Ode to menthol

In the season
of sickness,
of a rattling
in the chest
that lingers
and lingers
and lingers
I seek
your healing power
O my elixir

none other will do
as well as you

your name
is not always recorded
on cryptic inscriptions

but I know
it’s you

nothing else
has that
distinctive
burn

Alas, you have become
such an elusive elixir

I search high and low
(on the shelves)
just to find
you’ve vanished

leaving no trace

it befits you,
vaporous thing
that you are

I cannot entertain
the notion
of orange
or honey
—fie!

These cannot
open passages
like you.

I wonder
what on Earth
I shall do

but wait…

memory stirs
like ghosts
like tendrils
like vapors, yes…

my own father
pouring your
precious substance
into a little silver tray
and plugging in
the vaporizer

there I was
suffering child
surrounded
by a steamy cloud
tinged with your
cool fragrance

sputtering
sizzling
on through the
long, long night

(you’re no cure-all
for childhood asthma, btw
but I’m not dealing
with that
anymore)

and speaking
of clouds…

back there
in the shroud
of Time
where sits
my father
and
my mother
puffing
puffing
puffing
on Salem cigarettes
there, the
telltale green carton
indicates your presence

I can still smell you
on the foil
of those packs
and in the
smoke ribbons
curling in the air
(aside: salem means
peaceful
complete
safe
perfect)

—what a cool operator
you are,
alternately healing
and stealing
breath

but then…

far back
so far back
I find you
at your purest,
perhaps

sick child
that I was
struggling
to breathe
(yeah, it’s a theme)

my grandfather
going to
his medicine cabinet
for a little
cobalt-blue tub
my grandmother
unscrewing the
aqua lid
and with one finger
slathering a good dollop
under my nose

(which now
no one is
ever
ever
ever
supposed to do
although clearly
I am alive)

and it is this memory
these moments
that are salve to my soul.
balm to my spirit

and so I come
to find you
like a miracle
in my own
medicine cabinet

whereupon I slather
my own self
up good

relishing your
mint-oil fire

your vapors
like a blanket
of love
enveloping me

breathing
breathing
Yea, with
a little
more ease

until this
lingering
lingering
rattle

evaporates
at last…

O, my elixir.



Fun facts: Vick’s VapoRub was invented in 1894 in the North Carolina county next to where I live now. It was originally called Vick’s Magic Croup Salve. From the NC Department of Natural and Cultural Resources: “The salve in the blue jar is made of menthol, camphor, oil of eucalyptus and several other oils, blended in a base of petroleum jelly.The creator invented it to cure his son of severe croup…which it did. Spanish flu killed the inventor in 1919 but, paradoxically, that pandemic drastically increased demand for his product. Oh…and guess who worked at the inventor’s drugstore as a teenager? O. Henry.

My ode, however is to menthol, not just Vick’s, seeing as I had to include my parents’ Salem menthols in the mix. I was an asthmatic child, my first attack occurring at age three months. As I grew, I often begged to stay with my grandparents when I was sick; they slathered me with this old remedy, hence my great affinity for VapoRub. Accordingly, my grandparents are ever-present in the healing power of that clean menthol burn…nowadays I am not troubled with asthma but when I feel a cold coming on, or, as in the present moment, trying to shake the rattling cough after a cold, Vick’s DayQuil with VapoCool is my go-to. It works, to which widely empty shelves attest. I finally had some delivered by Instacart (had to show ID, of course) so I can continue burning the rattle out of my chest…it’s the best thing I know of, outside of a certain homemade “recipe” made by one of my old-time church members from the country…not exactly sure what was in THAT jar, but it would’ve surely burned this stuff out long before now… that, however, is another story for another day.

Here’s to the healing power of menthol.

*******

with thanks to Two Writing Teachers for the monthlong Slice of Life Story Challenge
and to Kim Johnson,

whose series on Epsom salts convinced me that I really, really should write about menthol
(which, yes, can occasionally be dangerous, so use with care)

Grass poem

On the second day of the August Open Write at Ethical ELA, Margaret Simon shared “a photo that wants to be a poem.”

Here’s mine.

Release

I savor 
the secrets
of grass
in its returning
again and again
to a scarred surface.
I savor its growing
here in tangled profusion
with yellow foxtails
beckoning in the breeze
in the knowing
that when there comes
a mowing
the inner balm
ever-flowing
secretes itself
across the brokenness
releasing its sweetness
in the air.
What I savor
most of all
is breathing
the fragrance of grass 
healing itself.

Photo: Margaret Simon

Light reading

A friend who knows my affinity for the natural world gave me The Book of Hope: A Survival Guide for Trying Times. It’s written as a conversation between Jane Goodall and her interviewer, Douglas Abrams. When I say it’s part of my current “light reading” I don’t mean easy (although it is) or frivolous (for it is not).

I mean light as in candleglow dancing on the walls of a dark room.

I’ve not gotten far yet but here are some lines that draw me in the first couple of chapters—flickerings of my own credo:

Hope is a survival trait.

The naturalist looks for the wonder of nature – she listens to the voice of nature and learns from it as she tries to understand it.

Hope does not deny all the difficulty and all the danger that exists, but is not stopped by them. There’s a lot of darkness, but our actions create the light.

And this from an Inuit elder, on confronting and healing our grief, which can manifest itself in the body as physical pain: Make space for grief…find awe and joy in every day.

—these, I believe. They are often the very reason why I write.

Recipe for Survival

Hold onto hope, and it will hold you
Open the ears, eyes, arms of your spirit
Perceive the call of awe, all around
Embrace it. Let the healing begin.

In the time of broken hearts

Heard on the news this week: Broken heart syndrome is a real thing.

It happens after significant stressors. Too much adrenaline. The heart is weakened. It hurts.

There’s a scientific name for it: takotsubo cardiomyopathy. It derives from the Japanese word for “octopus trap,” after the shape of the left ventricle of the heart in this condition.

It is temporary. The broken heart can heal in a short time, maybe days or weeks.

It can sometimes lead to complications. Rarely death, though.

It seems to affect mostly women 50 and older.

But I wonder.

I wonder, as I regularly step in for teachers who are out.

I wonder, as I absorb laments and frustration and anger about the depth of student struggles.

I wonder, as I listen to students reading poems about tasting the salt of their tears.

I wonder, when I wake up so tired on workdays, when I have so little left to give when I get home.

And I am usually one to see the glass half full, to find the awe in each day, like…

the blue heron standing a glassy pond on the drive to work

the whorls of white smoke floating up from the chimney of a little house in the countryside, struck by the rising sun and transformed into clouds of peach-colored light

the newest photo of my three-month-old granddaughter who’s beginning to smile more and more

hearing my boy play old hymns on the baby grand piano at church with such a multitude of notes and joyful liveliness that surely, surely the angels dance

the one little bird (a cardinal?) singing for all it is worth, from the treetops

-these things strengthen my heart.

And keep it, I think, from breaking.

It is a long season, this pandemic, with its deep layers of residue.

On this day of celebrating love and hearts…I wish you healing peace for the pieces.

Photo: Broken Heart Chalk 2Retta Stephenson.CC BY 2.0

Heart healing

“Heart” is the Spiritual Journey prompt for this first Thursday in February.
Thanks to Linda Mitchell for hosting our group of writers.

On a Sunday afternoon at the end of July, 2019, my husband had a massive heart attack and cardiac arrest. He was resuscitated by EMTs and went straight into surgery after arriving at the hospital. He got four stents and spent several days in induced hypothermia to reduce trauma to his brain, which can happen when blood flow has ceased and is suddenly restored. He recuperated slowly, painfully; his sternum had been broken by the CPR which saved his life. He came home. One morning in September he woke to jolts in his chest and tingling down his arm. I took him back to the hospital. More heart attacks. This time he had four bypasses. The surgeon mended his sternum with a little metal plate.

He is doing well now. In fact, up until winter settled in, he was doing eight-mile hikes in the park a couple of times a week and feeling as good as he ever has.

As this first Thursday in February drew near with Valentine’s Day and “heart” as the Spiritual Journey prompt for the month, I thought of a couple of things I might like to explore. I had chosen one, in fact, when I saw the heart-shaped hospital pillow that remains in our bedroom. This pillow was given to my husband after the bypass surgery. His attending nurse wrote on it with a Sharpie: “Keep hugging your heart!”

I thought, this is it. This is what I need to write about.

These pillows are given to all patients recuperating from open-heart surgery. The patients hug them when they have to cough or sneeze, lessening the severity of the jolt. The pillow protects the incision site whenever the patients move and when they practice the necessary deep-breathing exercises for their lungs.

It just so happens that the hospital where my husband’s surgery and recuperation has the lowest mortality rate in the country for heart bypass patients (according to reports from 2017-2019). It also just so happens that the county’s resuscitation rate is the highest in the nation. So, if you’re going to have cardiac arrest and need cardiac surgery, it’s the best place to be.

My husband is evidence of this.

I think about the surgeon who held my husband’s heart in his hands, who grafted those bypasses. He told us that as soon as the first graft was done, my husband’s heart immediately began beating stronger; it was hungry for the blood. It wanted to live.

Now. Where’s the spiritual element in all this, you ask?

Beyond the miracle that one human can cut open another and repair his heart, and that this repaired person can heal and live life awhile longer, is the Great Physician who is able to transform hearts and lives. When I was young, I attended a Bible study group in which a couple of guys could play guitars and we’d often sing this version of Psalm 51:10-12:

Create in me a clean heart, O God
and renew a right spirit in me

Create in me a clean heart, O God
and renew a right spirit in me

And cast me not away from thy presence, O Lord,
take not thy Holy Spirit from me.
Restore unto me the joy of thy salvation
and renew a right spirit in me.

Godly heart-grafting, I would say. Cleansing, taking away the bad parts, restoring. The heart must be transformed before the spirit can be renewed. Sometimes a great deal of work must be done…but the Lord is able. If we let Him work. If we are hungry for it. We often think of letting Him into our hearts but it’s really more a matter of offering our hearts—battered, damaged, tangled, sick as they may be—to Him. He knows exactly what is needed. Psalm 51 is the cry of David’s heart after Nathan the prophet confronted him with his adultery and murder. It can be the cry of any of our hearts as we place them in the healing hands of Almighty God, craving His mercy.

I rejoice that my husband lives, that he was made well, that the hospital and the EMTs are the best around.

I rejoice more that the Lord forgives and heals hearts and spirits. He works on my own, daily. He is the physician and the pillow, the healer and the comforter. The ultimate heart-hugger. He is the best place to be.

Not to mention that His own mortality record is unsurpassable.

Winter meditation

with thanks to Stacey Joy, who shared the monotetra form this morning on Ethical ELA’s Open Write: quatrains ending in monorhyme, lines of eight syllables.

Winter Meditation

On this dark morning, falling snow
fills the spirit with candleglow
the bliss-blessed silence, calling so:
Hush. Take it slow. Hush. Take it slow.
 
Claim the quiet for your healing
be free as the hawk, a-wheeling
your crystal-scoured heart revealing
wounds are sealing, wounds are sealing.

For now, nature’s red tooth and claw
newly blanketed, without flaw
is still, peace-covered, filled with awe.
Time to withdraw, time to withdraw. 

Apothecary of the soul

Today, the first Thursday of the month, my Spiritual Journey gathering writes around the theme of “Nurturing Our Summer Souls.” Deepest thanks to my friend, teacher-poet-artist Carol Varsalona, for hosting.

Summer itself is about journeys, is it not

In my previous post, A walk back in time, I told of a long-awaited trip to the Country Doctor Museum in the small town of Bailey, NC. I expected to learn about rural physicians and their practices in the 19th to early 20th centuries. I didn’t expect to be mesmerized by the first exhibit, a reproduction apothecary shop replete with show globes (which became the official symbol for pharmacies), exquisite leech jars, real live leeches, rows of dried herbs and powders displayed in large glass jars bearing labels of names so poetic and compelling I itched to look them all up right there on the spot, and black pills made in the shape of tiny coffins because they contain a measure of poisons like mercury, so an illiterate population would be mindful not to overdose.

I certainly wasn’t expecting the large painting on the wall behind the counter…

Apothecary of the soul painting, circa 1700-1750. Artist unknown.
Image: Joyner Library, East Carolina University.

It dominated the wall—the whole room.

“These ‘apothecary of the soul’ paintings are rare,” the docent told our tiny tour group of four, one other couple plus my husband and I. “Most come from Germany. You can see here that Christ is the apothecary. He’s holding the scales, weighing his Crucifixion against the weight of a man’s soul… behind them, jars are labeled with the virtues…we’ve had visitors who are fluent in German and they tell us that this is an old form of the language, much of it is complicated to translate…”

I can make out two Bible references, though. Here’s the King James translation:

Matthew 11:28:

Come unto me, all ye that labour and are heavy laden, and I will give you rest.

Isaiah 55:1:

Ho, every one that thirsteth, come ye to the waters, and he that hath no money; come ye, buy, and eat; yea, come, buy wine and milk without money and without price.

My tour group moved on too soon. I couldn’t linger to study the work at length, to grasp more of its symbolism, so I’ve since visited the Museum’s website for more information. There I learned that an apothecary may have commissioned the painting. Apothecaries wanted to draw people to their shops; they sought to be alluring, to the point of extravagance (hence the elaborate show globe towers and gilded leech jars). But imagine the effect on the ordinary townsperson, in need of help, relief, comfort, entering the shop to find Christ adorning the wall. If customers weren’t able to read the verses (from Luther’s 1545 translation of the Bible, I wonder?), they could see that Christ’s right hand holds the scales and that his sacrifice outweighs the man’s sins, represented by a horned beast. The man holds a banner reading My sins are heavy and overwhelming and grieve me from the heart.* Christ’s left hand rests on what appears to be crosswort, a plant often used to treat wounds, headaches, and other ailments, possibly representing a cure-all from the hands of the Great Physician (or Apothecary) himself: the dispensation of spiritual healing as well as physical, “without money and without price.”

I left the shop thinking about the level of trust one must have in the apothecary, and feeling as if I’d been on a pilgrimage versus a museum tour. This happened to be my first journey of summer, which has come at last, bright and beckoning, as the world strives to heal from the COVID-19 pandemic…

Here is to rest, ongoing spiritual journeys, and nurturing the soul.

*******

*Source: Apothecary of the Soul video, ECU Digital Collections, via the Country Doctor Museum website (see Learning). The Museum belongs to the Medical Foundation of East Carolina University, under the management of the Laupus Health Sciences Library.

Other Apothecary of the Soul paintings can be found online; they contain much of the same symbolism.

A bit of legacy poem

For Day Twenty-Six of National Poetry Month

Testament 

I cannot measure
how much time remains
in the hourglass
of my days

sand grains
steadily trickling
more than half
already gone

yet still refining
polishing
my existence

with words

let them be
the worry-stone
worn smooth
slid into the pockets
of those I encounter
a cool indented
presence of calm
for the holding

let them be a beckoning
a turning inward
toward crystals
forming in the geode void
the amelioration
of hollow places

let them be
like the curious folk remedy
of my childhood
jars of strange white peach rings
with heart-colored centers
floating in witch hazel
(which has nothing to do
with magic; the etymology of the name is
pliable)
cure for bruises and
what ails you

let my words be
a gauge for life-giving rain
collected
yet flowing on
and on
a good measure
pressed and shaken
poured out

a testament of love
for the new life

coming