for we are wired
to feel productive
to have purpose
in what we do
in who we are
to be lit
for we are wired
to feel productive
to have purpose
in what we do
in who we are
to be lit
As a participant in the annual Slice of Life Story Challenge with Two Writing Teachers, I will be posting each day for the month of March.
What better way to start than by expressing my love for writing? Or, to be exact, by expressing my love TO writing for the profound impact it’s had on my life.
Inspired in part by Kobe Bryant’s retirement love letter, “Dear Basketball.”
It occurs to me that I’ve never told you how much you mean to me.
It is time, for you mean more now than ever before.
I remember when you first materialized. I was, what, about six years old? I wonder now whether I discovered you or you discovered me, sitting there at the coffee table in the living room, wide-ruled paper in front of me and a fat pencil in my hand. All I know is that it began with story. A pull, a beckoning, a desire to get what was swirling inside me onto pages. By some great alchemy, my blocky letters, erratic spelling, rudimentary sentences ceased to be merely themselves; combined, they became something distinctly Other.
And there you were. Almost a living, breathing presence.
I didn’t know then that you’d come to stay. That as I grew, you would grow with me. That you would, in fact, grow me, always pulling me to more. To think more, explore more, discover more, strive more, play more. To be more.
Do you remember the diary Grandma gave me for Christmas when I was ten or eleven? Trimmed in pink, little girl on the front, with a brass lock and tiny key. Do you remember this entry: “I wrote a story that I hope will be published”? Whatever happened to that diary—? To that story? They’re lost in time. No matter. I can see that page in my mind to this day; is it you that keeps this memory alive?
People began to notice our relationship early on, didn’t they. Teachers who said it was a good thing, who gave tips on how we could be stronger. Friends and family who told me to stick with you: Please keep writing. I owe them all for how they shaped you and me.
Where would I have been without you in my teenage years? In the early days of my marriage? Those were the poetry years, the journal years, when you let me glimpse the beautiful inside the uncertain, when you compelled me to pour out my heart. You were bigger than my anguish, my anger, my fear. You channeled it all, absorbed it all. Ever how circuitous the path, how violent the storm, how steep the mountain, how dark the night, how deep the pain, you were there, leading me to safety, to calm. Even now, I reach for you and you are there. Like the ocean, you bring forth unexpected treasures. And healing. When my emotions and energy are spent, washed clean away, you reveal over and over one thing that always remains: Hope.
For there’s always more to the story, to the ones that I create, to the ones that I live. I think that’s one of the most important lessons you’ve taught me: This chapter of life is ending, but a new one is about to begin. Embrace it. It’s one of your most extraordinary powers. As amazing as your ability to mine my memory. With you I am any age I ever was. I sit on my grandfather’s lap once more; he walks with me, holds my hand. I hear his voice. I am in Grandma’s kitchen while steam fogs the windows, in her arms as she rocks me and sings: Jesus loves me, this I know . . . I see my father’s blue eyes, hear my mother’s laughter and the whir of her sewing machine late into the night. With you my children are still little, my husband is young, black-haired, healthy, whole, and out on the court shooting hoops. And every dog I ever loved comes bounding back to me in absolute joy, all my shortcomings forgiven.
With you, I relive it all. The parts I am proud of and the parts I’m not; the moments I cherish and the ones I survived. With you, they all become a celebration of living, of learning.
I learned long ago that I can harness your power to attack but you showed me that it doesn’t bring me peace; you taught me, instead, to defend. Not as a warrior with drawn sword but as a careful guardian of my own mind and heart. Not by destroying, but by edifying. You enable me to walk in another’s shoes and see through another’s eyes, to understand that fighting doesn’t move the hearts of others, but story does.
There’s something of the divine about you as well. Marvel of marvels, how a spark in the human brain becomes a thought and a thought becomes substance because of you. Like something from nothing. Ex nihilo. It’s how God created, speaking the world into existence. With words. Without limits. Anything is possible. Believe. To me there’s a sacredness behind the human spirit’s desperate craving to create, to express, to be heard . . .
Which brings me back to being six years old, at the table, pencil in my hand.
And you will outlive me. You are my record, what I leave behind.
Let it be the best of me.
Know that you’re an inextricable part of who I am, one of my life’s greatest gifts. Meant to be given. And so I give you away.
I am grateful beyond words.
I love you.
A poem written at age sixteen
A little copper box. On its lid, two seahorses free-floating in a bed of tiny, shimmering beads.
When I saw it in the island’s gift shop showcase, it spoke to me:
I was made for you.
But what ARE you? I wondered. A curiously small trinket box?
Then I saw the inconspicuous card in the shadowy showcase corner—as if it had just materialized.
That is when I knew.
“Ahem—can I please see this little box?” I called to the shopkeeper. Once the enchanting object left the glass case it would never go back.
The shopkeeper, an older lady with shoulder-length sandy hair, a friendly face, and a bohemian air, chattered happily as she withdrew the box and placed it in my open palm. One of a kind. Handmade by an artist. A reliquary.
A work of art, I thought, tilting the box in my hand. The beads in the lid shifted like grains of sand; the seahorses drifted over their pearly sea. Meant to hold relics. Something special. Something holy.
I had no idea exactly what.
I only knew it was mine as soon as I saw it.
Or that maybe I belonged to it.
First of all, the seahorses. A symbol I love, one I’ve adopted as my writerly motif. Hippocampus. There are two in the reliquary lid; there are two in the human brain. They help new memories form. They are tied to learning and emotion.
A glimmering of blue against rolling quicksilver . . . I begin to see, to understand, a little.
Whatever stirs in my brain, in my heart, finds its way onto a page. My notebooks are reliquaries. My blog is a reliquary. They hold my learning—they often reveal my learning to me—as I write. They hold my emotions, my memories, bits and pieces of my existence. My relics. Words.
On a metaphorical level, that is what the box represents. My writer-soul, poured out, made visible, received in a keeping-place.
On a physical level, the box is quite real, tangible, and empty, waiting to hold something worthy. It will come. I will know it when it does. For now my reliquary sits on my dresser. Whenever I pass by, the hippocampi in my brain flutter at the sight of the hippocampi on the lid. For in the vast currents of living, of thought, grains gather one by one to form something solid. Somewhere in the waiting lies an invitation, expectancy, a sudden discovering. A work of art, ever and always developing—because, in truth, we are all reliquaries.
It is the place
where ideas are born
some as ghosts
some fully formed
It is the place
where voices echo, echo
real or imagined
they ebb and they flow
It is a place of seeing
yet layered in veils
lift them one by one
as mystery entails
It is a place of sensing
both self and Other
alive within, without
—feel the shiver, the shudder
It was striving to be
long before we had words
for we are knitted of story
given voice, to be heard
So nurture it well
let it breathe, let it grow
keep the magic alive, for
you’re meant to write it,
Here in the heart of North Carolina, epic snow and bitter temperatures haven’t been an issue.
We’ve had a different plague.
For nine dark days in a row, it’s rained.
Rain rain rain rain rain rain rain rain rain
Small rivers flowing over roads and through parking lots. Yards turned to absolute bogs. Maybe we can raise a bumper crop of Venus flytraps.
The farmers say it’s good for the cows, that continuously pulling their feet up high from so much mud as they walk builds their muscles (is this true? The rain is beefing up the beef?).
Not so for humans. The utter gloom left us in a zombie-like stupor.
Gray day after gray day after gray day . . . .what did the sun even look like? Feel like?
Wait—I remember reading something like this. I first encountered it long, long ago. A story of bad enchantment. . .
“When you try to think out clearly what this sun must be, you cannot tell me. You can only tell me it is like the lamp. Your sun is a dream; and there is nothing in that dream that was not copied from the lamp. The lamp is the real thing; the sun is but a tale, a children’s story” . . . Slowly and gravely, the Witch repeated, “There is no sun.” And they all said nothing. She repeated in a softer, deeper voice: “There is no sun.” After a pause, and after a struggle in their minds, all four of them said together: “You are right. There is no sun.” It was such a relief to give in and say it.
—C.S. Lewis, The Silver Chair
How easy to forget there ever was a sun, succumbing to the mind-numbing sound of rain, rain rain, just as Prince Rilian, Eustace, Jill, and Puddleglum fell under the spell cast by the strum, strum, strum of the Witch on her stringed instrument.
Until yesterday, that is, when I heard a sound other than falling water.
Just outside my bedroom window, birds were singing. Merrily.
Despite the pouring rain, on a morning with no sun, they sang with pure zest.
How it lifted my spirits. Surely the sun could not be far from returning. Surely the birds knew it, were proclaiming it ahead of time: This this this too will pass pass pass. This this too will pass pass pass, wait and see, wait and see . . .
Then, today, bit by bit, the grayness lifted. Yellow shafts of light suddenly spilled through the blinds; I ran right outside to revel in the brightness. Now, as the afternoon wanes, shimmering golden fingers are playing across my keyboard, my hands, the table, the walls. I think of a happy child, dancing, full of joie de vivre, joy of living.
Today just so happens to be Sunday.
And now I have a bit of song for you, little harbinger birds:
Little darling, it feels like years since it’s been here
Here comes the sun
Here comes the sun, and I say
It’s all right.
Every renaissance comes to the world with a cry, the cry of the human spirit to be free.
Today I am thinking of the twelve Thai boys trapped in the flooded cave with their soccer coach for over two weeks. They’re almost all rescued now; the world holds its collective breath for the news that the final boy is free, as well as the coach, to be saved last.
They wrote letters, the boys. To their parents, telling them not to worry, that they love them.
Parents wrote letters to the boys . . . telling them not to worry, that they love them.
The letters are now a celebration of life. Of freedom. Of overcoming those long, unimaginable days in the depths of the cave, at the mercy of an unpredictable sea, of hunger, of separation, of darkness.
Words of hope . . . for, as Alexander Pope wrote long ago: Hope springs eternal in the human breast.
Words of survival. I think of Anne Sullivan’s words on “the cry of the human spirit to be free” and how, as a teacher, despite the magnitude of the task, that it was uncharted territory, she reached into the depths of Helen Keller’s dark, silent, anguished world to give her a voice, to set her free.
Helen’s own words: “Although the world is full of suffering, it is also full of the overcoming of it.”
A freelance writer recently told me: “I teach writing to prisoners in North Carolina. It’s a powerful thing to see, someone with no voice suddenly having a voice. Despite all the restrictions, if you can write, you are free.”
The cry of the human spirit.
That is, above all, why we write.
For ourselves, for one another, for freedom, for hope.
“So,” I ask the student, “what are some of your favorite memories from all your time in elementary school?”
She’s working on her fifth grade graduation speech. Making this farewell address to the school is part of her official role as Student Council President. She’s struggling with framing her thoughts, which is why I’m here.
She looks off in the distance, past the walls of the room where we’re sitting, scrolling back over the chapters of her young life. I wonder what she’s remembering. Maybe a time she accomplished something she thought she couldn’t? Winning a class competition? A book that a teacher read aloud? A moment in a lesson when she learned something powerful that will remain with her for the rest of her life? I hope that’s it because I want to know it. And tap into it.
Finally she smiles. “There was this one time my first grade teacher just started tossing candy around the room.”
I blink. “Um, okay . . . why did she do that?”
The student shrugs, still smiling. “I don’t know. I don’t think there was a reason. I just remember she had a lot of candy and she started tossing it around for us and the other classes.”
Six years of elementary school and this is her favorite memory.
Having nothing to do with learning, achieving, growing, or rationale . . . but everything to do with spontaneous joy.
“All right then,” I say as I jot notes. “You can put this in your speech. Maybe call it the time you remember it ‘raining candy’ and explain what your teacher did.”
“That’s good,” she nods.
“Can you think of any other special or meaningful moments from all your time here?”
I wait as she scrunches her face a bit, thinking hard. Then another big grin:
“Yeah, the time the fourth grade teachers got together and sang to our classes.”
They sang? I never knew they did this. I’m curious. “Why did the teachers sing to you?”
“Just for fun, I think.”
Her eyes are so bright.
We finish fleshing out the draft of her speech. She is pleased. As she heads back to her classroom, I walk the hallways, replaying the conversation, mulling the moments that hold significance for such an accomplished student.
Just simple, unscripted, uninhibited moments when teachers were having fun.
How few and far between are they?
But how priceless to students, in the long educational scheme of things.
I walk on, carrying both the lightness and the weight of it.
I’m seated at the old computer table, listening to second-graders read. Poetry conferences, we’re having. Revisions and final edits before their teacher sends everything off to publish a class book of poems.
“Is it my turn? It is it my turn?” he keeps asking me, from his seat in the middle of the room.
Actually, he’s not on my list of students that his teacher asked me to meet with. So I say, “Not yet. Not yet.”
He manages, somehow, to sneak between his classmates. I look up from notes I’m making to find his impish face beaming up at me. His tiny body wriggles in the chair beside me.
“My turn!” he insists.
I call across the room to his teacher, who’s also conferring with students: “May I PLEASE work with our friend here?”
“Yes, sure!” she answers. “I’m about to meet with him, but if you want to . . .”
If I want to?
How can I say no?
“Okay, YOUR TURN! Read your poem to me,” I tell my exuberant conferee.
Grinning, he shoves his paper over to me.
There’s nothing on it. Not even his name.
“What, you haven’t written anything yet?”
He shakes his head. He’s still smiling. “No! But my English is bigger!”
At the beginning of the year, I assessed his reading. Just as I was about to console him on his having missed all of the words, he patted my arm and said, “You have big English. Me”— he patted his chest— “little English.”
His perception of everything around him is astonishing. Whether he has all the words for it or not.
I’ve noticed, in the hallways, that he doesn’t greet me as Haley! anymore. Now it’s Hi, Mrs. Haley. That when I say How are you? he says, I’m good.
“Yes,” I say, “your English is a LOT bigger. That’s for sure. Now, this poem. What do you want to write about?”
He shrugs. “I don’t know.”
“Well, what do you like?”
His face lights up. The response is immediate: “BASEBALL!”
“Okay, so, what do you want to say about baseball?”
I take the paper and pencil.
“I like baseball,” he says.
“Perfect.” I write down the words. “That’s your first line. What else?”
“I like hitting the ball with the bat.” He acts this out. He’s a boy full of endless energy.
“Great. That’s your second line.” I write it down. “What else can you say about playing baseball?”
He thinks, gets excited, garbles his words. Something about running . . .
“Wait, slow down. Did you say running?”
He nods, bouncing in the chair. “I run like SUPERMAN!”
Superman . . .
The first time I saw him, over a year ago, when he came to the United States, to our school, he had no English at all. Unused to a school setting, he frequently had outbursts because he couldn’t communicate his wants, his needs, his questions, his feelings, anything.
He was a frustrated, forlorn soul.
Wearing a Superman shirt.
My first words to him were, “Hey, you’re Superman.”
I pointed to the S on his little shirt.
He didn’t understand, but he smiled.
Now, he understands.
Within five minutes, the poem is written. I point to every word, reading to him, then he points to every word, reading back to me. I watch him bounce away to his desk to copy the poem over in his own handwriting.
I write, too:
So you run like Superman when you play baseball.
Maybe you really mean that you fly
because you do
because you ARE Superman.
We shall stand marveling in your wake
it’s a bird, it’s a plane
For an earlier encounter with my little friend, read Big English.
For the record, poetry is an excellent way to help English language learners—really, any student—write more. Poems can be brief with less emphasis on conventions. Energy can go freely into capturing images, ideas, emotions, and building vocabulary.
She stands on the precipice between childhood and womanhood, facing the camera directly, her hooded eyes steady and confident. She does not know it yet, but she will be like the mountains framing her background, where she and her seven siblings loved to run, calling to each other across the distance, teasing, playing jokes, laughing with wild abandon at their own mischievous humor. As intense pressure, heat, and time formed the ancient Appalachian coalfields, so the course of her life would forge an internal fuel, the deep, burning drive to keep going under the weight of crushing adversity.
It’s the early 1940s. World War II is in full swing; her three brothers have enlisted in the Navy. The family has survived the Great Depression in the place it struck the hardest, where the economy has always been precarious. When she arrived with the January snows of 1926, her coal miner father hadn’t had steady work in a year due to frequent safety shutdowns; the West Virginia Office of Miner’s Health Safety and Training references nearly 700 fatalities for 1925.
She’s just a teenager with a head full of dreams for the future.
Maybe she could teach English literature and composition—What fun that would be! Maybe I’ll even visit England one day.
Innately musical, singing harmony with her sisters in church, she also harbors aspirations for the stage. She knows she has true dramatic and comic talent, which, along with her natural beauty, lands her roles in high school plays. Her blue eyes sparkle: Well, I AM a good actress. Very good. Eventually, of course, I’ll get married and have children. I do want children . . . Sometimes she can almost see their little faces, these someday-children. I hope one’s a boy with brown eyes.
So she looks at the camera and smiles, the mountain beneath her feet, her childhood behind her and her whole future lying ahead.
But I, being poor, have only my dreams; I have spread my dreams under your feet; Tread softly because you tread on my dreams.
-William Butler Yeats
The reality is that just a few years after this photo was made, she married a man who would be killed in a mining accident, leaving her with a toddler and a baby at twenty-three.
Several years afterward, she married a widower, an Army man with two older children. Eventually they had a boy and a girl together.
Her boy with brown eyes.
When her husband completed tours of duty in Korea and Vietnam, she cared for the six children by herself.
When the brown-eyed boy was four, he developed acute bronchitis, necessitating an emergency tracheotomy. His temperature spiked to 107 after surgery. The nurses packed the child in ice. The hospital doctors told her that her little son might not make it. She sent for his father, away at Army summer camp; a police escort was dispatched to meet him at the airport. As the boy drifted in and out of consciousness, she sat by his oxygen tent, praying, weeping.
The boy survived.
She wrote him a letter on the inside back cover of a book of Bible stories.
4:00 a.m. In hospital.
Dearest . . .
When you are well and safe at home again, I’ll read you this little note I’ve written to you during the hours I sat by your bed and watched you sleep so soundly . . . Mommy and Daddy have been so scared . . . We love you so much, our little son . . . Little angels have been all around your bed since you have been sick and Jesus sent them to watch over you and keep you . . . soon all the suffering and fright you have had will pass from your little mind but Mommy will always remember and thank God for giving you back to me.
She could never speak of the ordeal without tears.
Staggering losses were yet to come.
When the brown-eyed boy was twelve and his sister nine, and all the others grown and on their own, her Army man died suddenly, instantly, with a heart attack.
Widowed twice—each time with a boy and girl at home to care for.
Love bears all things, believes all things, hopes all things, endures all things.
-I Corinthians 13:7
When her sobbing son asked, “Who’s going to take care of us now?” she wrapped him in her arms.
“God will. And I will.”
And she did.
Survival ran in her veins like coal beds through the Appalachians. She dug deep within herself, tapping into the hardy DNA passed down by her ancestors, into the wellspring of her faith, into the fierce love for her children, and carried on. When her son was consumed with fear of something happening to her, she said:
“I have prayed and prayed that nothing will happen to me until you’re grown. And I am convinced that God will allow it.”
For the next ten years, she poured herself into her children and her home.
Still she laughed. Still she sang. She called her brothers and sisters, who still teased each other with jokes old and new. She gardened. She arranged flowers. She organized a women’s political group, taught Sunday School, went to her son’s basketball games all through high school.
She managed, and managed well.
When her son said he found the girl he wanted to marry, she gave him her blessing and the diamond engagement ring that his father, the Army man, had given her.
The brown-eyed boy—now the man—gave the ring to me on my twentieth birthday, long, long ago.
For the boy who lived (apologies, J.K. Rowling) is my husband; the woman in the photograph is my mother-in-law.
When I came to know her, I first admired her elegant, impeccably-kept house, which she was forever redecorating. And the food, the food, oh, the food! Her table always looked like something from Southern Living, down to the coordinating linen napkins and rings. Her iced tea was always blissfully sweet and there must always, always be lemon slices with it. I came to appreciate her ever-present wit, her spunky humor, her fashionable attire. Being well-put together was a priority to her. I browsed her bookcases on every visit, knowing she’d have a new bestseller for me to devour. I was instantly at home in her home.
When she was sixty years old, a third man proposed to her. She hesitated. “I’ve buried two husbands. I don’t want to bury a third.”
But he was a good man; she took a chance on him. For the next three decades, they celebrated the coming of grandchildren and the first great-grandchildren.
Three years ago, she was widowed for the third time.
There were no children at home to care for now.
She was, for the first time in her nine decades, alone.
With housekeeping being too much for her, it was time to go to the home of one of the children or to assisted living.
And her genes, or her Appalachian roots, or the rising dementia—or all three—kicked into overdrive.
She would not go.
The house had become her whole identity. It was where she’d provided for the last of her children. It symbolized her strength, her ability to survive. This was her mountain; she would not be moved. She dug in her heels. Deep.
Until the stroke.
After surgery, when her family was allowed to see her in intensive care, she greeted us with a smile. “I can’t believe I’ve had a stroke! Can you believe it?” she said, as if she were sitting in the den at home, making everyday conversation, even as the nurses watched her monitors. Blue eyes sparkling as bright as ever, she reached out her warm hand to grasp mine. “Hey, you’ve got a birthday coming up. We’ll have to celebrate.”
I held her hand, marveling.
She rebounded for a short while, working hard at her rehab, thinking she could go back home. She couldn’t. She went into a nursing home instead, for, as the weeks wore on, her strength waned.
So did her mind.
The one thing that waxed bright and hot was her fighting spirit. She grew more determined to go home, even as she grew weaker, less hungry, more and more tired.
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
She raged. She burned within like a coal seam fire, until her energy was spent at last.
Lying in her nursing home bed, she stood on the mountains again, seeing her brothers and sisters in the distance. She called their names over and over—only the ones who’d already died. She carried on conversations with them.
“I can’t go on up,” she told these siblings that the rest of us couldn’t see. “Not just yet.”
She knew us, called us by name when we last gathered with her, at Thanksgiving. Within the hour, she couldn’t recall who we were, or why we were there.
Still she sang.
There is coming a day, when no heartaches shall come
No more clouds in the sky
No more tears to dim the eye
All is peace forevermore
On that happy golden shore
What a day, glorious day, that will be . . . .
“My throat hurts,” she said. “I can’t sing any more.”
“It’s okay,” said her children. “You don’t have to.”
They moistened her lips and mouth with water.
And still she sang.
If we never meet again this side of heaven
I will meet you on that beautiful shore.
And then she sang no more.
She rested a while, then, with her eyes closed, turned her face toward her brown-eyed son, my husband.
“Where do you live?” she asked.
“North Carolina,” he replied, smiling through his tears.
“Oh, my son lives there,” she said.
“Yes. I am your son.”
She opened her eyes the tiniest slit. “Well. You’re all grown up.”
It was the last thing she said to him.
I have prayed and prayed that nothing will happen to me until you’re grown. And I am convinced that God will allow it.
A few days later, my husband, his younger sister, and my son, the youngest grandchild, sat by her bedside all morning, watching her labored breaths. Finally they told her, “We’re going to go eat lunch, Mom, but we’ll be right back.”
The minute they finished eating, the nurses called. “The time is near.”
They came. They took her hands.
She took two labored breaths, and was gone.
She’d waited for them to have their lunch. To the very last, making sure her children had what they needed.
She never taught school.
She was never an actress of renown.
She never made it to England.
She lived one of the most extraordinary lives I’ve ever known.
The diamond on my finger shines as bright as it ever did; I can only hope that a portion of her strength, her courage, her wisdom has passed on to me along with it.
I look at her teenage photo, contemplating all that she will endure.
All that she did endure, and need endure no more.
That time of year thou mayst in me beholdWhen yellow leaves, or none, or few, do hangUpon those boughs which shake against the cold,Bare ruin’d choirs, where late the sweet birds sang.In me thou see’st the twilight of such dayAs after sunset fadeth in the west,Which by and by black night doth take away,Death’s second self, that seals up all in rest.In me thou see’st the glowing of such fireThat on the ashes of his youth doth lie,As the death-bed whereon it must expire,Consum’d with that which it was nourish’d by.This thou perceiv’st, which makes thy love more strong,To love that well which thou must leave ere long.-Shakespeare, Sonnet 73
She loved as deep, as far, as long as she possibly could, with every ounce of her being. That is what I will remember most, her fierce, fierce love. It burns on, and on, and on, bright and warm, forevermore.
Words are our most inexhaustible source of magic. – J.K. Rowling
He finishes his reading assessment and peers over at my screen where all the words are marked red.
I had to tell him every one of them.
He’s only been in this country for a year.
He is tiny, but his dark eyes are bright, intense. They catch and perceive everything. I can tell.
He considers all the red on the screen, then turns those knowing eyes on me.
Before I can say, “It’s okay, don’t worry, you’ll learn,” he reaches over to pat my arm.
“You,” he says. “You have big English.”
He pats his own chest. “Me, little English. I have big Spanish.”
I point to myself, to finish his thought: “Me, I have poco Spanish.”
He grins at me, and I smile back.
We understand each other in a way beyond words. We are okay, in perfect company, because of this wordless knowing between us. No assessment invented by man can capture the height, the depth, the strength of the human spirit. There is no real reason why trust should suddenly be born in such a moment, but it clearly has been.
“I tell you what,” I say to my tiny new friend, for that is what he is now, “I will help you with English and you can help me with Spanish.”
His grin broadens. His eyes shine.
I hold up my hand: “Deal?”
He laughs, slaps my hand with his own. “Deal.”
And he vacates the chair beside me, going off for the rest of his school day in a sea of Big English. Like a salmon, he has a hard battle, upstream all the way.
I expect he’ll swim, rise, leap – I see it in his eyes, sense it in his spirit.
I wonder what the future holds for him. Something of great importance, great value – I can feel it tugging.
Whatever part I can play, let me play it.
Let the magic begin.