘s that, screaming

she replies
while taking my pulse
Another patient
across the hall
he’s five

What’s the matter with him
Why is he screaming
like that

she looks at me
I can see
she’s thinking

His foot was crushed
by a lawnmower
He is frightened
and he has a rough road
ahead of him

would you like
to go see him

it might help him
to not be so
afraid

I’m imagining
a little foot
full of crushed bones
how can doctors
ever put all the pieces
back together

it frightens me

I don’t want
to see

but his screams
are terrible
to hear

Okay
I say
I will go

although my heart
is beating
no
no
no

Pediatrics exam roomStanford Medical History Center. CC BY-NC-S

The brokenness of things: 2

part of a story-poem memoir, when I was nine

I never heard
of an orthopedist
until my father
takes me
after the fall
on the playground

and why has he brought
my Baby Ann doll

her plastic fingers
and face
look more smudged
than ever
in the glaring fluorescent light
of the exam room
where I sit
too embarrassed
and in too much pain
to say
I am not eight anymore
I am too old
for dolls now

the orthopedist
looks grim
while surveying
X-rays
of my poor left arm
against the light

not broken
in the typical place

an injection
for what’s about to come

it does no good, really

the orthopedist
braces himself
against the table
grips my damaged arm
with both of his hands

and pulls
and pulls
and pulls

my feral scream
comes of its own accord

that’s when Daddy
cries out

STOP. STOP.

— the orthopedist stops
he wipes his forehead

Daddy is pale
so pale
his blue eyes
animal bright

(in later years
he will say
I couldn’t stand
that man

but I knew
in the moment
he could not stand
my pain)

he stands there
clutching Baby Ann

who smiles at me
in her plastic way

she cannot help me now
but maybe
she’ll get Daddy through

doll hand. David Lee King. CC BY-NC-SA 2.0

The brokenness of things: 1

When I was nine
on the playground
at school
I tried to jump from
the cemented tire
of an overturned
volleyball net pole
to grasp
the tallest of the
uneven bars

I missed

landing hard
in the packed sand

an audible snap

white-hot pain

my classmates gasping

look at your arm
look at your arm

a curious indention
there in the middle

the teacher’s face
turning the color
of Silly Putty

cradling my arm
in both of her hands
ushering me to the office
getting me a chair

calling my father

the school nurse
affixing a splint
and sling

cold waves of nausea
I’m going to throw up

a trashcan dragged over
it’s ok, you’re in shock
just use this

um, no

and how mad
is Daddy going to be?

He enters the office
with that furrowed brow
speaking first to my teacher
and then to the nurse

and then to me,
gently

Hi, Honey…

and that’s when
I cry

(to be continued)

Sling. Nikita Kashner. CC BY-NC-ND 2.0.