A little copper box. On its lid, two seahorses free-floating in a bed of tiny, shimmering beads.
When I saw it in the island’s gift shop showcase, it spoke to me:
I was made for you.
But what ARE you? I wondered. A curiously small trinket box?
Then I saw the inconspicuous card in the shadowy showcase corner—as if it had just materialized.
That is when I knew.
“Ahem—can I please see this little box?” I called to the shopkeeper. Once the enchanting object left the glass case it would never go back.
The shopkeeper, an older lady with shoulder-length sandy hair, a friendly face, and a bohemian air, chattered happily as she withdrew the box and placed it in my open palm. One of a kind. Handmade by an artist. A reliquary.
A work of art, I thought, tilting the box in my hand. The beads in the lid shifted like grains of sand; the seahorses drifted over their pearly sea. Meant to hold relics. Something special. Something holy.
I had no idea exactly what.
I only knew it was mine as soon as I saw it.
Or that maybe I belonged to it.
First of all, the seahorses. A symbol I love, one I’ve adopted as my writerly motif. Hippocampus. There are two in the reliquary lid; there are two in the human brain. They help new memories form. They are tied to learning and emotion.
A glimmering of blue against rolling quicksilver . . . I begin to see, to understand, a little.
Whatever stirs in my brain, in my heart, finds its way onto a page. My notebooks are reliquaries. My blog is a reliquary. They hold my learning—they often reveal my learning to me—as I write. They hold my emotions, my memories, bits and pieces of my existence. My relics. Words.
On a metaphorical level, that is what the box represents. My writer-soul, poured out, made visible, received in a keeping-place.
On a physical level, the box is quite real, tangible, and empty, waiting to hold something worthy. It will come. I will know it when it does. For now my reliquary sits on my dresser. Whenever I pass by, the hippocampi in my brain flutter at the sight of the hippocampi on the lid. For in the vast currents of living, of thought, grains gather one by one to form something solid. Somewhere in the waiting lies an invitation, expectancy, a sudden discovering. A work of art, ever and always developing—because, in truth, we are all reliquaries.