healing

The eagle

/ Fran Haley / 21 Comments

Eagle

Bald Eagle. sally9258. CC-BY

After a recent outpatient procedure, as I secretly celebrated waking up from anesthesia and not dying, my  husband drove me home down the back country roads. Through the passenger window I idly watched winter-brown grass, trees, and old gray outbuildings zipping by, noted a small clearing with a tiny pond nestled in wood-strewn ground, an eagle sitting by the wayside—

—wait—

We said it simultaneously, my husband and I: “THAT’S AN EAGLE!”

Just a quick impression, sitting majestically, facing us, huge, white head gleaming atop the dark body, not ten feet away . . . .

We were past it as soon as the sight registered on our brains.

“Go back! Go back!” I pleaded, grabbing my phone, opening the camera.

A sssskkkkrrrrttt! of a turn-around at a dirt driveway, and we were back in a flash.

It watched us, unmoving, as we neared, but when we slowed, the eagle grew suspicious. It took off. Within a millisecond, into the bare, gnarled oaks.

“No! Wait! Wait!” I cried, snapping as fast as I could.

We rolled a little farther, but the only good shot I got was of its back, soaring away.

Gone. I missed the moment. Failed to capture my encounter with the wondrous. I have never been that close to an eagle in the wild. I’ve hardly seen any free ones at all, in fact. I’ve heard them calling in their high, haunting, piercing voices, have seen one perched on top of a streetlamp, but never anything like this.

I grieved my loss: It would have made such a great blog post, too.

I got home, got into bed.

Couldn’t rest.

The image of the eagle wouldn’t leave my thoughts. It stayed, motionless, watching me. Cocked its head, affixed me with its eye, its penetrating gaze.

—Why wouldn’t you stay so still just a little while ago?

It ruffled its feathers. Kept right on staring at me.

So I looked it up.

There are few things I love better than symbolism, and few are better-known than the eagle: The national bird, on the Great Seal of the United States. Revered icon of ancient times, civilizations, people. Mascot to numerous sports teams—even that of the school where I work.

But this is what got me about the eagle:

It is a symbol of healing.

It is a symbol of transition, some element of life or creative endeavor, about to take flight.

—Dare I see it as a sign that all shall be well, that some new venture, personal or professional, lies just ahead?

It was just an eagle sitting by the wayside, as eagles surely do, somewhere, every day.

Only this time I happened to see it. In the blinking of an eye.

It blinked.

I blinked back at it.

So, I told it, you wouldn’t stay put for a real picture, but now you linger as a mental one. If you’re going to hang around portending something, then let it be my creativity and insight taking flight. Let it be about thing I love to do most—let my writing be courageous and free, with clarity of vision. Let it fly, let it fly, on and on, higher and higher.

Only then did the image fade; only then did I rest.

I fell asleep.

And woke in the morning, renewed, resolute.

No more missed moments. There aren’t moments to lose.

—I’m ready for whatever lies ahead. Lead on, eagle.  

My best shot

The gazebo

/ Fran Haley / 11 Comments

Gazebo at Night. Lori L. Stalteri. CC-BY

At first he thought he never wanted to see it again, the little gazebo on campus.

How perfect it was when he last saw it.

He couldn’t have orchestrated things better than they’d played out: the June sunlight just beginning to wane after dinner, shining in a deep, golden slant through the magnolias, the fragrance of the last blooms heavy in the air.

And her.

At last, and again, for they’d broken upon once. This time he knew it was meant to be. Side by side they sat, and he gave her the ring.

She started to cry.

“Will you marry me?”

She wiped her tears, laughed, hugged him. “Yes!”

Perfect. That one afternoon, in the whole of his life, was perfect.

In two weeks she was gone.

Not ready, she told him. They were too young.

That’s it then, he told her. Not now, not ever.  

His friends consoled him: “You ARE too young. Just enjoy life before you worry about getting tied down.”

Trouble was, he didn’t know how.

For days, all he wanted to do was sleep. He slept the rest of the summer away. He ate his way through autumn into the winter until he decided (while standing on the scales) that enough was enough.

He started walking, counting his calories. He lost seventy pounds.

He reconnected with old friends.

One asked, “Whatever happened, exactly?”

He told her all of it, just as they were driving past the campus. On the spur of the moment, he said, “I’ll even show you the gazebo where I gave her the ring.”

It was getting dark. He parked the car. They got out, walked the magnolia path. Lights in the lampposts flickered on. It was chilly; he hadn’t thought to wear a coat but he hadn’t planned on strolling to the gazebo tonight, or any night. He shivered as they stepped into the clearing . . .

The gazebo wasn’t there.

For a minute he thought he was dreaming. He looked every which way—yes, this is where it was. This is where it stood.

“It’s gone!”

“Gone? How could it be gone?” asked his friend. “Are you sure this is the right place? That you haven’t made a mistake?”

“I made a mistake here, all right, but it wasn’t forgetting where the gazebo is. Was. I even used to ride my bike past it when I was little. Right here.” He scratched his head. “This is like something out of the Twilight Zone.”

His friend laughed. “Well, it’s twilight anyway. And maybe that gazebo didn’t disappear. Maybe it never existed at all, and maybe you never made that mistake because it’s been erased. It just never was.”

To this day, he hasn’t asked anyone who might know what happened to the gazebo, because, as far as he’s concerned, his friend is right.

Although he still occasionally checks, when he happens to think of it, which is less and less often.

It’s not there.

As if it never was.

*******

(True story)

September 11

/ Fran Haley / 11 Comments

Healing field

The Healing Field. Randy Heinitz. CC BY

Out of the blue

a student asks:

“Mrs. Haley,

if you could have

one magic power,

what would it be?”

Other students 

look up from their writing

to listen. 

I think of suffering

of strife

of festering

scars and stripes

visible

and invisible.

Broken bodies

hearts

psyches.

The children watch

and wait.

What power would it be?

“Healing,” I say.

They absorb this

without a word

their young eyes

looking far away

or maybe far within

to make

their own meaning.

They nod

as they return

to creating

their own stories.

Help

/ Fran Haley / 15 Comments

Help

“Help.” James Johnstone. CC BY

As I entered the darkened cinema auditorium, an attendant handed me a pack of tissues.

Foreshadowing at its best.

The tears come at various points throughout the viewing of Won’t You Be My Neighbor?—the lovingly documented life and work of Fred Rogers.

Mr. Rogers operated from a profound wellspring of love and empathy for children. At the outset of the movie, he’s young, seated at a piano. The film is black-and-white. With his hands on the keys, Mr. Rogers speaks of modulations: “It’s fairly easy to go from, say, a C to an F,” he says, playing each chord. “But to go from an F to an F-sharp,” he models, “you must navigate all sorts of things.” He saw the new medium of communication, television, as a means of helping children navigate the modulations of life. Fears. Changes. Questions. Emotions. A country at war. Hatred. Not understanding. Divorce. Illness. Death.

I watched and listened with the ears of an educator and the heart of a writer. This is my work, too, I thought, only my medium is paper and pencil. 

Then, after having helped generations of children through the modulations of life, came 9/11.

Mr. Rogers, then retired, was asked to help, his voice, his presence, once again a ray of light, this time cutting through incomprehensible darkness. In the documentary, the sorrow is etched on his face. He spoke of being tikkun olam, “repairers of creation.”

With his words I saw the world in all its brokenness, violence, despair . . . and thought, It begins with the world inside us. Repair begins there, within each of us, before we can work on the world without.

I thought of children I’ve known through the years, finding their voices through writing, facing their fears, overcoming them, gaining strength and courage. Children who have suffered loss and grappled with it in their own words. I’ve read the haunting account of a child being tortured in another country and celebrating his new life in the United States. I thought it was fiction until the third-person changed to first near the narrative’s end; the teenager was writing about himself. A second-grader whose mother was remarrying and her fear: “Will my stepfather like me?” A fifth-grader lashing out at her mother in the very first line of her memoir over how many times they’d had to move, and how it hard it was to have any friends.

And with the words that came from within, anger eventually melted to forgiveness, fears pointed toward hope, insecurities gave way to confidence and validation. With the writing, the stories became those of enduring, of overcoming, of celebration.

Repairing within.

I thought about how some educators look at writing only as a means of retelling what you know from what you’ve read, or a standard to be delivered, assessed, and crossed off a list. No time for this “touchy-feely” kind of  thing . . . yet the one thing that best helps children understand themselves, the world around them, and their place in it, is writing. Freedom versus constriction. Discovering potential, seeing possibilities, problem-solving. I’ve said it before, I’ll say it again: Why is the goal “college and career ready?” How about life ready?

For the modulations don’t end in childhood, do they, Grown-Up.

Mr. Rogers spoke of his own childhood and what his mother told him whenever there was a catastrophe, or news of tragedy, on the air; she said “Look for the helpers. There will always be helpers, even if on the sidelines . . . because if you look for the helpers, you’ll know that there’s hope.”

Look for the helpers. Repairers of the world.

Then be the hope.

And . . . write.

Of calluses and rings

/ Fran Haley / 2 Comments

My older son showed me his hands this morning: “Look, Mom.”

He has tiny calluses across both palms from working out.

It causes me to reflect on why we labor hard enough at something for the friction to wear such places on our skin. To my son, the weight training is worth the effort for his physical well-being; he is dedicated to his regimen. His hands pay this small price for the health of the rest of his body.

In the photo above, a man’s ring has worn a callus on his palm when he forgot to remove it before a mountain bike race. It draws me because I have a similar, very faint callus on my own left palm from my wedding band. As I hardly race mountain bikes or use my hands in intensive manual labor on a daily basis—and I don’t even wear my rings while at home due to contact with soaps, cleansers, and detergents—it’s a bit mysterious as to why this hard little spot exists on my hand. I’ve decided that it’s occurred over time, over many, many years of marriage.

Therein lies the rub, so to speak. The ring, over time, has worn the callus. Might it be symbolic of marriage friction? For, let’s face it, no two people can live under the same roof for long without some earnest element of friction. But in a strong marriage—in any strong relationship—the labor of love is worth it; you keep at it. As long as your hearts don’t become callused (and your attitude callous) toward one another, the relationship protects itself against the friction. That’s what a callus is, a protection-against-the-friction place.

Last Saturday, my younger son, Cadillac Man, showed me the huge callus on his own palm. It’s from the shovel he used to dig the grave for Nik, our sixteen-year-old dachshund. This little dog was his daily companion since he was four and saw him almost through college.

If you’ve ever raised a dachshund, you know about friction . . . .

But the callus on Cadillac Man’s hand is a labor of love.

And worth it, for while his heart (and mine) are presently more sore than his hand, we expect more calluses yet, for we’re going to make a memorial garden where Nik is buried. A beautiful callus on the earth, if you will. A protection-against-the-friction of having to let him go, a working toward healing by building up a place of strength. The pains of creating our little memorial will be insignificant compared to the expected result.

It happens to be Memorial Day weekend. I think of men and women wearing wedding rings given by spouses who’ve died in service of the United States. Of families and friends marking the losses of those they loved. They’ll bear the scars of it on their hearts always. I think of those who fell, in this generation and all those before, believing that, if they must pay the price of their lives for the well-being of others, the outcome would be worth it.

Labors of love, protection-against-the-friction.

The story of sacrifice, sometimes complete, often beautiful, lies in the hard places left behind.

 

Almost

/ Fran Haley / Leave a comment

It’s always there,

the ghost of Almost.

What might have been

but was not.

What should be

and isn’t.

Almost – ever how illusory, how ethereal

all but ephemeral –

is a penumbra bleeding from yesterday

into today,

a pulsing presence,

a ponderous weight,

despite its nonexistence.

A walking shadow,

the thief of Now

and its fullness,

the vacuum of Tomorrow

and all its possibility.

Inversion,

implosion.

Just images

without substance,

yet the mass of the universe

compacted

into one knot of aching.

That is the price

of living

with the pretty picture, 

the insatiably hungry, ever-gnawing

all-consuming 

ghost of Almost.

When the notion of Almost first came to me recently, it was about romantic relationships that didn’t work out.  Witnessing the death of the dream, how it takes its toll on the ones who wanted, and tried, to make it work. Broken promises, shattered hopes. It’s easy to cling to the idea of What Might Have Been, when it has been yanked away, leaving a gaping hole in a painful reality.

Then Almost beckoned me with its wispy finger: “Come in — come in, and get to know me better!”

(Before I go any further: Yes, I am borrowing that quote – thank you, Charles Dickens and the Ghost of Christmas Present, and yes, I borrowed “walking shadow.” Honestly, Mr. Shakespeare, it walked in of its own accord).

The ghost of Almost encompasses dysfunction, too. It’s the emissary of unraveling families, friendships. Within Almost are many shades of loss, of varying depths and proportions, all of which can overshadow daily life.

The game almost won.

The job almost attained.

The money almost saved.

The addict almost cured.

The temper almost controlled.

Almosts can go on and on.

Inevitably followed by “I should have … I should have …”

We have some choice, some power in some of those Almosts; in others, none at all. We cannot think for others,  cannot control their actions, decisions, feelings – only our own. Whether the ghost of Almost materializes because we throw the door wide open for it, or it arrives, unbidden, unwelcome, unwanted, through the choices of others, it wants to destroy What Can Still Be.

If we let it.

The only exorcism: See your Almost for what it really is. And release it, for it stays only if you keep hanging on to it. Decide that it will not devour your now, or your tomorrow, any longer. Seek the healing path over the haunted one.

A priceless quote from a friend of mine: “Don’t should on yourself.” No more dwelling on on what you should have done or what should have been. Move forward, one deliberate step at a time, one moment at a time, in wisdom  – for beyond Almost’s shadow, the sun still shines.

Be ready to walk in it.

 

 

Today is going to be long ago

/ Fran Haley / 5 Comments


Beyond the sundown is tomorrow’s wisdom, today is going to be long, long ago.

-Thomas Hornsby Ferril

Daddy paid the bill and we left the doctor’s office. My arms burned and ached from the allergy injections. We’d waited a long time for the nurse to call my name, despite having an appointment every week on my father’s day off. We’d also waited a long time after the shots, one in each arm, in case of a severe reaction. The day itself was shot now. As we crossed the parking lot to get in the car, I thought: Nothing ever changes. We come, I get the shots, my arms hurt for another two days. I still can’t sleep a whole night through because of asthma attacks. Balling up with my knees under my chest, my head on two pillows, helps me breathe sometimes. I can take in air but I have to push it out. My chest rattles. The wheezing occurs most often at night. It’s worse in spring and fall—every Easter and Thanksgiving, my parents say. Each night Daddy pours more water in the vaporizer in my room, refills the little metal tray in the lid with Vick’s menthol. The contraption steams and sputters for the duration of the night, but the only effect I can see is the loosening of the tape holding my posters on the walls of my bedroom—posters I bought at the book fair, one of a tabby kitten dangling from a limb, captioned “Hang on, Baby, Friday’s coming!” and a red poster of a sunset, with “What lies behind us and what lies before us are tiny matters compared to what lies within us”—until my posters fall down.  Every day I try to stick them back on the moist walls. I am tired. I can’t rest at night, I can’t rest after school because the kids Mom babysits at home want me to play and there’s nowhere to go, no getting away from them. 

I walk in silence by my father across the ugly gray concrete parking lot, my arms burning, knowing those kids will be at the house when I get home. It’s the same, day after day, night after night, forever. Nothing ever changes. 

I don’t know how I can keep going on. 

I was only ten years old.

I didn’t know to attach words to my feelings—boredom, depression, in a rut, despair.  I never communicated the heaviness of my thoughts to anyone at the time. I have always been quiet by nature. When my physical activity had to be limited—I couldn’t run in P.E. because it triggered my asthma in the days before inhalers—I spent more and more time reading and writing.

This was my salvation. My escape. The way out of the daily sameness, the beginning of overcoming, of strength. I described the color and the hot, cinnamon taste of liquid Benadryl in my fifth-grade memoir—the teacher responded, “What clear, great detail!” That was the first time a teacher praised my writing. Here, unexpectedly, was something I could be good at, something to work toward.

It happened slowly.  I don’t remember the exact turn of events, or the length of time it took, only that the moment of long-ago despair was just that—a moment. Things did change. Eventually I got injections in one arm when doctors decided to combine the serums; then the shots stopped altogether. Unless I am around cigarette smoke or cats, I am not troubled by asthma anymore (though doctors warn me one is never “cured”). My mom didn’t babysit the pesky kids forever; I could find my own space again. Most remarkably, I have never had serious bouts of depression, despite the fact that it runs in my family.

Looking back now, I can see where that long-ago darkness might have been the beginning of a very different story. I was fortunate. I endured. As decisions for my health were made with more and more wisdom, I found my way through with words and pages.

I remain today, whole, strong, and grateful, because of it.

Every word, every decision, every moment—wisdom matters.

If tomorrow is to be.

Making adjustments

/ Fran Haley / Leave a comment

Poor Banjo

Poor Banjo!

Banjo is my family’s 18-month-old yellow Lab. If he can be summed up in one word, it’s exuberant. If two words – wildly exuberant. He is a force to be reckoned with, ninety-one pounds of raw energy barreling toward us at top speed in hopes of 1) eating something or 2) having us throw a ball or stick for him to retrieve. Endlessly. Banjo goes into a frenzy if he thinks we’re about to stop throwing said ball or stick, the bodily equivalent of shouting NONONONONOPLEASEPLEASEPLEASEPLEASE!!!! His beautiful gold-green eyes (sky-blue when he was a baby) go pink around the rims; he often leaves us humans coated in a layer of frothy slobber, prompting us to quote Bill Murray’s line to Dan Aykroyd in Ghostbusters: “He slimed me.”

During attempted walks on the leash (key word: attempted – these walks are more like trying to restrain a steam locomotive), Banjo’s mouth foams to the point of looking rabid, unnerving to anyone who might recall a certain story about a big yellow dog exposed to hydrophobia. I mentally push this horrible connection away the instant it comes to mind. Managing Banjo has become something of a Herculean challenge, to say the least. Twice he’s escaped from us, running, barking and foaming, through our neighborhood, causing one woman to run into her house and giving young men chase. I corralled him once myself and got him safely to our fenced backyard. The other time my older son chased him for forty-five minutes, while Banjo had the time of his life ripping through neighbor’s yards and swimming in the pond across the street from our house. In disgust, my son gave up and stormed home, at which point Banjo, sopping with pond water, bounded back up the driveway.

Banjo escaped from the backyard recently, having dislodged two slats of the wooden fence by repeatedly jumping against them with his considerable weight. Looking at the slats, presently secured with bungee cords until we can nail them back properly, my husband said, “If we can’t contain him, we’re not going to be able to keep him.”

My turn to say NONONONONOPLEASEPLEASEPLEASEPLEASE!!!! 

Despite all, I love this wildly exuberant dog. He’s been with us since he was seven weeks old, a ball of yellow fuzz that slept in my lap or on my feet. Banjo’s presence represents hope and survival, his own as well as my husband’s during a dark time;  I wrote about it in The unplanned baby. How can I just give him up? Yes, he’s one giant mess. Sure, he sheds copiously, enough hair to make a whole other dog. Yes, he dug up the pipe leading from the propane tank by the back deck until the stench of gas frightened us all, giving us visions of the whole place blowing at any moment, until we buried the pipe again and built a small wall of cinder blocks around it. Banjo barked at these blocks nonstop, all day, every day, for about a month.

But when he goes into his crate at night, he looks at me with those golden-green eyes and waits patiently for me to reach through and rub him for a minute. When I do, he leans his head against my hand, closes his eyes, and savors every second – the sweetest, most loving of creatures.

If only he would stay this calm more often . . . .

It was inevitable, of course, and past time, really. It had to be done.

We took Banjo to be neutered.

We did not know until we picked him up that he’d be wearing a cone to keep him from interfering with his surgery site until it healed – for seven days.

“There’s no way,” I said, watching Banjo writhing, twisting, and jumping, trying to rid himself of this horrid thing around his head. But after a few minutes, he sat still, with his head hanging down. Subjugated, submissive, maybe even dejected, Banjo seemed to be contemplating this new, unfortunate turn of events.

In the subsequent days, he simply made the necessary adjustments.

He learned that he had to put the entire cone opening over his food and water bowl to eat and drink. I laughed at the sight. He looked like something straight out of science fiction, a vacuum-headed suction creature from another planet. He ran through the backyard, as exuberant as ever, with his cone pointed toward the sky like a morning-glory flower. He wanted to play so badly that, despite the cone, he managed to drag a five-foot pine limb thicker than my arm to me in hopes that I’d throw it for him.

He still waited for me to rub his head when he went into his crate to sleep.

“I am so sorry about all of this, Banjo,” I said, working my hand through the bars and past the cone.

He shifted his head to help me reach him, leaned against my hand, and closed his eyes. So accepting and forgiving.

I rubbed him an extra-long time, tears stinging my own eyes.

My husband and I took the cone off after four days. We couldn’t stand it anymore.

Banjo is healed now, running unfettered again in the backyard each day of this glorious, sunny spring. He never fails to lift my spirits, this big, beautiful, messy boy. He reminds me that setbacks are temporary, that whatever pain and hardships come, there’s something good waiting just on the other side. Accept, make the necessary adjustments, carry on – cheerfully.

Just another of life’s lessons from an exuberant yellow dog that will hopefully be calmer now.

Regardless, here’s the truth about Banjo: He doesn’t belong to me. I belong to him.

Always.

Reflection: What are the necessary adjustments must you make in your own life, currently? Think acceptance, forgiveness, healing, moving beyond. What’s the something better that might be waiting on the other side of the struggle, the pain? Write your truths.

 

Courage (part two)

/ Fran Haley / 24 Comments

The surgery took longer than expected, but the surgeon came to the waiting room at last.

“It went well,” he said. “Your husband’s eye is removed and the implant is in place, covered by membrane and attached to the muscles as it should be, if he were to get a prosthesis.”

He paused.

If it went well, why is he pausing? Something’s not right.

He continued: “I had to remove a lot of extra tissue, as it was dark and there’s no way for me to tell if it’s just natural pigment, or bruising, or melanoma.”

I was shaking. “What does this mean?”

“I took all of the dark tissue but he may never be able to wear a prosthesis, as there may not be enough support for it,” said the surgeon, gently.

I nodded. How are we going to tell him?

“Pathology will send the eye to Wills Institute in Philadelphia – they’re the best. They’ll analyze the tumor, whether or not any cells have spread . . . .”

 I closed my eyes as he spoke, not having considered this possibility.

I recalled the oncologist’s words when we consulted him: By the time it’s found, it’s usually metastasized. Radiation and chemotherapy are ineffective. It’s nasty.

That doctor had treated five patients with ocular melanoma in the last two decades.

All five had died.

Please, God. Please let those cells not have spread.

And then I went to recovery to hold my husband’s hand.

He squeezed mine, hard.

Half his head was bandaged. When an eye is surgically removed (enucleated), that side of a person’s face bruises badly. A conformer, a clear plastic piece like a huge contact lens, is put under the eyelid to hold its shape during healing so a prosthesis will fit.

The pain is intense for the first few days.

When the bandage had to be removed the first time for the application of antibacterial ointment, my husband said, “Get me a mirror.”

I handed it to him.

“Dear God,” he said, looking at his reflection.

It was the only time he cried.

After that, he never complained, not once – all of his energy went into healing.

The first night back home, when he went to bed, my husband said, “I see a light.”

“There isn’t a light,” I said. “I just turned it off.”

“I see it with my . . . what used to be my eye,” he said. “A bright light at the floor. Then it sort of swept up to the ceiling.”

I thought about amputees who still feel rings on fingers that are gone, or sensations in legs that are not there anymore. Phantom pain.

“I think it’s a phantom light,” I told my husband.

 He saw it for a few nights, this ghost light, the optic nerve trying to adapt to not seeing anymore. And then it stopped.

The bruising absorbed in a week or so and the eye – what do you call an eye that’s not an eye? A non-eye? – didn’t look as alarming as one would imagine. Just a pale orb, sort of like sclera without an iris. Not frightening at all, nothing like a hallowgast from Miss Peregrine.  Just different.

And every day we wondered about that pathology report.

Three long weeks went by before the surgeon called:

“No rogue cells in the tissue around the eye! The timing couldn’t have been better – the tumor was in the early stages.”

We threw our arms around each other; we could get on with living.

It wasn’t all that easy.

At first my husband wore a black eye patch to shield the removed eye. Everywhere we went, little kids called out, “Look, a pirate!” My husband just laughed and waved at them. An eye patch, however, is quite convex. It bumped against the lens of his glasses, which he had to wear all the time now for his remaining eye, as it was becoming strained.

He tried adhesive bandages designed for eyes next. Our grown sons said, “Dad, the eye patch looks better than those Band-Aids. A lot better.”

My husband sighed. He decided to try wearing a contact lens in the real eye, doing away with glasses so he could go back to the eye patch, which worried all his doctors:

“You only have one eye now – you can’t afford an abscess or corneal infection,” they told him.

He tried it anyway – and learned that in order to put a contact in, you really need two eyes to see what you’re doing.

At last he resorted to tinted lenses and gave up on coverings altogether.

He had trouble with depth perception, driving after dark, merging onto the highway. He was startled by people approaching him on his left side, because he couldn’t see them coming.

He bumped into things, hard enough to leave bruises.

He had trouble reading, which worried him more than anything else – he’s a minister, and reading is the foundation of his life’s work. He got a magnifying glass to be able to study his Bible.

He became restless, quiet.

At an appointment for his strained eye, the neurological ophthalmologist asked: “Why haven’t you gotten a prosthesis?”

“The surgeon said with all the tissue he removed, there may not be enough support for it,” answered my husband.

“Hmmm,” said the ophthalmologist. “How long has it been since your surgery?”

“A year.”

“I think you should investigate it. Here’s the name of the ocularist. He’s only about an hour away.”

We called, and learned that the ocularist sets appointments in the morning. If the patient is a candidate for a prosthesis, he makes it in his office that day and the patient leaves wearing it.

My husband hung up the phone, his face alight with hope.

“What if . . . ” I struggled, “what if you’re not a candidate?”

“Then I tried, and that’s all I can do.”

I worried the whole trip about how the idea buoyed his spirits, fearing that we’d be sent away, and how would that affect him?

Our younger son drove us. The three of us sat in the office together as the ocularist examined my husband.

“Oh, that was a lovely surgery,” he said. “Lovely. Great movement of the implant. Let’s get to work.”

“Do you mean,” I hardly dared to confirm, “that he will be able to wear a prosthesis, after all?”

“Sure – not a problem.”

I sat there watching as the mold was made of my husband’s non-eye, then as the resin was poured into it to create the prosthesis, thinking, This is like a cross between a medieval apothecary and Lemony Snicket. It might have been downright gothic, except that the room was sunny and cozy, being part of a house converted to an office.

The last step of the process was painting the prosthesis. We watched this man, this artist extraordinaire, open his set of paints and create his little masterpiece. He held the prosthesis up to my husband’s eye for comparison: “You have a lot of ocher in your iris. I have to add more.”

Back to dabbing paint he went.

As long as I live, I do not expect to see anything like it again – it was nothing short of a miracle when the ocularist placed the prosthesis over the implant, and my husband looked at me with two big, beautiful brown eyes.

My mouth fell open.

So did my husband’s, when the ocularist handed him the mirror.

We arrived at 8:00 that morning.

We left at 3:00 that afternoon, with the new eye.

On the porch of the office as we were leaving, in the bright the afternoon sun, my husband said, “Tell me how it looks.”

A perfect match – one would not know which was the real eye.

“It’s unbelievable,” I said. “Amazing.”

“It looks great, Dad,” said our son.

“I feel like myself again,” said my husband. A grin spread across his face.

“I just wonder how long it will be before someone asks if I can see out of it,” and he dissolved with laughter.

That was just three weeks ago.

He hasn’t stopped smiling since.

*******

(Note:  Just before the surgery, when we didn’t know what would happen next, we made the seemingly insane decision to adopt a seven-week-old Lab puppy who needed a home. If you are interested in the puppy’s story in relation to this experience, here’s a previous post: The unplanned baby.

slice-of-life_individualEarly Morning Slicer

Shine

/ Fran Haley / 4 Comments

born-to-shine

 

This is the cover of my mentor text notebook, housing the writing I’ve done with and for children across grade levels.

I believe that every child is a writer, because every child has a story. Every child has feelings and ideas. The writing teacher simply shows how to tap into these feelings and ideas, to give voice to them, to organize them, so that the mind and heart of the writer impacts readers.

Writing is about the human experience: We are all born to shine.

We shine through our fears, our losses.

We shine beyond the choices we make and the choices of others, beyond the things done to us and the things we have done.

We shine no less in our failures than in our successes; in fact, in learning and pressing on, we shine the brighter.

We shine in knowing what to hold onto and what to let go.

We shine when we harness anger before it burns away all that’s of value within us.

We shine by leaving footprints of hope for others to follow, for the human heart runs empty on despair.

We are ALL born to shine. Whether or not we do is up to us.

Reflect:  In the book The Forgotten Beasts of Eld by Patricia A. McKillip, 1974, a mysterious creature had the power to turn people’s eyes around to see inside their minds; they died from what they saw there. Writer, know thyself. Look deep within. You will be surprised by what you discover – the beautiful and the not. Write – and shine.