Unfare

a slice of memoir

I am standing with Aggie Ray at the bus stop. I don’t know why we are here or where we are going. Aggie Ray, big as a mountain with black hair parted in the middle and a face like a storm cloud, has brought me here. We had to walk a ways and I’m tired but one thing I know: don’t whine to Aggie Ray. She’s my babysitter and, somehow, my relative, but I am not sure how. She is keeping me while my parents paint the house they just bought, near the school where I will go to kindergarten in September.

I do not know when is September. I know it is summer now. The sidewalk is hot and Aggie Ray’s face is red like a rose, and sweaty. Still. Storm cloud. Warning.

I am not the only kid she keeps. There are others but they’re all bigger and they run around and sometimes knock me over. I try not to cry any more because Aggie Ray just calls me a crybaby. She shames me in front of the others for not being able to tie my shoes. And for other things…

Daddy says she sometimes eats a stick of Blue Bonnet margarine for snack and I have tried to watch to see if that’s true but I haven’t seen it yet. I don’t want to get in more trouble.

But today it’s just Aggie Ray and me when the bus pulls up with its loud WHOOSH and nasty exhaust. I gag and cover my nose; I am funny about smells but I remember Aggie Ray and pull my hand down.

It’s a good thing, too, because just then she grabs hold of my hand, bends low, and looks at me with them dark eyes that feel like knives although they aren’t even touching me. She growls: “When we get on this bus, you tell them you’re four years old.”

She’s made a mistake. I had a birthday not too long ago.

“I’m not four. I’m five now,” I tell her, but she squeezes my hand, hard.

“I don’t care. You tell them you’re four, hear me?” she hisses, as the bus door folds open.

I can’t help it.

I start to cry.

She hauls me up the steps and drops her fare in the box, as the bus driver says:”Well, now, what’s the matter with you, little girl?”

Oh, I can feel the steam coming from Aggie Ray’s big body and the power of her big, hard hand.

I am just so proud to be five. I don’t want to say I’m four.

It’s a lie.

And so I blurt it out to the friendly-faced driver…

“I AM FIVE.”

Gimpo bus fare box. Wikipedia Commons. CC BY SA 3.0

Suffice it to say I survived.

I realize now that Aggie Ray didn’t want to pay my fare; riding was free for four and under. And I wasn’t much past four.

I still don’t recall where we were going, or why, only that I was being told to lie. Usually kids have to be taught to tell the truth. I really was so proud to be five. To have to say I was four seemed more shameful than not being able to tie my shoes, or the other things…

I have no remembrance of a consequence. It is best. Aggie Ray is long gone now. She did have redeeming qualities, as well as a difficult life. Last time I saw her, she was ill and frail, but she came to hug me with a big smile.

Perhaps it’s unfair that this is my clearest childhood memory of her.

But it was unfair to me, and I knew it even then.

Perhaps I should say “unfare.”

Be that as it may… fare-thee-well, Aggie Ray, in your final destination.

I didn’t use your real name.

I didn’t think it was fair.

*******

with thanks to Two Writing Teachers for the monthlong Slice of Life Story Challenge

I remember these

I just so happened to see it there in the store window next to the Chinese fast-food restaurant where my colleague and I were picking up lunch:

A big, round, tan-and-brown can of Charles Chips.

“Look at that! I haven’t seen those in years!” I shouted, to my colleague’s amusement.

These tins were delivered by truck to our house when I was a kid, if I recall correctly. Like Dy-Dee Diaper service…only not taking something horrifically pungent away (I remember that, too, up until I was about four; I had a sister two years younger).

Instantly I was thrown back to the 1970s, beginning with this scene:

The sewing room that is supposed to be a dining room. Mama’s Singer sewing machine, threads, pins, patterns galore. The ironing board. Daddy’s shoeshine box and bench in the corner. The distinct scent of Kiwi shoe polish in hanging in this space…the Charles Chip can, long missing its lid, heaped to the brim with socks that had lost their mates. Mama calls it the sock box. How are there so many? The washer (that lasted over twenty-five years) ate them, maybe? Mama tries to keep socks matched by sewing a knot of thread in the toe tips, a different color for each pair… me, age seven, on the day of my baptism, walking down the baptistry steps into the surprisingly warm water, looking down at my white-socked feet, seeing the coordinating navy-blue knots…

All this, triggered by mere sight of a Charles Chip can after so many years.

I was there.

The Statler Brothers had a nostalgic song about things they remembered from their youth, entitled “Do You Remember These?”

Here’s what the Charles Chips started dredging up for me…see if any of you remember these, from the late 1960s to early ’70s:

The Archies cartoon (and the song “Sugar Sugar”)
Penelope Pitstop cartoon
Josie and the Pussycats cartoon
Rocky and Bullwinkle
The Flintstones
The Jetsons
H. R. Pufnstuf show
The Banana Splits show
The Munsters
The Addams Family (our family friends had a black lab named Thing)
The Wonderful World of Disney, Sunday nights
Wild Kingdom
Family Affair and Mrs. Beasley dolls
Easy-Bake ovens
The Wizard of Oz on TV once a year
Paper dolls, such as “Mod Maude”
Squirmles, the Magical Pet (a furry worm that “moved”)
Silly Putty for placing & peeling on the Sunday comics – so fun
The Pink Panther Show
The Partridge Family (how is it I can still sing every song?)
Donny and Marie
The Monkees
sea monkeys
bellbottoms
pet rocks
mood rings
tetherball
jacks
macrame
decoupage
Tupperware parties
Beeline parties
Avon ladies calling
Choco’Lite candy bars
Count Chocula cereal (back in stores now at Halloween!)
upper elementary girls wearing wigs to school
shag haircuts
The Brady Bunch
Gilligan’s Island
Viewmasters and reels
Spirograph art
Romper Stompers
Hippity Hop (ball with handle, for sitting on and bouncing wherever you wanted to go)
Super Elastic Bubble Plastic
rabbits’ feet (I am so, so sorry now, dear Rabbits)
Popeye
Looney Tunes
Star Trek
Lassie

and last but not least
Sonny and Cher

…these are just the first ripples in my memory. There’s a story surrounding each. There are more memories just below the surface, waiting to be stirred… so many, many more.

Funny, crazy, wondrous, strange, sweet slices of life. So long ago.

Seems fitting to end with this song (imagine me singing it with gusto around age five).

*******

with thanks to Two Writing Teachers for the monthlong Slice of Life Writing challenge

Warm memory

Not sure what triggers it… but for a moment I am a child in my grandparent’s house, in the tiny kitchen with tongue-and-groove walls painted soft yellow, empty dinner dishes on the table, Granddaddy in his plaid shirt pouring coffee in his saucer to cool it, Grandma in her apron serving flaky biscuits from the oven, Granddaddy grasping the thick glass bottle with the dark blue label reading King Po-T-Rik, adorned with a lion’s head, the dark, dark molasses drizzling into pool on my plate, his handing me a buttered biscuit, me sopping molasses with it… it is heaven, it is home, home, home, it is a hundred, a thousand years ago, and right now, in my remembering…the old ways, they stay, forever, forever, forever.

King Po-T-Rik molasses was manufactured from the early 1900s to 2015.
No other molasses compares to it.
As an adult, I once went to a country buffet that had molasses and biscuits.
I poured the brown richness on my plate and sopped it with a biscuit,
just like Granddaddy and I used to do,
One of the old men, watching me, said:
‘That’s old-school…”
and I was proud.

I’d go back and sop with you in a minute, Granddaddy.
There’s much to be said
for the old ways.

Blithe memory

My grandmother loved music
all of her life.
She wanted me to love it, too.
And so she took me to
Murphy’s Mart
(if memory is correct)
to buy a child’s chord organ.
I looked at the pretty blue instrument
and chose a doll instead.
Grandma couldn’t understand.
But you love playing my organ…
don’t you want one of your own?
At the time I didn’t have words to say
I love music but it isn’t my destiny.

The doll, called Blythe,
had eyes that changed color
when I pulled a string:
blue
green
pink
orange.
I picked her instead
of the music.

Grandma, dismayed,
bought her anyway.
It was only the beginning
of my fascination
with seeing the world
through lenses
of many colors.

Maybe it was then
that a writer
instead of a musician
was born.

Neo Blythe ‘Bohemian Peace. MissBlythe. CC BY-NC-ND 2.0.

I have learned, in researching my Blythe doll, that Kenner only made them for a year (1972) in the U.S. A Japanese company bought them out. An original Blythe doll is now worth a couple of thousand dollars. I don’t know what became of mine, unfortunately. My grandmother’s own glossy-wood Roxy chord organ from the 60’s, however, stands in my foyer. In the end, it’s infinitely more priceless to me.

See another good example of Blythe at https://www.facebook.com/watch/?v=897056547546831.




Of angels and stairways

with thanks to Carolina Lopez for the Open Write prompt on Ethical ELA today

I’ve Been Writing This Since

I’ve been writing this since
I looked into the wide vent-grates
of the upper room floor
of my grandparents’ apartment, 
sure that I saw angels
in the depths

in the same way 
that I saw stairsteps to Heaven
in the light fixtures
of the doctor’s office ceiling
when I was a sick child.

Yeah, well.

I am still here
believing
when those I loved
are long gone
yet cheering me on
from the other side of portals
I cannot see

perhaps they are looking
through vent-grates
and light-fixture stairways
at me.

Lighting & grate. Photos by Portland_MikeCC BY-ND 2.0.

Starting a semi-sestina poem

with thanks to Wendy Everard for the Open Write invitation today on Ethical ELA. A traditional sestina has six stanzas and a three-line envoi; the initial six ending words rotate through remaining stanzas in a prescribed order. Today’s process begins with brainstorming six words. For a semi-sestina, one can alter stanzas and lines, exercising creative freedom…

Here are my six words and opening stanza at present. It will take some time to see where they lead…

fabric
scissors
fall
damage
pieces

pattern

Childhood Memory

She spreads the pattern across the fabric
placing the pins. Wielding her sharpest scissors,
she cuts along the grain. The scraps fall
to the floor, haphazard collateral damage.
She will not save the pieces
or remember their wholeness, before her pattern.

Cobbler cutting fabric with scissors. Ivan Radic. CC BY 2.0.

Hummingbird observations

It all started last month when I saw one hummingbird in the backyard, out by the pines.

She appeared from nowhere, hovering stock-still in the air across the yard, directly facing my son and me as if to consider what manner of beings we are before she darted away—poof. Perhaps it’s just my overactive imagination, but I felt like some sort of message was in this magical appearing. Something the bird wanted…

I bought a feeder.

In a day or so, I had a bird. Or two.

Then there seemed to be three. All females.

Eventually a male showed up with his gorgeous fiery throat. From a distance he looked like a flying ember. He preferred coming early in the morning or around suppertime. It’s almost like His Tiny Royal Highness was letting his Royal Nectar-Tasters go before him to be sure the stuff wasn’t tainted. I cannot say, however, that he was any match for the females in regard to which was most vicious in the dive-bomber approach of driving all others away from the sugar water.

Hummingbirds are contentious creatures. Terribly territorial.

I’ve learned there’s a scientific reason for this: Their metabolism requires them to feed almost constantly. Hummingbird hearts have been recorded, I read, at 1200 beats per minute.

I bought another feeder.

As of mid-August, there’s a squadron of hummers at my feeders, so much so that the original feeder hanging on the kitchen window has to be refilled daily; I had to buy more sugar. I know that ruby-throats (the only kind of hummingbird that breeds in the eastern U.S.) are supposed to start migrating to central Mexico. The males go first, in early August, which explains their current scarcity, I think. Females wait a while longer. I’ve also read that some hummingbirds stay in residence all year. We shall see… I have learned to recognize some individual females by their different markings: one with black speckles all down her pale breast and belly, one with a pure ivory belly and a brighter, iridescent green back, one with a darker head, one with a lighter head and pale stripe on top, and one with a precious, tiny dot of red at her throat, like a lady bedecked in a ruby pendant. When I opened the blinds one morning last week, there was Little Ruby, hovering in the gray dawn; we were so startled by each other that we both froze for a split second in mutual awe (wonder on my part, likely fear on hers) before she zipped away.

At this point I must mention my grandmother. Hummingbirds and cardinals were her favorite birds, perfect symbolism for a woman named Ruby. I saw my first hummingbird by the spirea bushes in her yard one summer. The loud buzz of the beating wings alarmed me—was this a big bug coming after me?—but Grandma Ruby’s childlike delight quickly allayed my fear. And then there was nothing but enchantment for this tiny, dazzling fairy of a creature, glittering like an emerald, my own birthstone, in the sun.

Perhaps that is why I took my six-year-old granddaughter out with refilled feeders yesterday:

The hummingbirds hide in the crape myrtle and cheep at me whenever I take their feeders down.

They do? Why, Franna?

They just want their nectar. They are saying ‘What are you doing with my food!

I haven’t ever heard them cheeping.

Today you will.

And so, for just a moment, I held the favored window feeder out at arm’s length as my granddaughter stood by, very still. Two hummers appeared instantaneously, cheeping competitively before hovering, suspended in the air, eyeing me, uncertain, their whirring wings as loud as electric propeller fans. Each took a tentative drink before whizzing off to the pines out back.

I hung the feeder and my granddaughter said, Quick, let’s go in before all those wings come back!

I chuckled, remembering my first experience with the intimidating sound when I was about her age. We darted for the door. As we entered the house, she said: I heard them cheeping!

And then, before I could reply: Franna, look!

She pointed to the window, where a hummer was perched on the very top of the feeder.

Well, that is something new, I said. I haven’t seen any of them sitting up there before.

My husband, sitting at the kitchen table preparing a sermon, said: That bird was perched on the feeder hanger the whole time you were fixing the sugar water.

I am sure she was one of the two who dared to take a drink when I was holding the feeder.

For the rest of the day, this little bird perched, fed, flew off in skirmishes with other tiny feathered Amazons, and returned. Whenever I looked at the window, she was there, looking in, occasionally fluffing her feathers. I am not sure if she’s nominated herself Queen of This Feeder or if she’s simply curious—hummingbirds are known to be extremely so—and is watching me as I play with my granddaughters and cook supper.

I suppose the ultimate question is who’s observing whom.

And what we are learning about each other in the process.

Didn’t realize, until I reviewed the day’s photos, that I happened to catch her with her tongue extruded. Every minute with hummingbirds filled with absolute wonder. I have christened her Lilibet, the nickname of Queen Elizabeth (since she seems to be reigning over the feeder) and also in honor of my great-aunt Elizabeth, Grandma Ruby’s sister. I wrote about Aunt Elizabeth’s hummingbirds a couple of weeks ago: Solitary existence.

Next goals: 1) Get a good photo of Little Ruby and 2) Invest in hummingbird feeder rings for my granddaughter and me to wear…can we stand still enough for them to come drink from our hands? Will they actually do it?

*******

with thanks to Two Writing Teachers for the weekly Slice of Life Story Challenge

Remembering Olivia

Early 1970s:

My aunt bought a tape recorder
such a modern thing
she had my little sister and I
sing into the thing:

Let me be there in your morning 
Let me be there in your night 
Let me change whatever’s wrong

and make it right (make it right)
Let me take you through that wonderland 
That only two can share 
All I ask you-ou-ou
ou
is let me be there ..

We giggled
and felt so grown-up
singing the soul-felt words
of such
a beautiful
person

we knew
and believed
every word….

If you love me, let me know
if you don’t, then let me go
I can’t take another minute
of a day without you in it
If you love me, let it be
if you don’t, then set me free
Take the chains away
that keep me loving you….

We loved you,
Olivia,
from our very beginning.

Solitary existence: the hummingbirds

Hummingbirds lead a solitary existence.

I saw one hummingbird out back last week, darting about the pines. It turned in my direction, tiny pale-bellied fairy-creature suspended in midair, as if to acknowledge my presence across the yard before zipping away. I wondered if it was making some kind of request. The next day I bought a feeder and hung it outside my kitchen window; within moments, a tiny female landed to sip my homemade nectar.

The next day another female arrived. I watched the two of them competing for turns at the feeder. All day they chase each other away, each still managing to land and feed for the few seconds it takes to sate a creature so tiny. One tentative male finally showed up today, his ruby throat resplendent in the sunlight. I haven’t managed to get a photo of him yet. I hope he’ll return, despite these territorial females.

There’s a lot I didn’t know about hummingbirds. They’re curious. They watch me through the window as I’m watching them. I read that they’re highly intelligent; they learn to recognize the person who feeds them and may even remind this person if their sugar water is running low. They are not social, not flock birds. When they migrate to Mexico in the fall, they go it alone. Why does this pull so terribly on my heartstrings? I cannot shake the image in my mind of this tiniest of birds flying so far by itself.

They do not think of themselves as fragile. They are not lonesome.

It’s what they do. They lead a solitary existence.

With that, the hummingbird memory stirs.

Summer, long ago. Riding in Grandma’s rocket-red Ford Galaxie 500 along the dusty dirt road to her sister’s house. The Galaxie doesn’t have power steering or air-conditioning so the windows are down and Grandma has a Kleenex stuffed into her cleavage to catch the trickling sweat. Fortunately Aunt Elizabeth only lives about a mile away, in a little bungalow house with square tapered columns, off to itself by cornfields and groves of hardwoods. There’s a path in the grass of her yard where her old maroon car (I think it was maroon, either a Ford or a Chevy, I can’t recall exactly) is parked by the weathered outbuilding. Grandma and I park behind it and walk in the shade of the trees to Aunt Elizabeth’s back porch.

Everything is old. The porch floorboards, the screen door that squawks on opening and closing, the tiny, cramped kitchen, the worn linoleum revealing a slightly swayed floor, the living room with braided rugs…it’s a dark house, faintly musty. The smell of Time hangs in the air, unmoved even by the square electric floor fan humming on high speed. Aunt Elizabeth is pleased to see me. She opens her arms to give me a hug and kiss. Her pale cheek, faintly mottled with reddish freckles, is cool. She’s two years older than my grandmother. She asks how my Daddy is, says she sure does miss him, oh, she used to enjoy having him over to eat…

Aunt Elizabeth doesn’t have children. Not any that lived. When I first asked about it, Grandma told me of her sister’s two premature, stillborn babies. Tiny things, said Grandma; she was there when it happened. She held them, grieved for them. Aunt Elizabeth was married to Granddaddy’s youngest brother, who died before I was born. He suffered from some kind of condition doctors could never figure out. Without any warning, he’d lose consciousness and collapse. It happened numerous times until the day he had a spell and couldn’t be revived.

So my great-aunt, in her sixties, lives here alone, way out in the country where, in the 1970s, people still don’t have telephones; they drive to each others’ houses to visit and catch up on news. It is good that a few of her eight siblings live close by, that grown nieces and nephews make a point to come by to see her when they can. Aunt Elizabeth gardens, cans her vegetables and preserves in glass jars for storing on her kitchen shelves, drives to town, tends to herself, is completely independent, yet it seems a solitary existence to me. As she chats with Grandma I wonder if she’s lonesome, if she still misses her husband, gone for so long, and if she’s sad about having no children or grandchildren of her own. She hands some bubblegum out to me and I know she got it because she knew I was coming.

When our visit is over, we all walk out on the porch — that’s what you do, in the country. You walk out and wave until your visitor drives out of sight. Unwritten etiquette. Everyone does it. Same for throwing your hand up to any other car you pass on the road.

But Grandma and I don’t leave yet, because of the hummingbirds.

They’re everywhere.

Aunt Elizabeth has strung up several red and yellow plastic feeders around her porch. At every one is a horde of the tiny birds, dipping in and out. The air vibrates from the rapid fanning of their wings; I feel the circulation, a coolness against the heavy summer humidity.

I am awed. I have never seen anything so magical before. I can’t even count how many hummingbirds.

The sisters, in their delight, laugh like young children.

—It comes back to me, watching the few contentious hummingbirds outside my window almost half a century later. I didn’t know how rare a thing it was, then, the communal gathering of hummingbirds. I remember my great-aunt, not with pity. I hear the musical sound of her laughter and the humming of all those tiny wings there on her porch….knowing that in the long enduring of life’s losses and trials come moments of pure enchantment and abundant richness.

I shall need more feeders.

*******

with thanks to Two Writing Teachers for the weekly Slice of Life story-writing invitation

Mimosa memory

with thanks to Margaret Simon for her photo, inspiring “This Photo Wants to Be a Poem” at Reflections on the Teche.

The mimosa tree was a frequent, ethereal sight in the southern summers of my childhood.


In backlit childhood memory
grows an enchanting peach-fuzz tree
waving its handlike fronds at me
fairies beckoning merrily