Life is what you bake it

“‎All the art of living lies in a fine mingling of letting go and holding on.”

-Henry Havelock Ellis

Today I share my golden shovel poem inspired by the Ellis quote, posted this week on Two Writing Teachers‘ Slice of Life Story Challenge along with these questions: What are the moments you’re holding onto? What are you letting go of today?

Here’s to the art of living, to holding on while letting go, to savoring moments spent with children, making every one count.

I hold to all
moments spent with children in the
holy art
of seeing the world with fresh eyes, of
spontaneous embracing, of living
each day in newness. I hold to freedom that lies
in forgiving, that paradoxical self-rising power in
letting go. I hold to a
continuous, necessary cobbling of fine
crystal moments, their pure sanguinity mingling
with, dulcifying, the blood-tart of
a sliced heart. Letting
go of despair, of my shortcomings, letting go
of yesterday, yet believing in tomorrow, letting go and
savoring today in a bluesy canton of confidence, holding
onto the children, always the children, just holding on.

My granddaughter loves to bake. I love symbolism. Here’s our flag cobbler. “Canton” in the poem is the term for the flag’s blue square. Strawberries, heart-shaped, represent love; blueberries, youthfulness and confidence in the future. Bake it well.

The future is calling. I’m listening.

*******

Thanks also to Margaret Simon for hosting Poetry Friday. Visit her blog, Reflections on the Teche, for more poems and magnificent quotes in response to “What is poetry?”

Remnants

Some time ago, I came upon a giant Ziploc bag filled with disposable cameras and rolls of film I’d gathered and promptly forgot about.

I really need to take these to be developed, I told myself.

And I set them aside.

And life kept happening.

And time went by.

Until I wasn’t even sure anymore how old the film was and who’d taken pictures of what.

Last summer I finally found a shop that still does same-day printing on site (do you know how hard that is to find now?). I took my film—thirteen rolls.

When I returned for the pictures, I learned that some of the film had nothing on it. The rolls hadn’t been used or they’d been exposed and the images were lost.

Many of the pictures that did come out were weirdly double-exposed. Scenes of my children when they were little, superimposed over each other, over other people.

Ghostly. Tricks of light, of time.

In the shadows, my grandmother sits with her arm around my younger son. He was three.

Eighteen years ago.

Suddenly my father’s grinning right at me from the childhood room of my older son, who’s twelve and seated beside him on the foot of the bed, playing Nintendo 64.

Daddy’s been gone for sixteen years. Died the month after my youngest started kindergarten. But this photograph turned out clear and bright; Daddy looks happy.

Fragments of life, preserved here and there, telling our stories a piece at a time.

Kind of like Grandma’s quilt.

I left the photos and went to pull it from where it’s safely stored.

Grandma made a quilt for each of her five grandchildren. In mine many of the squares are leftover scraps of material from clothes that my mother and grandmothers wore. The brown-and-white swirled pattern was once a vest and slacks, the silky coral-and-pink floral fabric, a blouse—all made by my mother. These remnants were painstakingly stitched together by my grandmother. Random parts forming a pattern, making a whole.

This old film, this quilt. Tangible memories. Remainders, reminders, of long ago. Pieces of my life, of who I am.

Kind of like DNA.

One of the things I learned with ancestry testing is that everyone can trace their maternal haploid group, because everyone has an X chromosome from their mother. When I read the narrative of my female forebears’ migration thousands of years ago, surviving the Ice Age (for, clearly, some of them did), and who knows what else . . . it was nearly overwhelming. To think of each one going before, through the ages, on and on, all the way to my being here. That even now we are trace-able patterns of each other, a virtual, long-reaching quilt, connected, continually replicating and unfolding through time.

Not being male, however, means that I have no Y chromosome haploid history to trace. This knowledge left me bereft at first. I have no brothers, my father is gone, and with him his Y-history, which forms half of my own, the migratory story of which I cannot know. Like my old film, it is obscured forever.

Yet I carry remnants of them all within me, those ancestors, male and female. I am their remnant, a whole stitched from their infinite parts, the conveyor of their continuum, the next chapter of their narrative.

And so are my children, superimposed over us all.

Like layers of memory upon memory.

As life keeps happening.

As time goes on, and on, and on.

Good vibrations

Two of our three baby finches hatched 

I was expecting to find a hatched baby finch on Sunday.

Instead, I found two!

—I think.

I can really only tell it’s two because one egg of three is still there. Although I can kind of discern two different necks, one baby lying over the other.

I knew the eggs were due to hatch around Sunday, and all last week I wondered what the mother bird was experiencing. To begin with, she built—rebuilt, actually—her nest on top of the wreath on my front door, which means that any time we walk down the hallway or open any other doors in the house, she feels those vibrations. Is that a good thing, somehow? Is that a reason why finches like to build so close to humans, to feel those larger rhythms of life, perhaps trusting them to be benevolent and protective forces?

And I wondered—being a mom—if she could feel stirrings inside the eggs beneath her as she diligently kept them warm on these still-frosty nights and mornings. Eggshells are only so thick . . . Can she feel those tiny hearts beating under her, long before her chicks begin pecking their way out into the world?

So many good vibrations . . . .

Reminds me of the story behind the famous song. When he was young, Brian Wilson’s mother told him that dogs will bark at people who give off “bad vibrations.”

Inspired, Brian eventually composed the Beach Boys iconic masterpiece Good Vibrations.

Which leads me back to the naming of these three babies (in a previous post: Tiny trio).  Finches are singers, and my son is a Beach Boys aficionado, so . . . .

Ladies and Gentlemen, please welcome Brian and Dennis (the latter of which was apparently revved up and decided to hatch early—how fitting).

Their brother Carl is due to arrive tomorrow.

—Stay tuned!

“I’m pickin’ up good vibrations . . . “

What delighted you today?

Narnia

Narnia. Mark IrvineCC BY

The sky became bluer and bluer and now there were white clouds hurrying across it from time to time. In the wide glades there were primroses. A light breeze sprang up which scattered drops of moisture from the swaying branches and carried cool, delicious scents against the face of the travellers. The trees began to come fully alive. The larches and birches were covered with green, the laburnums with gold. Soon the beech trees had put forth their delicate, transparent leaves. As the travellers walked under them the light became green. A bee buzzed across their path. 

“This is no thaw,” said the Dwarf, suddenly stopping. This is spring . . .”

—”Aslan is Nearer,” The Lion, the Witch and the Wardrobe, C.S. Lewis

What delighted you today?

That it’s the first day of spring delights me.

The beautiful description of spring coming after a hundred years of winter (but never Christmas) in The Lion, the Witch and the Wardrobe delights me.

That I remember first reading that passage at age ten delights me.

The painting of a child in a green forest clearing, reaching out to pet a deer that may be merely a statue, or might be real, or will become real at the touch of her hand, delights me.

—I’ve decided to notice things that delight me, every day.

As way of stopping to breathe in the daily grind, of pushing back the domineering world, of finding a moment of stillness, even seconds of stillness, to savor something I see, hear, taste, touch, smell—or simply sense within my soul.

Such as:

the three finch eggs in the nest on my front door

birdsong early in the morning

my youngest son asking when I’ll be home so we can go walking

my husband’s laughter

Henry the dog’s ecstasy at any sighting of me

finally writing something down after its wings have beating in my head or heart for ever so long

What delighted you today?

All around us are affirmations, if we open ourselves to receive them. The wondrous exists in close proximity, is even ours for the taking, if we remain aware. As grand as a bald eagle at the roadside, as pure as the light in a child’s eyes, as simple as a stranger passing by with a genuine smile and a “Hello! How are you today?”

What delighted you today?

Might even pay to keep a journal of delight, to read and re-read when most needed, to create a pocket of peace amid the clamor, to strike a spark in the dark.

Every day has its gifts, small and great, that await.

What delighted you today?

—And what delight will you be?

A different Nativity story

They loved decorating for Christmas, my in-laws.

My mother-in-law had bows and garland running all through the house. Candles in each windowsill and against the panes, wreaths hanging from long ribbon.

My father-in-law took care of the outside. He made a lot of what he displayed—a wooden Santa and sleigh, snowmen. Every year he added a bit more.

In the backyard, which is what people saw first as they entered the neighborhood, stood the Nativity scene. Large, colorful, lighted figures. My father-in-law made a wooden stable to shelter Joseph, Mary, and the Baby. He covered the roof with straw and rigged a star to stand over it.

One year, when my children were small, vandals climbed the backyard fence on Christmas Eve. They knocked the Nativity figures down, coated them with black spray paint, and stole the Baby Jesus. He was nowhere to be found when my distraught in-laws discovered the desecration on Christmas morning.

My father-in-law painstakingly removed all of the spray paint—I can see him in my mind, bending to his task, working gently to avoid doing further damage, until the figures were clean.

My mother-in-law, however, was afraid to display the scene again:

“Whoever did this came over the fence, awfully close to the house. I don’t want to invite them back.”

She asked her son, my pastor husband, if he wanted the Nativity. After all, he and I lived in the country, in a parsonage right beside our church. Seemed a fitting home for a Nativity scene—albeit one without a Baby Jesus.

So we took it.

And put it up in the parsonage yard the next Christmas.

Our youngest son, a preschooler, was fascinated by the scene. He’d put on his coat and go out into the yard to stare at it for as long as we’d let him.

One day, he asked: “Why doesn’t Baby Jesus light up?”

We’d supplied a little wooden manger and a doll in swaddling cloths (i.e., a tightly-wrapped blanket). We simply told our boy that someone had taken the Jesus that lit up; we didn’t know who had done it or why, so we had to use this one.

He accepted that. Furthermore, his fascination rested on Joseph anyway. For a year or two, he referred to the entire Nativity scene as “The Joseph.”

He loved it so much that once people at church heard about it, they began giving him all kinds of small Nativity scenes. He put every one of them up in his room. I told my husband: “It’s beginning to look like a Palestinian South of the Border in there.”

Our boy became interested in the Wise Men next. He identified them by their clothing: the Blue Wise Man, the Green Wise Man, and the Pink Wise Man. He learned that they carried gold, frankincense, and myrrh. Of those, myrrh captured his imagination most. I think it was the sound of it.

A few times I caught him out in the yard with a blanket around him, kneeling at the manger.

When I asked what he was doing, he replied, solemnly, “I’m the fourth Wise Man.”

I crept away to a respectable distance, marveling at his devotion.

Wondering.

Many Christmases have come and gone. My in-laws are no longer here. “Ma-Ma” died at the end of November last year.

But my son, age twenty-one and a music minister now, still sets out that very same Nativity on the day after Thanksgiving. When the wind gusts enough to blow the figures down, he’s soon outside, standing them back up. The wooden stable fell apart long ago, but “Pa-Pa’s” star remains.

Oh, and we now have a Baby Jesus that lights up.

See, when our makeshift, non-lighted manger and doll got too weathered to use after a few seasons, our elementary-age son improvised with a stuffed dog that our real dogs had played with. It was dirty and torn. He placed right on the ground in front of Joseph and Mary.

I shuddered, thinking, Is it disrespectful to have such a thing depicting Jesus?

Then I realized . . . isn’t it actually more symbolic? To have a Jesus that’s torn, battered, and stained?

I used this as an analogy in a Sunday School lesson.

That Christmas Eve, church members who had a Nativity scene just like ours came in the night to leave their Baby Jesus in the back of my husband’s truck. On it was a note to our little son, wishing him a Merry Christmas.

And that is what Christmas is all about, is it not.

Redemption.

Pa-Pa removing the paint. The people sacrificially replacing what was taken long ago.

Restoring what seems to be hopelessly beyond repair.

My son pauses by the window. The old Nativity is still standing there in our yard, lighting up this dark Christmas Eve night, as I write. My son goes up the stairs to his room, where he’ll work on his music for a while longer.

And I hear the strains of song, faintly:

With the dawn of redeeming grace . . . .

Charmed

 

The door to my home is now charmed.

By a family of finches.

I’ve been researching house finches since a pair of them persevered in rebuilding a nest on the wreath adorning my front door, where the mother laid four tiny blue eggs (see last week’s post, Sanctuary). I discovered in my reading that the word for a group of finches is a charm.

A word of delight, enchantment, magic . . . very much what I feel as I step into my bird sanctuary to check on the babies. The last egg hatched early this morning. The mother removed the eggshells after each hatching so now there’s just four pink things with tufts of gray-white feathers huddling close to one another, so tiny that they’d all fit easily in the palm of my hand with room to spare.

I think: They’re so fragile. Yet so hardy. 

A paradox describing life itself.

With every glimpse of the hatchlings I am filled with the glory of being alive. That they are alive, changing every single moment. That I am alive to see them. My door is their sanctuary; they are my miracle. That this is the ordinary course of things does not make it any less so; we will never have a sense of the miraculous if we cease to look for it.

I wonder what the babies will think of me, this formidable being who briefly appears and disappears by the rim of their dwelling. I do not want them to be afraid. I can offer my bird family nothing but the safety and shelter of my porch roof, but, truth is, the mother and father chose the place and it had nothing to do with me. The mother flies to a nearby pine when she sees me coming, so I limit my visits to once a day for a few seconds. I get my fix of awe and get out of the way.

Honoring the life that came into my sphere.

There are so many directions I might take this post, as a mother, as a teacher, as a literacy coach, as a writer. I will let it rest on the level of human being: Honor the lives that come your way. How you do so is the shape and artistry of your own life. It is what we’re meant to do, every bit as much as the mother finch was meant to design her beautiful, dandelion-laced nest for the lives it now holds.

I am grateful for my tiny charm of finches, profoundly grateful for life itself.

Charmed, indeed, in so many ways.

Incidentally, charm comes from the Latin carmen, meaning “song” and “verse.” The babies are silent right now but in a few days they’ll be peeping, eventually singing. Finches are songbirds. All in all, I cannot think of a better word to collectively describe these little creatures.

Although I intentionally didn’t mention before that the other word for a group of finches is a trembling.

Again so perfect.

Not for describing the finches, however. For describing me as I stand in the quiet of my porch sanctuary viewing the new pink life, holding my breath, a wordless song swelling in my heart, trembling at the minuteness and magnitude of it all.

img_0024

As the last egg was hatching

 

 

The angel’s pedicure

img_4489

My son, the Cadillac man, and I stand looking at the angel statue.

Specifically at her pink toenail polish.

“Really?” he says in disgust. “Painted toenails?”

I giggle. “I know! How many depictions of angels have you seen with painted toenails?”

He shakes his head. “I’ve never seen an angel with feet.”

I start to laugh, but . . . the way he says that . . .

He turns, walks off in his unassuming, old-soul way. I watch him go, wondering.

I said depictions.

He said he’d never seen an angel with feet.

Not that he’d never seen an angel.

Angel hair

Angel hair

Vintage 1960s Bradford Carillon Spire Tree Topper on eBay

We are decorating the tree.

It’s not a real tree. My mother opens the big cardboard box, pulls out the pole, sets it up. Then she takes the branch sections out. Spots of paint on the twisted metal branch ends match the spots of paint on the pole. There’s an orange row, a blue row, a red row, a yellow row, and then the top section, all in one piece.

The tree is together, whole. 

The string of lights has big colored bulbs. Red, green, yellow, blue. Most of the ornaments are Styrofoam balls covered in silky, hairlike strands. Red, white, blue, gold. They shimmer in the light. I am allowed to hang some of these on the tree.

The most beautiful thing of all is the tree topper.

It is not a star. It is a tall, pointed, gold thing. Three sparkling silver bells hang over a rounded part where gold bars make a swirly cage over a soft, bright, pinkish-coral ball of something.

“Can I hold it?” I ask. 

My mother places the topper in my hands. I can see the room, I can see us, reflected in miniature on the golden surface. The silver bells are frosty with glitter. I am entranced by the pinkish stuff. “What is this?” I ask, pointing.

Angel hair,” says Mama. “Don’t touch it—it will cut you.” 

She takes the strange, beautiful thing from my hands, then, standing on a chair, works it down over the tree top where it sits like a crown. 

I am thinking many thoughts. How can angel hair cut me? My own hair is so soft. It could never cut anything. Are angels so strong, so powerful, that their hair is somehow sharp? Why do angels have hair this color, like the sky at sunset? In every picture I’ve ever seen, their hair is blonde or white. Maybe even silver. I cannot picture hair this color on an angel, or what kind of face such an angel would have. I shiver. Angels are gentle and good, right? Don’t they protect children? A song is on the radio, something about falling on your knees, hearing angel voices . . . I am not scared, exactly. I am still. I am full of wondering. How did the angel lose the hair that is in our tree topper?

Then I think of another song.

Rock-a-bye baby

In the tree top

When the wind blows

The cradle will rock

When the bough breaks

The cradle will fall

And down will come baby

Cradle and all.

—Why would a cradle be in a tree top? Who would put a baby in a place that was so dangerous? Why wasn’t the baby protected?

So many whys. So many things to wonder about. 

My mother shows me how to toss little handfuls of icicles, long silver strings, on the edges of the branches so they’ll catch and hang there until the entire tree shines with make-believe ice and magic.

All the while, I keep looking up at the angel hair. 

Wondering.

* * * * * * *

If I could speak to my little self, if my voice from my vantage point now could reach across the vista of decades, I would say: There will be many angels in your life, with skin of many colors, real  hair of many colors, not spun glass, They will not cut you or harm you. They are the people who bring healing when others bring harm. They will bring comfort and joy that outweigh pain and loss. They will pull the scattered pieces together when things fall apart, so you will feel whole. Things will not always look  as expected; people who should protect make perilous choices, but there will always be better angels who step in when needed most. Always. 

Be strong. Believe. Be the better angel, whenever, wherever you can.

Merry Christmas, child that I was.

And Christmas grace to you, my reader in the here and now, to the child you were and to all of your angels.

Remember. Let the wonder live anew.

The inner reaches


It’s the stuff of dreams, a trip around the world. From the frenetic cities and marketplaces throbbing with conversations in myriad languages to snow-capped mountains where there need be no words at all. From mysterious man-made structures and their lost meanings to the astonishing buildings of recent eras – mankind has always been a prolific builder of things. From ice palaces to tropical islands,  from the platypus to the father emperor penguin incubating the egg he fertilized – the wonders are endless.

How, then, is there more to see in a walk on the beach?

The wonders are truly no less. The ocean speaks not with words but with overtones of infinity, encompassing all of time. All that was, all that will be.  Continuity. It has always been here. The sun rises and sets as it has always done, painting the sky and waves with its fire. On a clear night at the beach, the moon and stars are silver sentinels of  vast outer reaches beyond the human grasp. Order; everything in its place. Reliability. The seafarers of old navigated by the stars.

Salt air, salt water – the beach is a place of healing. Body, heart, mind and spirit.

It is hard to stay worried at the beach – I have tried. Whatever is knotted in the heart or tangled in mind is slowly unraveled here. Peace, often so elusive, abounds with the splashing of waves on the shore; the breeze caresses, comforts, clears away. Restores.

The outer reaches of the world, the little pieces of the universe that we can see, impact us from the outside in. Wonder, awe, inspiration, curiosity.

The beach invites us to work from the inside out. To think. To contemplate ourselves, our place, our paths. Our existence. To know the inner reaches of our own minds, our own hearts.

The inner reaches are as vast as the outer.

Maybe more so.

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Mythical morn

Iceland beach

Sea stacks (Reynisdrangar) and black sand beach,  Vík í Mýrdal, Iceland

The breaking of the wave cannot explain the whole sea. – Vladimir Nabokov

My older son toured Iceland this week, capturing his own abiding images of the exotic landscape.

We struggled to find adequate words for encapsulating the stunning scenery.

Desolate. Windswept. Wistful. These drifted in and out of my thoughts when viewing the photos, although they were a shade off, a tad too dark, didn’t have the exact right feel, weren’t sufficient. Uncaptured words, like elusive, shadowy birds, circled round my mind, never quite touching down.

It’s like being on another planet, my son texted.

Ethereal, I texted back, almost happy with that word, as it’s one I love and it almost fit.

It’s mythical. 

My son nailed it.

He was, after all, the one there taking it all in.

Land of legend and lore, glaciers and volcanoes, sharp contrasts and starkness, sparse, picturesque villages, moody skies and morning mists, Iceland is mythical. Not in the sense of Avalon and Atlantis, for one can actually stand at the volcano’s edge or scoop up handfuls of the black sand at the beach, really tiny pebbles of basalt. The whipping wind, the rocky coast, the crashing waves – the Vikings would recognize these still.

It looks like something out of Tolkien or the Chronicles of Narnia, said my son.

Experiencing Iceland vicariously, I did what I always do when I wonder about things – I looked them up (until this moment, I hadn’t thought that looking things up might count as a hobby; I am saying it’s mine, the next time I’m asked). There in the Internet’s vast sea of words, the facts have as magnetic a pull as the legends.

On the southern tip of Iceland, where my son stood on the black sand looking out at the craggy basalt sea stacks, the ocean is unimpeded all the way to Antarctica – there is no land mass in between. Hence the Atlantic rollers – long, powerful waves – can attack this shore with ferocity. I envision the sea drawing itself back as far as it wants, like a pitcher winding up for a fastball. Treacherous, even deadly (local legend features sea trolls and shipwrecks), there’s yet something lyrical, spiritual, about the wild freedom of the ocean at this point on the globe.

The Earth is mostly water; we are mostly water. 71% of Earth is covered by water; there’s 73% water in the human brain and heart. The ocean’s inspirational pull on us may be that simple – like recognizing like. We see the beauty and the power of the sea and something stirs deep within us – humans have waxed poetic about the ocean from time immemorial.

The thing that draws me most about this particular spot, the fascinating black beach at the village of Vik on the southernmost tip of Iceland, is knowing the ocean is unhindered here, from the shore at the uppermost part of the world to the lowest. The vast freedom, the power. The creative force. It draws me as a writer, as a teacher, as a human. That we are capable of great destruction is an understatement – but that’s not where I am going. From our entry into the world to our exit, there’s not a time we aren’t hindered by obstacles, both physical or metaphysical, taking their tolls on our bodies, minds, hearts, spirits. It’s astonishing how we are inspired to carry on, unfathomable how the smallest of things can be the source of willing ourselves onward – we flow over, around, through what would hold us back, finding peace despite what looms, ever how great, in our paths. As with the ocean, humankind has waxed pretty eloquently, deeply, about trouble, trials and pain. It’s a shared experience; none of us is unmarked. The difference is how we make our way, individually.

To be truly unleashed and still live seems an impossibility, so I ponder the power of unhindered inspiration – the indomitable force that would be. What heights, what depths, what creativity. Ultimate constructive power, unlimited possibility.

If such energy were harnessable . . . well, that’s the stuff superheroes and sagas are made of.

I tap into it as much as I am able, and let it flow on – one grateful conduit of ideas, images, and meaning, in my little part of the boundless, surging sea.

Iceland waterfall

Skógafoss, a waterfall in southern Iceland at the former coastline.

Note: Prior to writing this post, I had been toying with a piece about an enchanting encounter on a beach much closer to home. The titles of these posts are deliberate plays on one another, attempts at capturing the essence of place: Mystical morning.